Fri
20
Jan

R.I.P HOWARD KAUFMAN (Manager to Def Leppard/Chicago/Aerosmith)

Categories: 
News Feed
 
From Billboard.com:
 
The H.K. Management roster included Aerosmith, Stevie Nicks, Jimmy Buffett, Chicago, Lenny Kravitz and Def Leppard.
Howard Kaufman, a frequent collaborator of Irving Azoff's and an influential artist manager whose clients have included some of the biggest names in rock n' roll, has died, Billboard has confirmed. He was 79. The cause of death is as yet unknown.
Kaufman's longtime management company, H.K. Management, had an artist roster that included Aerosmith, Stevie Nicks, Jimmy Buffett, Chicago, Lenny Kravitz and Def Leppard.
In 1974, Kaufman teamed with Azoff to form Front Line Management, which notably guided the careers of the Eagles, Steely Dan, and Buffett, among others. The company disbanded in the early 1980s, around the time the Eagles began their long hiatus, but was resurrected by the pair in early 2005. The revamped Front Line experienced rapid growth and in 2008 was acquired by Ticketmaster, which named Azoff CEO.
 
 
From Bob Lefsetz:
 
He famously told a household name band he'd make them more money in two years than they had in the previous twenty.
 
And then he did.
 
Most people don't know who he was. Because unlike those that followed him into the business, Howard was not about fame, he was about protecting the interests of his artists, and money.
 
And everybody cares about the money. Knock around this business long enough and you'll hear the famous cliche... "It's not about the money, it's about the money."
 
And Howard started off as an accountant. He worked with James William Guercio. And then he went on to partner with Irving Azoff and steer the careers of Jimmy Buffett and Stevie Nicks and Aerosmith and Def Leppard and... You want someone in your corner, and that was Howard. He could be funny and he could be stern, but one thing's for sure, you could not pull the wool over his eyes.
 
The first time I met him was on a plane down to Chula Vista, to see Jimmy Buffett, and he told me Fleetwood Mac was gonna reform and I asked him about new material and he told me he'd be happy if they never made another record. This was 2003, he already knew where the bucks were buried, on the road. You see old does not mean dumb, does not mean over the hill, oftentimes it means wisdom and foresight and Howard had it.
 
And now he's dead.
 
I won't say he died before his time, prematurely, that he was cut down in his prime, he was 79, but yesterday he was in the office, manning the phones, working, he had time left on his clock.
 
Only it turned out he didn't.
 
Huh.
 
This has been a very strange year. Although the press has gone on about the passing of legends, from Bowie to Frey to Prince to George Michael to lesser luminaries like Dan Hicks, even Leonard Cohen, the story has been about the individuals and their work.
 
But really, it's about the passing of an era.
 
This music business didn't sprout in its present incarnation overnight. There were a lot of twists and turns, it was invented along the way. Bill Graham may have institutionalized rock concerts, but it was Led Zeppelin's manager Peter Grant who flipped the script, who had Jimmy and the boys getting ninety percent of the money, because after all, everybody knew the show was gonna sell out.
 
And in the twenty first century, Jimmy Buffett was getting over a hundred percent of the gross. How can that be, you ask. Because even if you give him all the ticket revenue you're gonna make bank on parking and merch and food and beverage. Hell, if you're a guaranteed sell out there's enough money for everybody.
 
And there was plenty of money in the seventies. There were no billionaires. Rock stars were as rich as anybody in America. The only difference was, they were beholden to nobody. If they acted out, the manager just peeled off enough hundreds to make it right. It was the wild west, no wonder the Eagles made a concept album entitled "Desperado."
 
And we've had a couple of revolutions in this century. We had Napster and the changing of distribution to all you can eat streaming. And, of course, the internet has also fostered the social media revolution, and tech has made it so the cost of production has sunk.
 
But the era of the one of a kind musician, riding through town defining the game as he played it? That's through. Most of the business has become institutionalized.
 
So, it's not as simple as David Bowie's body of work, it's also about hearing of an act that's not on the radio and buying the album and becoming infatuated and going to see the act at a club or a theatre where they blow you away and you tell everybody you know and you drag them to the next show and eventually they get a song on the radio and everybody knows and you tell them you were there first but all the time you're foraging for new acts.
 
And the acts neither sounded the same nor used the same producers. And their skills were paramount, how they looked was secondary. If you couldn't sing, write and play, you couldn't make it.
 
And if you didn't have the right team, your career was a nonstarter.
 
You ended up with Howard. After you'd been ripped off by others, because Howard knew the landscape, he knew where every dollar was buried. In a world where concert promoters show you books that say they lost money, how do you figure out the real numbers? The kickback from the hall, the advertising shenanigans...only through experience.
 
There was a plethora of people who learned this way. There were no school programs, there were no books, because it was being invented along the way.
 
And now they're passing too.
 
You can read about some thirty year old wanker getting a promotion at the label but that person... It's like working on the assembly line making cars in Mexico. You're filling a role, but it's very different and with a lot less excitement than it was working at Ford a hundred years ago, never mind being Ford.
 
But the baby boomers remember. Right time, right place. The Beatles were on TV and it all blew up. But that was more than fifty years ago. Some of the music survives, but most of the story does not. How we got from there to here. From terrible sound systems with no production to great sound systems with hi-def projection. From tickets sold for $3 at record stores to clicking to buy on your mobile phone from StubHub for over a hundred.
 
I'll let others who knew Howard better tell his story. But I was always intrigued by both his intensity and his laughter, and his dedication to the job.
 
Because it's about the work.
 
Whether you're slinging burgers at McDonald's or pushing paper at Goldman Sachs, you spend a lot of time there and you've got to enjoy it. And, if you dislike where you are, you have to find a way to something better. To the point where the day before you die, despite having enough cash for your whole neighborhood to retire, you go to work, because you love it.
 
Howard Kaufman loved his job.
 
And those he represented loved him.
 
And in a world where we're all ultimately forgotten, that's all you can ask for.
 
From Irving Azoff:
 
Howard was a giant among men. He never sought the spotlight, but was the best in the business.
We worked together for more than 45 years. He was a great influence on me and taught me a lot.
Despite his major health issues, he always wanted to work till the end and I’m glad he got his wish.
It’s a tragic loss for our industry. He will be missed by me as well as scores of others he touched.

 

 

 
Wed
18
Jan

BLOODBOUND Launch 'War Of Dragons' February 24

Artist: 
Friday, February 24, 2017
Categories: 
News Feed
 
It’s been an impressive journey for BLOODBOUND: The Swedish power metal commando has become more and more popular in recent years. All this falls back on talent and hard work: Since 2005 BLOODBOUND have not only released six studio albums and a Live DVD/CD, they’ve also toured with giants such as Sabaton, HammerFall and U.D.O. - in the process winning over a very devoted and loyal fanbase of metalheads.
 
So it doesn’t come as a surprise that BLOODBOUND’s next career move would be a headlining tour now – armed with their brand new studio album, titled ‘War Of Dragons’. It’s basically a continuation of the successful ‘Stormborn’ (2014), but offering more fast-paced tracks, without lacking the anthemic feel the band is known for. BLOODBOUND are masters in combining melody with power and ‘War Of Dragons’ perfectly displays the evolution that the band has gone through since their debut ‘Nosferatu’.
 
BLOODBOUND was founded in summer 2004 by Tomas Olsson and Fredrik Bergh. Soon they recorded a demo and received contract offers for Europe and Asia instantly. The debut ‘Nosferatu’ was released in 2006 and yielded best critiques. Consequently they played shows with bands like Sabaton, Arch Enemy, Pretty Maids and Evergrey. But 2006 also brought line-up changes which didn’t pass unnoticed, particularly as singer Urban Breed left BLOODBOUND after the tour.
 
But soon Michael Bormann (ex-Jaded Heart) was found to fill the gap and so the second album ‘Book Of The Dead’ was recorded and released in 2007. It became the band’s first album entering the album chart in Sweden. But shortly after the release of ‘Book Of The Dead’ it was quite obvious - Michael´s other obligations did not allow enough time for BLOODBOUND. To play the already booked shows they could convince Urban Breed to return to the band. And it became more than some gigs. Urban stayed for another tour (supporting HammerFall) and recorded the next album ‘Tabula Rasa’ with the band on which more modern and progressive elements have been added to BLOODBOUND’s sound. Numerous festival shows as well as another tour with HammerFall followed.
But in 2010 the band parted ways with Urban Breed again. On their search for a new vocalist they found the man to finally give BLOODBOUND continuity: Patrik J Selleby, who was not only a great vocalist and frontman, but a friend.
 
A much noticed return in shape of 2011’s ‘Unholy Cross’ album showed BLOODBOUND return to their old sound, just one and a half years later ‘In The Name Of Metal’ continued in this vein and especially with 2014’s ‘Stormborn’, BLOODBOUND made a whole lot of new fans. The band has toured with Sabaton and U.D.O. in recent years, released a Live DVD/CD (‘One Night Of Blood’) in February 2016 and simply can’t wait to unleash what they’ve been working on for a while now: ‘War Of Dragons’. This new release will see BLOODBOUND tour as headliners in March/April (special guest being their label mates Crystal Viper). So, it looks like one of Sweden’s premier metal acts is keeping it busy – more than ever!
 
LINE-UP
 Patrik J Selleby - vocals
 Tomas Olsson - guitars
 Henrik Olsson - guitars
 Anders Broman - bass
 Fredrik Bergh - keyboards
 (currently vacant) - drums
 
 
TRACKLIST
1. A New Era Begins
2. Battle In The Sky
3. Tears Of A Dragonheart
4. War Of Dragons
5. Silver Wings
6. Stand And Fight
7. King Of Swords
8. Fallen Heroes
9. Guardians At Heaven’s Gate
10. Symphony Satana 11. Starfall
12. Dragons Are Forever
 
Available as CD, 2CD Digipak, ltd. colored Vinyl & ltd. Box Set
 
Tue
17
Jan

She Rocks, Vol.1 - Featuring Some Of The Best Female Guitarists Today

Categories: 
News Feed
 
FEATURING SOME OF THE BEST FEMALE GUITARISTS TODAY - Lita Ford, Orianthi, Nita Strauss, Jennifer Batten and Many More Contribute Tracks
 
Released on Friday, January 20, 2017 via Steve Vais Favored Nations Label
 
(Los Angeles January 16, 22017) Favored Nations Entertainment will release the all-female compilation, She Rocks, Vol.1. digitally on January 20th with the physical CD available on February 4th.  The compilation will be celebrated at the 2017 She Rocks Awards, taking place this Friday in Anaheim, CA during the annual NAMM Convention.  
 
This collection of kick-ass guitar goddesses is produced by author and former Guitar World editor, Brad Tolinski with iconic guitarist Steve Vai as executive producer, and showcases eleven female guitarists, each a virtuoso in her own right. From the legendary Lita Ford to Sarah Longfields jazzy riffin, to Orianthis melodic stylings and the all-out shredding of Nita Strauss, these players each contribute their own voice to this carefully curated collection. 
 
She Rocks, Vol.1 compilation is released on Vais own Favored Nations Label, and in cooperation with the Womens International Music Network (theWiMN.com), hosts of the famed She Rocks Awards.  
 
The She Rocks, Vol.1 compilation showcases the amazing talents of Orianthi, Yasi Hofer, Kat Dyson, Sarah Longfield, Lita Ford, Jennifer Batten, Nita Strauss, Steph Paynes, Nili Brosh, Gretchen Menn, and Yvette Young and will be released on January 20, 2017.  Find out more at http://www.favorednations.com/artists/sherocksvol1/
 
She Rocks, Vol. 1 Track List:
1.            Orianthi Transmogrify
2.            Yasi Hofer Cosmic Stars
3.            Kat Dyson U Know What I Like
4.            Sarah Longfield The Taxi Time Travel Task Force
5.            Lita Ford w/Lez Zeppelin The Lemon Song
6.            Jennifer Batten In the Aftermath
7.            Nita Strauss Pandemonium
8.            Steph Paynes The Sun at Her Eastern Gate
9.            Nili Brosh A Matter of Perception
10.          Gretchen Menn Scrap Metal 
11.          Yvette Young Hydra
 

 

 

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