Tue
17
May

The Cars Share Best In Show Honors Ric Ocasek, Greg Hawkes Guest On InTheStudio

Artist: 
Wednesday, November 26, 2014
Categories: 
Podcasts & Radio
 

Dallas, TX - MAY 17, 2016.  North American syndicated Rock radio show and website InTheStudio: The Stories Behind History’s Greatest Rock Bands puts out the checkered flag for some of the best of The Cars with singer/songwriter/guitarist Ric Ocasek behind the wheel and keyboardist Greg Hawkes riding shotgun.

The Cars’ zero-to-platinum popularity came amidst the final fizzle of the mid-Seventies Punk Rock sparkler, and the sound and attitude that survived was labeled by at least one rock writer as the nebulous one-size-fits-none term New Wave.

The drivetrain of the five man Boston band was always powered by the songs of Ric Ocasek. Growing up in the Otcasek household (Ric(k) later would also drop the “t” from his surname), early 1960s Sputnik paranoia and Telstar technology mixed with Cold War James Bond spy intrigue for Ric, courtesy of his father. “He was a systems analyst for NASA”, remarks Ocasek to InTheStudio host Redbeard. “There were ‘black boxes’ around our house that were locked. People from the government used to come and interview my Mom and ask her if he talked in his sleep!”

The Cars test track where they tuned up their sound was the mid-Seventies Boston club scene. With the follow up to their surprise hit debut (#16 on Rolling Stone magazine's Top 100 Debut Albums of All Time), the torque of The Cars' "Let's Go", "Touch and Go", "Shake It Up", "You Might Think" and monster ballad "Drive" all propelled the cross-legged Woodstock generation off of their butts and back onto the dance floor. The sleek polished chrome and glass production combined distinctive instrumental touches from rock and roll's past in a way that, paradoxically, sounded cutting edge modern, with ten Top 30 hits and twenty-five million albums sold just in the US.

THE CARS Moving In Stereo: Best Of/ InTheStudio interview is available now to STREAM at: http://www.inthestudio.net/redbeards-blog/cars-moving-stereo-bestof-ric-ocasek-greg-hawkes/

Direct Link to InTheStudio broadcast affiliate radio station list: www.inthestudio.net/radio-stations

Direct Link to The CARS: 
 
 
Wed
11
May

TED POLEY - Beyond The Fade (Review)

information persons: 
content: 
96%
Produced By: 
Alessandro Del Vecchio
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Melodic Rock
Label: 
Frontiers
Artist: 
Score: 
96
Friday, May 13, 2016
Categories: 
Reviews
 
 
Ted Poley has a lengthy and impressive resume, boasting a few all-time classics as well as some revered collaborations.
From Prophet to Danger Danger and through to Poley/Rivera and in recent years a couple of solo albums thrown in there for good measure.
Now Ted is teaming with Mr. Reliable; Alessandro Del Vecchio for a new solo album in a time where it’s more important than ever to stand out from the pack to get any traction.
 
Boy, does he do it in fine style here! Take a bow Ted and Alessandro – you have both done yourselves proud with this record – easily the best Ted Poley album outside of Danger Danger and now one of my favourite records of the year.
This is no project album with Ted delivering some vocals. No way. Ted flew to Europe to work with Alessandro and in his own words, there isn’t a note on this record he didn’t approve of or help engineer. With songs from the incomparable Martin Brothers and Ale himself, Ted has the backing of a powerhouse production, which at times some of his other projects have lacked.
 
And Ted delivers one of the best vocal performances I’ve heard from the evergreen frontman.
There’s a couple of songs on here I’d rate amongst Ted’s best songs ever – and that includes Danger Danger. But do I feel the urge to jump ahead to get to them? No, because the material here is so consistently enjoyable, I can’t possibly skip forward.
 
There’s almost two parts to this record. The opening sequence of the high octane fist pumping trilogy of D2 friendly anthems Let's Start Something, Everything We Are and Hands Of Love get things off to a flying start.
Then there’s the very fine, tempo slowing ballad The Perfect Crime, a duet with Issa (who seems to be the girl to call when a duet is required).
From there things turn a little more serious – but no less melodic or powerful. The tone just shifts slightly.
 
Stars is one of the best Poley tracks ever. Absolute perfection. The high impact chorus is just brilliant.
Higher is less intense, but equally as catchy with another great layered chorus.
The mellower, darker and sentimental Where I Lost You is another slice of melodic rock perfection. Once again, great listening and stands up as another legacy Ted Poley track.
You Won't See Me Cryin' is another winner, it moves a little quicker, maintaining the melodies but adding a touch of grit and a fine quite solo.
We Are Young lends itself to a darker tone while Sirens is just pure joy.
Beneath The Stars closes the album by delivering a 6 minute rock ballad.

No fillers, all killers and a couple of mind blowingly good classics. All class from start to finish.
Wonderful! No further comments needed. Just get it!
 
 
Wed
11
May

SUNSTORM - Edge Of Tomorrow (Review)

information persons: 
content: 
77%
Produced By: 
Alessandro Del Vecchio
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Melodic Hard Rock
Label: 
Frontiers
Artist: 
Score: 
77
Friday, May 13, 2016
Categories: 
Reviews
 
 
It’s funny how these things line up. Two Alessandro Del Vecchio helmed albums released the same day. This time Ale teams with fellow Italian – guitarist Simone Mularoni, guitar player of Italian prog-metallers DGM to write and produce the new Sunstorm album for Joe Lynn Turner, who requested a harder edge to the fourth album in this project’s lifespan.
I don’t have by track writing credits, but Soren Kronqvist and Daniel Palmqvist also contribute songs.
 
Joe Lynn Turner never sounds less than on-form when delivering his vocals, as he is again right here. He sounds as good as ever, so it’s all down to the songs and the sound employed to do so.
Edge Of Tomorrow is a heavier, more guitar dominated record, with keyboards way back in the mix this time around. And without Dennis Ward, as well as the style shift, it’s a pretty different record than the trilogy of albums before it.
 
The first two Sunstorm albums are brilliant. The third was good, but to be perfectly honest, this is going to rank last compared to those. I think the Sunstorm brand has lost some of its personality here. There are some fine songs that kick things along, but several others that I’m struggling to appreciate and despite all albums featuring songs gathered entirely from outside writers, the ones here don’t have the hook impact expected.
 
Don't Walk Away From A Goodbye is a powerful opener with a decent uptempo pace which leads well into the pick of the album - Edge Of Tomorrow. This is one of the best songs of the year if I’m honest. I just wish there was more like it.
Nothing Left To Say doesn’t really go anywhere and fails to deliver a memorable chorus.
Heart Of The Storm is a feisty rocker that I do like, but the chorus and lack of harmony vocals where there should be some leaves it a little flat.
The Sound Of Goodbye is very much the same. The slower ballad shows promise but ultimately sounds really raw as if something is missing.
 
The Darkness Of This Dawn is a slower and more soulful tune with some classy Neal Schon inspired guitar riffs and brings back the harmony vocals which do make a difference.
You Hold Me Down has a decent chorus and a good pace which is followed by the piano ballad Angel Eyes, which I think most will enjoy.
Everything You’ve Got and Tangled In Blue roll along nicely, the chorus’ could have been bigger, but it’s just not the style of this album.
I find the closing track Burning Fire is another that just doesn’t go anywhere sadly.

 
In a word – disappointing. But that’s comparing this to what has come before and what we expect from a JLT project. It’s a little heavier, rawer and without much padding as far as harmonies and keyboards. So it is what it is. Some might even prefer it this way. 
But for me – regardless of style direction, I think the album is missing additional knockout tunes such as the title track.
 

 

 
Tue
10
May

Sweden's SNAKES IN PARADISE Return to Recording Duty

Release Year: 
2017
Categories: 
News Feed

Frontiers Music Srl is pleased to announce the signing of SNAKES IN PARADISE to the label for the release of a new album in early 2017!

Snakes In Paradise are a Stockholm based band which melds a powerful mixture of influences of 70's era British Hard Rock with American AOR and a bluesy singer who really sings from the soul with five amazing musicians and world class production!

With three original studio albums under their belt released at the end of the 90's and early 00's, the band has recently reunited, playing live at the Rockweekend Festival in Stockholm last February, and now they are ready to unleash a brand new album!

'And it was until this day, that the rumors became true' There will be a new SNAKES IN PARADISE album,' says singer Stefan Berggren. 'With our old albums taking a life of their own we have to thank all the fans and people who made it happen. Guess the hard work paid off in the end. And for the first time we are all in alignment with the right time to release it, with record label Frontiers Music Srl. And we believe it is the right label for our music. The new record will be in the shops in the beginning 2017. Stay tuned!!

Snakes In Paradise:
Stefan Berggren - Vocals
Thomas Jakobsson - Guitar
Stefan Jonsson - Guitar
Thomas Thorberg - Bass Guitar
Peter Pettersson - Drums
Tomas Jansson - Keyboards

www.facebook.com/SnakesInParadise
 
 
 
Mon
09
May

EPIC - Like A Phoenix (Review)

information persons: 
content: 
86%
Produced By: 
Epic
Running Time: 
39
Release Date: 
2016
Released: 
Europe
Musical Style: 
Melodic Rock / AOR
Label: 
Escape
Artist: 
Score: 
86
Friday, April 22, 2016
Categories: 
Reviews
 
An unusual album this, but that’s typical of Escape Music. They have a long history of uncovering albums that fit the genre, but operate outside expectations….and deliver quality melodic rock.
 
It’s always good to hear new twists on an old format.
 
Epic are a mix of Canadian, American and Lebanese musicians. Quite something that! The 4 piece is fronted by the powerhouse vocalist Tanya Rizkala, whose deep raspy voice has quite a range and should impress fans of female fronted outfits like Dante Fox, Saraya, Witness and Heart.
 
Musically you can take those acts and add some swagger that isn’t a world away from Mr. Big and Winger, but with a lighter AOR touch.
 
This is a hard rock album in part (All I Need and Nah Nah Nah which book end the album) and melodic rock in others (the anthemic brilliant Love Will Find A Way and Like A Phoenix) and then there’s the pure AOR of the lovely ballad I Can Take You which leads into several slow-to-mid tempo ballady tracks through the middle, including the acoustic Sleepless and the dreamy My Everything.

What starts out as a pretty rocking album heads quickly into mid-tempo AOR, which isn’t a bad thing as the songs and the vocals in particular are quality – it just isn’t what I expected based on the artwork and the opening couple of tracks.
Epic do however, deliver something different for fans of female fronted melodic rock and the strength of the production and songwriting is worthy of investigation.
 
Tags: 
 
Mon
09
May

ZINGO - Zingo (Review)

information persons: 
content: 
80%
Produced By: 
Various
Running Time: 
50
Release Date: 
2016
Released: 
Canada
Musical Style: 
70s Pop/Rock
Label: 
Renegade Sounds
Artist: 
Score: 
80
Release Year: 
2015
Categories: 
Reviews
 
Zingo is a new release from Renegade Sounds that might slide under the radar of many visiting these pages. This is an outfit from the 70s and the 12 tracks within are sourced from the only remaining original sources – that is some from multi-track, others from quarter inch tape, some from cassette and even original vinyl. But it’s been nicely worked out to maintain a pretty consistent sound quality.
 
What’s remarkable about Zingo is that it’s the first recording band for legendary Bryan Adams guitarist Keith Scott.
Anyone that knows me knows that I’m an absolute sucker for Keith’s tone and his essential role in making Adams the icon he is.
So my interest in hearing this was immediate. It’s not all to my personal taste – I’m not an overly 70s kinda guy, but the songs here are well worth the effort to upgrade and compile.
These are rock/pop and pomp friendly radio tunes with typically 70s groove. Think Early Journey, Boston, ELO.
 
This is a must have for fans of Scott. There are some tunes here that showcase the origins of his sound perfectly and give a taste of where he came from as a guitarist and there are some moments where you can hear early Bryan Adams in the delivery.
And there’s even two tracks produced by Jim Valance for that extra Adams tie-in factor. Keith left Zingo to join Adams for his Cuts Like A Knife album and has remained with him ever since.
 
Packaging is a little minimal – it’s housed in a slimline jewelcase with no tray card, but the disc is a proper manufactured silver CD and there is a booklet.
The label apparently wanted to keep their overseas customers' shipping costs down, and this reduced the weight in half. They are however offering a free tray card if buyers want to put it in a standard jewel case.
 
There are a couple of songs where Keith really goes to town and that makes it all the more worth it as far as I’m concerned. An interesting archival record that’s up to its neck in the 70s.
Sadly vocalist Vince Nardulli passed away in 1989.
 
 
Mon
09
May

RAGE OF ANGELS - The Devils New Tricks (Review)

information persons: 
content: 
92%
Produced By: 
Ged Rylands / Mixed and Mastered: Martin Kronlund
Running Time: 
69
Release Date: 
2016
Released: 
Europe
Musical Style: 
Melodic Rock / AOR
Label: 
Escape
Score: 
92
Friday, February 26, 2016
Categories: 
Reviews
 
This is an impressive follow-up to what was an already impressive debut album. The second Rage Of Angels sees a more focused lineup run through 10 quality AOR/melodic rock songs that feature the talents of Neil Fraser (guitars, ex-Ten); Chris Green (guitars, Rubicon Cross, Tyketto), plus the rhythm section of ColdSpell - Perra Johannsen and Chris Goldsmith; along with Martin Kronlund (guitars).
 
But the brains behind Rage Of Angels is Ged Rylands, former Ten keyboardist who adds guitar to his role in his own band. And for the new album he has enlisted the great Rob Moratti to front the band; giving the album just one singer compared to five on the debut.
Having one singer gives the album a far more cohesive feel and it’s just a bonus that Rob delivers one of the best performances of his career here. His voice dominates and it’s so more satisfying to hear him belt out original material rather than Journey covers.
 
Making Rob sound so good are 10 very catchy, high energy, keyboard drenched rockers. Equally paired in the mix is some blazing guitar work, solos in every song and a brilliant mix from Kronlund has the rhythm section pumping underneath these waves of keys and guitars.
 
Musical highlights are many. The opening epic Rage Of Angels is fast, fabulous and heavy for an album of this genre. But still the keys dominate in a way Royal Hunt fans would be impressed with. All Your Own Way is a more typically AOR style with an anthemic chorus that’s perfect for Rob.
 
On Step Closer is British AOR at its best; while Strangers In The Night is filled with 80s keys, but at the same time ear crunching riffs. In And Out Of Love flows nicely into Stop Changing The TV which weaves a more melodic chorus than the title might suggest!
Long Days With You is the moodiest track and closest thing to a ballad on the album and is a fine closer.

 
A really enjoyable album and a step up from the debut as far as I’m concerned. Rob’s high register vocals are perfect for the material before him and keyboard lovers will love the layers of ivory that prove to be the foundation of this record.
One point I would like to make – 70 minutes for 10 songs is pretty ambitious and there are several tracks here that would have benefitted from tighter control in the editing phase. There are a few killer 4 minute songs wrapped up in 6 minute bodies.
Other than that small point – definitely recommended for classic 80s/AOR fans and fans of Rob Moratti/Final Frontier and Ten.

 

 
Mon
09
May

R.I.P JEFF KENT (House Of Lords, Robin Beck, James Christian)

Artist: 
Categories: 
News Feed
 
Today we mourn the passing of yet another member of the melodic rock community.
Singer, producer and songwriter JEFF KENT sadly passed away over the weekend. There are no details of his death, but what matters is that we have lost another very talented and well liked friend of MelodicRock.
 
Jeff began his career writing in the 70s, continued on in the 80s writing with Desmond Child for Kiss; Cyndi Lauper, Ellie Greenwich, Ellen Foley before moving on to writing with Robin Beck, Company Of Wolves, and finally for House Of Lords and James Christian/Robin Beck, for which he is best known in this part of the business.
 
His writing formed the basis for the two major House Of Lords albums ‘Come To My Kingdom’ and ‘World Upside Down’.
 
So 2016 claims another life. JEFF KENT, we thank you for your immense talents and great songs. May you rest in peace.
 

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