Thu
02
May

DUANE MORANO Celebrates ‘80s Metal On Debut Album, ‘Incognito’

Artist: 
 
The sounds of ‘80s metal and shred are on full display throughout the debut full-length by guitarist Duane Morano. Entitled ‘Incognito,’ the 13-track album will be released on Friday, May 17, 2019 (and can be pre-ordered via https://morano.hearnow.com/), also features input from some very well-known/respected names within the rock and metal worlds.
 
“Morano doesn't really have any members,” explains the band leader. “It's a bunch of revolving people based on who's available. The main lineup on this record are Michael Foster, Pat Badger, Danny Vaughn, Terry Ilous, Bryan Cole, Keith Horne, Dan Michaels, Chris Lester, JK Northrup, with other guests such as Nita Strauss, Shane French, Kevin Figueiredo, and Eric Clemenzi playing on a track or two.”
 
“I wanted my first record to be about the music that inspired me to play. I've played everything from 50's doo wop to country to modern pop as a hired gun over the years, but the 80's was where music really began for me, so I wanted to celebrate that.” And celebrate it he does, as such standout tracks as “After the Love,” “Face the Fire,” and “Don’t Believe You” bring to mind the sounds and stylings of some of Morano’s top influences, including Van Halen, Def Leppard, Journey, and Night Ranger.
 
But the talented Morano didn’t just appear out of nowhere. “Back in 1991 Dan Michaels and I were in a band together called Shattered Image. We were in the studio recording a 4 song demo to submit to labels when one of the tracks, ‘Manhattan,’ became a favorite of local Tampa Bay radio DJ Austin Keys after hearing us play the song at a local club. We gave him the demo and he put the song into rotation on 98 Rock. From there, It spiraled to several other stations in the southeast but the face of music changed less than a year later and so were the hopes to release a record.”
 
Times have changed, however, and Morano (whose 30-instrument strong collection is includes his main axe, which is a 1987 Ibanez RG570) looks to take full advantage of the ‘80s metal resurgence. “I think this genre continues to be popular due to the underlying energy in the music. It's happy sounding and there's an organic quality to it. You didn't have the amp simulators, auto tune, and the ability to time slip musical performances to make them artificially tight. The human element of the player got lost.”
 
And as evidenced by the arrival of Duane Morano’s ‘Incognito’ - and with possible live work on the horizon - the genre is most certainly alive and well.
 
‘INCOGNITO’ TRACKLISTING:
 
1.       After the Love-          Vocals: Danny Vaughn, Guitar: Duane Morano, Bass: Pat Badger, Drums: Michael Foster, Backing vocals: Bryan Cole
2.       Cookie Jar-            Vocals: Bryan Cole, Guitars: Chris Lester, Duane Morano, Bass: Tony Franklin, Drums: Michael Foster, Backing vocals: Dan Michaels
3.       Love is a Lie-           Vocals: Terry Ilous, Guitars: JK Northrup, Duane Morano, Lead Guitar: Eric Clemenzi, Bass: Chris Lester, Drums: Michael Foster
4.       Face the Fire-            Vocals: Danny Vaughn, Guitars: Duane Morano, Bass: Keith Horne, Drums: Kevin Figueiredo, Backing vocals: Bryan Cole
5.       Giovanna-            Vocals: Danny Vaughn, Guitars: Duane Morano, Bass: John Morano, Drums: Michael Foster, Backing vocals: Bill Leverty
6.       Don’t Believe You-           Vocals: Bryan Cole, Guitars: Duane Morano, Bass: Keith Horne, Drums: Michael Foster
7.       Barely Breathing-           Vocals: Danny Vaughn, Guitars: Duane Morano, Bass: Chris Lester, Drums: Michael Foster, Backing vocals: Dan Michaels
8.       Kid Gloves-           Vocals: Danny Vaughn, Guitars: Duane Morano, Bass: Pat Badger, Drums: Michael Foster, Backing Vocals: Bryan Cole, Spoken word: John Surabian
9.       I Want Love-           Vocals: Terry Ilous, Guitars: JK Northrup, Duane Morano, Bass: Tom Appleman, Drums: Kevin Figueiredo
10.     Hearts-           Vocals: Terry Ilous, Guitars: Duane Morano, Bass: Tony Franklin, Drums: Michael Foster, Backing vocals: Dan Michaels, Bryan Cole
11.     Manhattan-           Vocals: Dan Michaels, Guitars: Nita Strauss, Duane Morano, Bass: Pat Badger, Drums: Michael Foster
12.     Why-           Vocals: Terry Ilous, Guitars: Duane Morano, Bass: Keith Horne, Drums: Michael Foster, Backing vocals: Bryan Cole
13.     Sincerely Yours-    Vocals: Bryan Cole, Guitars: Shane French, Duane Morano, Bass: Pat Badger, Drums: Michael Foster, Backing vocals; Bryan Cole
 
FOR MORE INFORMATION, PLEASE VISIT:
Twitter:      @duanemorano
Website:       https://www.duanemorano.com
 
Thu
02
May

TOKYO MOTOR FIST Re-Signs With Frontiers

 
SECOND ALBUM DUE IN 2020 FEATURES VOCALIST TED POLEY & GUITARIST STEVE BROWN
 
Tokyo Motor Fist, the band featuring Danger Danger vocalist Ted Poley and Trixter guitarist Steve Brown, have announced that they have signed with Frontiers Music Srl for a follow-up album to their 2017 self-titled debut. The release is expected sometime in 2020.
 
Guitarist and producer Steve Brown says, “Rejoice FISTonians worldwide! My lion’s of the melodic rock world, Tokyo Motor Fist, have re-signed with the legendary Frontiers and are about to begin recording our second album! After the overwhelming success of our debut, Ted, Chuck, Greg, and I are more than ready and roaring to unleash a new TMF album."
 
"I am so excited to start production on the second TMF album! I was super happy with the success of the first album and I can't wait to start recording the follow up! Time to show the world that TMF is a real band, not just a "one off" project! See us LIVE on the road in 2020," adds vocalist Ted Poley.
 
"Since hearing the news just a few days ago that Tokyo Motor Fist will be doing a second album for our friends at Frontier Records, I have been pumped beyond words! Well...one word does come to mind...JOY!!!! TMF is one of the coolest bands and most fun projects I’ve ever been involved with. Since it’s inception, TMF has fulfilled a lifetime goal of mine which was to be in a great band playing great music where everyone not only gets along, but truly respects and cares for each other, a-a-a-and is awesome at their craft! For me the sky is the limit with what TMF will achieve in the future. With the vision and multi-talents of Steve Brown again at the helm, the powerhouse vocals of Ted Poley, the thunderous bass of Greg Smith caressing my drumming and the support of Frontiers, we are poised to rock the world with the follow-up to our debut album. It’s gonna be wicked good!!" enthuses drummer Chuck Burgi.
 
Bassist Greg Smith adds, "Words can’t express how excited I am to do another album with my brothers in TMF! As much fun as it was doing the debut album, the fact that we actually got to play these songs in front of audiences proved to me what I knew in my heart: this was not just a one off deal and the material would resonate with audiences at our live performances. I’m very much looking forward to the recording process and even more excited to play the new tunes in front of fans after it is released! Feel The Fist!"
 
The band's self-titled debut is available now to buy or stream. See the music video for "Picking Up The Pieces" from the band's debut here: https://youtu.be/Pwz4TDMprFo The video will transport you back to the glory days of watching MTV during the '80s, patiently waiting for your favorite hard rock videos to come on!
 
You don't need to be a die-hard '80s metal fan to know that the fruits of an artistic alliance between Danger Danger singer Ted Poley and guitarist/producer Steve Brown of TRIXTER is going to make melodic rock fans rejoice! Indeed, Tokyo Motor Fist is exactly what you would expect: catchy and uplifting hard rock, the way it should be. You want big - we mean, BIG - hooks? You got 'em. What about major guitar riffs? Of course there's plenty of those. Killer rhythm section? Well, with Greg Smith (Ted Nugent , Rainbow , Alice Cooper ) and Chuck Burgi (Rainbow, Blue Oyster Cult , Joe Lynn Turner ) you simply can't go wrong!
 
Tokyo Motor Fist
Ted Poley - Vocals
Steve Brown - Guitars, Vocals
Greg Smith - Bass guitar
Chuck Burgi - drums
 
 

 

 
Thu
02
May

The Right To Rock Podcast - LAST IN LINE

Artist: 
Monday, October 27, 2014
Categories: 
Podcasts & Radio
 
TheRighttoRock.com has issued their latest podcast interview (episode #43), featuring Last in Line (Ex-Dio, Black Sabbath) bassist Vinnie Appice.  Vinnie took time out of his busy schedule to discuss Last in Line's latest release II, as well as current tour.  Vinnie also answers the question if whether the original Dio band ever has a possibility to of getting back together, when Dio was still alive.  Tune in to find out what he says. Interview lasts approx. 20 min.
 
The boys recently caught up with Last In Line drummer Vinnie Appice to discuss Last In Line's latest release II. Vinnie also discusses the band's tour plans as well, as how the whole project started.  He also takes us back to his days backing up John Lennon.  This one is not to be missed.
 
And hey if you dig Last In Line's music as much as we do, then show them some love by purchasing their music from your favorite online store won't you?  HORNS UP!
 
 
Wed
01
May

D-A-D New Album 'A Prayer For The Loud' Due May 31

Artist: 
Friday, May 31, 2019
Categories: 
News Feed
 
Eight years. That’s how long it’s been since Denmark’s most celebrated rock band D-A-D released their last studio album. But now the wait is over. The band’s legion of fans can start the countdown to May 31st when the Danish rock legends unveil their latest album, 'Prayer For The Loud’. It’s been a long time coming but it has been well worth it!

The new album harks back to the core of what D-A-D does better than most: four guys who play thrilling rock music with ferocious energy, catchy songs and an infectious commitment. 'A Prayer For The Loud’ has a clear musical link to classic D-A-D albums such as ‘No Fuel Left For The Pilgrims’ and ‘Riskin’ It All’.

The band was able to pick and choose from a large selection of songs which have been distilled down to what bassist Stig Pedersen describes as the “cream of the crop”. Among the 11 tracks on ‘A Prayer For The Loud’ you’ll find songs that fit right into a vintage D-A-D mould: throbbing, adrenaline-soaked rock, big ballads and mid-tempo songs guided by strong melodies. According to the band itself, this is a contemporary D-A-D album where the quartet has refined some of their cardinal virtues. Everything superfluous has been discarded in the editing suite, cutting the sound and the band’s expression right down to the core.
 
This is what D-A-D have to say about their new album:

“In the past we have occasionally gone down new avenues to try out stuff that was pretty far from the heart of what we do. It’s been a lot of fun, but this time we have tried to narrow it down to the essence. This time around, we are just being who we really are. ‘A Prayer For The Loud’ is a record where the focus is on melodies and energy. We’ve made a real effort when it comes to writing the choruses and it’s resulted in some great songs where we were meticulous with the details without losing the original rawness and pure energy.”

The band worked on ‘A Prayer For The Loud’ for the past three years, while breaking off to go touring. The album was produced in familiar surroundings at Grapehouse studio in Copenhagen with longtime collaborators Nick Foss and Rune Nissen Petersen. It’s resulted in a record which the band is thrilled about.
 
Frontman Jesper Binzer says: “Most of all we are proud that we have nailed 11 awesome tracks that are based on where we are right now. We are not shooting in the dark here – this is straight from the heart.”

D-A-D is currently on a short arena tour which will take them to Denmark’s three biggest cities. In the wake of the release of ‘A Prayer For The Loud’ the band will tour major summer festivals in Denmark, Sweden, Norway, Finland and Germany. You can see the full touring schedule here: www.d-a-d.dk/tour  

‘A Prayer For The Loud’ is released May 31 on AFM Records.
 
Tags: 
 
Wed
01
May

WHITESNAKE - Flesh And Blood (Review)

information persons: 
content: 
85%
Release Date: 
May 10
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
85
Friday, May 10, 2019
Categories: 
Reviews
 
The Snake is back! David Coverdale and his band of interchangeable merry men return after a production delay and a question mark over just how long Whitesnake Inc. can continue in light of a decreased vocal ability from the Governor.
 
Continuing their journey on the snaketrain is duelling guitarists Reb Beach and Joel Hoekstra, with Reb delivering a bigger hand in the album’s inner workings and Joel getting his first chance to work on new material after joining before The Purple Album.
 
So what to make of this latest addition to the Whitesnake catalogue? Flesh And Blood may not be a very original title and the artwork looks like a 5 minute photoshop re-arrangement of the band’s 1994 ‘Greatest Hits’ cover, but inside is a more appealing discovery.
 
The band sounds energised and firing on all cylinders. David Coverdale’s vocals are managed as well as possible throughout the album, but they are heavily processed and a long way from his peak as one of the world’s best rock vocalists. Thankfully he still carries the same attitude and presence as he always has, making it hard to fault the performance overall.
 
Flesh And Blood sounds like a hybrid of Good To Be Bad, Slip Of The Tongue and maybe a little Slide It In. Plus it has its own little personality too.
 
The album gets off to a rollicking start with the 4x hard rock bombardment of Good To See You Again, Gonna Be Alright, the commercial friendly single Shut Up & Kiss Me and the cheesy Hey You (You Make Me Rock), which should give a writers credit to Dann Huff for its borrowing from Giant’s Lay It On The Line.
Quality pauses for two songs that just annoy me - the mid-tempo romp of Always & Forever (annoying chorus hook) and the ballad When I Think Of You (annoying chorus and lead guitar hook).
 
We’re back into the rollicking for the stampeding Trouble Is Your Middle Name and Flesh & Blood.
Well I Never has another very average chorus I could easily skip, but the near 7 minute moody Heart Of Stone is perfect.
Get Up brings memories of Coverdale/Page’s Feeling Hot, while the sweet acoustic After All has a Sailing Ships vibe to it.
Closing the album is the pretty average 6 minute Zeppelinesque rocker Sands Of Time.

At 13 tracks and 59 minutes, the album is too long. I could happily cut 3 of those tunes easily as there’s 4 fillers here. I would also note that I don’t like the sequencing either. I’d opt for an entirely different running order for a smoother flow.
But the majority of the album is still classic Whitesnake and thoroughly enjoyable, so for that reason I’m happy to rate this pretty highly, knowing that I can creature a CDR or playlist with a few less songs and my own preferred running order.
 
The Snake is alive!
 

Pages