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Dare

Thu
04
Aug

DARE - Sacred Ground (Review)

information persons: 
content: 
94%
Produced By: 
Darren Wharton
Release Date: 
2016
Released: 
Europe
Musical Style: 
AOR
Score: 
94
Label: 
Legend Records
Artist: 
 
The Celtic AOR legend that is Dare rides again! Darren Wharton’s majestic band return with studio album number 7, Sacred Ground, their first set of new material in 7 long years.
There’s always a lot riding on a Dare release, as they aren’t the fastest band around when it comes to delivering new albums. And speaking frankly, the two albums preceding this – Arc Of The Dawn and Beneath The Shining Water – while offering a taste of what we all love about this band, still managed to come up a little short when thinking back to the band’s unsurpassable classic debut Out Of The Silence.
That album remains an iconic release and one of the best AOR albums of all time.
 
So what does Dare 2016 mean for fans? Well, the return of the masterful Vinny Burns on guitar is certainly a stroke of brilliance. And he makes his presence immediately known, with Sacred Ground awash with precision soloing and a stronger guitar footprint than the last few albums.
 
While the tempo remains circumspect, Vinny’s guitar takes the songs to the next level, delivering the rock edge that fans have wanted. Yes, tempo is far more ‘up’ than recent work and like past Dare albums, it does take several listens to get to know the tunes. The similar pacing makes it a little harder to separate the songs initially, but as always with Dare, it is all about mood.
And no one does mood better than Darren Wharton and Vinny Burns.
 
And I have to say, I have a huge appreciation for Darren’s vocals. He IS British AOR for me.
In essence, this is a wonderful album that takes a step back from the Celtic influences of recent times and a huge step back towards straight ahead moody AOR, with songs that could quite comfortably fit on Calm Before The Storm and even a few that wouldn’t be out of place on Out Of The Silence.
 
There are no fillers here – 11 great tracks of keyboard and guitar framed music – but there are a few tracks I’d especially like to single out.
The opening number Home is everything I love about Dare. Strength is a nice mid-tempo AOR track with some sublime playing from Vinny Burns and another killer vocal from Darren.
Days Of Summer is the most rocking thing I have heard from Dare since the band returned in 1998.
The almost ‘happy’ On My Own features a good pace and another shining guitar solo.
All Our Brass Was Gold is a really nice mid-tempo ballad with orchestration lurking in the background.
Like The First Time is another schooling on how to do mood and melody together and the closer Along The Heather is classic Celtic Dare, but in a more uptempo wrapper.

What’s not to like? This is a great comeback for the band and a most refreshing welcome home for Vinny Burns, who adds immeasurable class and power to these songs.
And major props to Darren Wharton for the flawless production and crystal clear mix on Sacred Ground. There are many many layers to this album and such a great production is what makes it fun to discover each one.
 
Categories: 
 
Mon
30
May

DARE Visit 'Sacred Ground' On Brand New Album

Artist: 
 
DARE will release their long awaited new studio album Sacred Ground in Europe on July 15.
 
SACRED GROUND is the bands much awaited 7th studio album; a modern classic, original, yet instantly addictive. It features some of Wharton’s  most mature song writing to date.  Thought provoking and passionate, whilst still retaining a dark rock edge. As the band’s Worldwide fan base eagerly anticipate the new album, Sacred Ground is destined to be another classic album by AOR Rock legends  DARE.
 
Fronted by singer songwriter Darren Wharton (who first rose to fame in the early eighties playing keyboards with legendary Irish rock band Thin Lizzy), DARE are one of the most respected and innovative melodic rock bands working today, gaining cult status among AOR fans throughout Europe, the UK and the world. The band’s debut 1989 album ‘Out Of The Silence’ recorded at Joni Mitchell’s Bel Air Studio Los Angeles, and produced by Nickelback  producer Mike Shipley is still widely regarded today as one of the all time great AOR albums.
 
Darren joined Philip Lynott’s  Thin Lizzy  at the tender age of eighteen and enjoyed 5 great years with the band touring extensively, alongside  renowned guitarist Scott Gorham, drummer Brian Downey, guitarists Snowy White (Pink Floyd),  Gary Moore and John Sykes (Whitesnake).  Working closely with Philip Lynott, Darren also recorded classic Thin Lizzy albums, such as ‘Chinatown’, ‘Renegade’, and ‘Thunder and Lightning’ on which Wharton co-wrote 3 songs, including the hit single ‘The Sun Goes Down’.  Sadly, the latter was to be Thin Lizzy’s last studio album, and in 1986 Darren Wharton returned to his home town of Manchester where, as an outlet for his creative flare for song writing and working with young Oldham guitarist Vinny Burns, he formed his own band, DARE.
 
Darren re-joined Thin Lizzy in 1994 and the band continues to tour extensively around the world to rapturous fans and huge audiences. The band recently completed a big tour of the USA with Judas Priest and recently supported Guns ‘n’ Roses in the UK as well as scores of major festival shows.
 
Wharton’s style of song writing, modern anthemic rock with Celtic overtones, coupled with the bands powerful live performances throughout Europe and the UK ( Sweden Rock,  BYH Festival Germany)  have gained Dare the reputation as a bright force on the British rock scene.
 
 
Line-up:
Darren Wharton - Vocals & Keyboards
Vinny Burns - Guitars
Kevin Whitehead - Drums
Nigel Clutterbuck - Bass
Marc Roberts - Keys (live)r
 
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Categories: 
 
Wed
07
May

THREE LIONS - Three Lions (Review)

information persons: 
section name: 
BOTTOM LINE
content: 

 

The style mixes that of early Ten and perhaps a more 70s sounding British rock approach. The album sounds great and has a nice sound of its own. I do think that the tempo – especially mid to late album – drags a little and it could have used a couple of more tracks like the best track of the album, the opening Trouble In A Red Dress in place of a few fillers.

A very good start to a new chapter for the lads and I expect bigger and even better things from album number 2 in due course.

section name: 
SCORE
content: 

 

89%
Produced By: 
Alessandro Del Vecchio
Running Time: 
57
Release Date: 
2014
Released: 
World
Musical Style: 
Melodic Hard Rock
Score: 
89
Label: 
Frontiers Records
Artist: 

 

It's a career full-circle for guitarist Vinny Burns who returns to the melodic rock of his early days in Ten, as Three Lions makes their debut album available. Formed by Burns with fellow Ten alumni Greg Morgan and newcomer bassist/vocalist Nigel Bailey, the trio is set to make a mark.

Produced and assisted musically by Alessandro Del Vecchio, the album has a tight, crisp feel that is simply British melodic rock through and through. Vocalist Bailey is similar to Ten's Gary Hughes in that he doesn't have a big vocal range, but has a warm, likable tone that suits the style and the delivery here.

It's great to hear Vinny wailing again and the trio plays as if they have been a band unit for several years already. At 13 tracks and nearly an hour in length, it's a very long album that could have used a little editing, with a 2 or 3 fillers in play, but there's some superb melodic rock on offer too.

Highlights for the album are the obvious opener Trouble In A Red Dress; the organ driven anthem Just A Man; and the uptempo AOR of Holy Water.
There is also a few classy ballads - Winter Sun is a great starter and Two Hearts Beat As One is classic British AOR; Don't Let Me Fall and Made For One Another are also very good – the only downfall is the tracks come in a mid-album pace vacuum.
Magdalene finally picks up the tempo again and delivers another strong melodic rock tune. And Hellfire Highway is a fast rocker that could have been used a few tracks earlier.
Sicilian Kiss is a guitar instrumental to close the album with Vinny in full flight.
I'm not that sold on the fast moving Twisted Soul and Kathmandu is one too many mid-tempo tracks and I think the second half of the album suffers from too many slower paced songs.

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