Orphan

Tue
28
Apr

The Latest From Rock Candy: ZON, SABU, MOLLY HATCHET, ORPHAN

Categories: 
NOW AVAILABLE FROM www.rockcandyrecords.com
 
MOLLY HATCHET ‘S/T’ CANDY412
 
BY THE MID 1970s the southern rock sound had been well and truly established by the likes of the Allman Brothers Band, the Outlaws and, most prominently, Lynyrd Skynyrd. It was a style that seemed resistant to change but with the release of Molly Hatchet’s debut album in 1978, that tradition was challenged by a bigger, louder and harder sound that introduced elements of contemporary hard rock into the mix. Indeed, Hatchet’s debut album signalled a new, supercharged, approach to old school blues and country music.
Formed in Jacksonville, Florida, 1971, and led by guitarist Dave Hlubek, Molly Hatchet finally settled on their classic line-up in 1977 and signed to Epic Records by A&R man and in house record producer Tom Werman. Skynyrd leader Ronnie Van Zant heard and liked the band early on and was originally scheduled to produce their debut but his tragic death in the infamous plane crash scuppered that idea. With Danny Joe Brown on vocals and two further guitarists to beef up the sound, the band relied on the more than capable Werman to assume the producer’s role.
Released in 1978, the album single-handedly reset the southern rock template, introducing a raw and aggressive edge to the scene which won them immediate support and unexpectedly large sales. Check out tracks such as ‘Bounty Hunter’, ‘Gator Country’ and ‘The Creeper’ for unequivocal proof that southern rock had entered in a new era. There was, however, a nod to the past with a fine cover of the Allman Brothers anthem ‘Dreams’ retitled ‘Dreams I’ll Never See’. Oh, and let’s not forget the stunning album cover art by Frank Frazetta, a man that supplied the band with his distinctive artwork for the next two albums.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully remastered sound shaped from 24 BIT digital technology, Southern rock classic album, 5 previously unreleased bonus tracks, 16 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interview.
 
TRACK LISTING: 1. BOUNTY HUNTER 2. GATOR COUNTRY 3. BIG APPLE  4. THE CREEPER 5. THE PRICE YOU PAY 6. DREAMS I’LL NEVER SEE  7. I’LL BE RUNNING 8. CHEATIN’ WOMAN 9. TRUST YOUR OLD FRIEND. **BONUS TRACKS** MOLLY HATCHET LIVE 1978: 10. BOUNTY HUNTER 11. GATOR COUNTRY 12. BIG APPLE 13. DREAMS I’LL NEVER SEE 14. TRUST YOUR OLD FRIEND
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully remastered sound shaped from 24 BIT digital technology, Southern rock classic album, 5 previously unreleased bonus tracks, 16 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interview.
 
TRACK LISTING: 1.BOUNTY HUNTER 2.GATOR COUNTRY 3.BIG APPLE 4.THE CREEPER 5.THE PRICE YOU PAY 6.DREAMS I’LL NEVER SEE 7.I’LL BE RUNNING 8.CHEATIN’ WOMAN 9.TRUST YOUR OLD FRIEND. BONUS TRACKS: LIVE 1978: 10.BOUNTY HUNTER 11.GATOR COUNTRY 12.BIG APPLE 13.DREAMS I’LL NEVER SEE 14.TRUST YOUR OLD FRIEND
 
  
 
SABU ‘S/T’ CANDY386
 
THE NAME PAUL Sabu is held in incredibly high esteem amongst rock fans. His musical output has consistently attracted praise - the quality of songwriting, singing and performance securing him a star in the AOR/melodic rock scene that continues to burn brightly. However, his first foray into the music business actually commenced in the late ‘70s, producing a succession of successful disco records for a number of artists. He was quickly offered a solo deal and released a self-titled, but band-orientated, rock/disco hybrid under the Sabu handle, which had little commercial impact.
After going back to the drawing board he was the offered an album deal with the giant MCA label, who were backing his plans to record a rock record. The result was another full band project issued, once again, with the album title ‘Sabu’, but this time the music was full-on melodic hard rock. MCA objected to a number of recorded songs and stripped a few tracks off the final release – making it a six song record of just 30 minutes duration. Clearly this was a blow for Paul, but the quality of the remaining songs was undeniable.
Produced by Paul himself, the results are spectacular. Opening track ‘Rock Me Slowly’ has the feel and swagger of an all-time classic rock track, with sweeping chords and terrific vocals that wouldn’t be out of place on a Bad Company or Sammy Hagar record. And it only gets better. ‘Tracks such as ‘Wet And Wild’, ‘Turn Back’ and ‘Streetheart’ pack a massive punch. But it’s the addition of several blistering bonus tracks to this re-issue, original lost material, that will excite his followers most.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully remastered sound shaped from 24 BIT digital technology, First time on CD! Features 5 previously unreleased tracks, Contains ‘Rock Me Slowly’, Wet And Wild’ and ‘Streetheart’, 16 page full colour booklet – 3,500 word essay and enhanced artwork.
 
TRACK LISTING: 1.ROCK ME SLOWLY 2.WET AND WILD 3.TURN BACK 4.SHAKIN’ LOOSE 5.STREETHEART 6.FOR LOVERS ONLY. BONUS TRACKS: 7.SKINTIGHT 8.SIX STRING GUN 9.SHE’S NOT THERE 10.NOWHERE TO RUN 11.BAD MOON
 
KIDD GLOVE ‘S/T’CANDY388
 
PAUL SABU - already with a superb rock album under his belt - had become an early ‘80s a name to watch. His superlative voice and penchant for crafting solid yet melodic rock made him a desirable commodity, something that didn’t escape the notice of a new record label called Morocco, a spin-off from Motown. It might have sounded like a strange coupling but the revered soul and pop label was keen to penetrate the burgeoning rock market and what better way to start than to sign Paul Sabu.
However, in a strange and circuitous route, the label initially hired two renowned songwriters to write songs for an album and started the search for a frontman. Paul was recruited and the project was bestowed with the name Kidd Glove. Recording commenced at Motown’s famous Hitsville studio in Hollywood, but not without some curious manoeuvres by the label and the studio. Musicians were recruited from a proven roster of Motown session players and the producer was aghast when Paul wanted to use his Marshall amplification, equipment that had rarely been used at the studio before!
Issued in 1984, the album initially looked like it was going to connect with the public, but for some inexplicable reason the label suddenly got cold feet and cooled their publicity efforts. That was a shame as the record contained a fine selection of tough yet melodic hard rock, with tracks such as ‘Hellzarockin’, ‘Killer Instinct’ and ‘Spirit Of The Night’ emphasising Paul’s distinctive vocals and superb guitar work. For Sabu it was a bitter pill to swallow but it didn’t diminish his desire or ability to continue on with his rock ‘n’ roll quest.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully remastered sound shaped from 24 BIT digital technology, features 4 bonus tracks, contains ‘Hellzarockin’, ‘Killer Instinct’ and ‘Sprit Of The Night’, 12 page full colour booklet – 3,500 word essay and enhanced artwork
 
TRACK LISTING: 1.GOOD CLEAN FUN 2 KILLER INSTINCT 3.STREET ANGEL 4.SPIRIT OF THE NIGHT 5.FADE TO BLACK 6.HELLZAROCKIN’ 7.SOMEWHERE IN A SONG 8.SECRETS 9.SUSIE WANTS TO BE A STAR. BONUS TRACKS: 10.BROTHERS FOREVER 11.ROCK YOUR WORLD 12.ROCK DON’T RUN 13.VIKING BOY
 
  
 
ZON 'ASTRAL PROJECTOR' CANDY424 (FOUR BONUS TRACKS)
 
BY THE TIME of the late 70s, rock music had coalesced into various styles and genres. One branch moving towards perfection and, by contrast, experimentation was accurately labelled pomp rock. It was a finely-honed amalgam of early seventies progressive rock, art rock and hard rock, bound together by a developed sense of melody and a keen feel for songwriting. The music world was on fire with such magnificent purveyors as Styx, Kansas, Starcastle, Saga and Trillion. These were acts that took their craft seriously, making sure that musicality and melody were at the very forefront of every move.
Zon were no exception to the ensuing flood of young pomp rock hopefuls. Originating from Toronto, they garnered the attention of Epic records, who signed them hoping to score big with the band’s unique brand of quirky, yet superbly crafted, rock that sounded not unlike a young Styx. Their debut album, ‘Astral Projector’, made quite a splash, hooking fans and critics with its punchy content and adventurous arrangements. Vocalist Denton Young leading the band through a knock-out selection of tracks that were determined to impress.
Boasting a full complement of streamlined tracks, such as opener ‘Put On The Show’, and the fascinating ‘Man In The Mirror’, their glorious mash-up of Styx/Kansas and Genesis is electrifying. There’s even pop rock on offer, such as ‘Talkin’ About’ and ‘Melody’, but the undoubtedly brilliant title track is the cream of the crop. Also look out for four previously unreleased bonus tracks, including ‘The Battle’, an eight minute pomp rock masterclass.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully remastered sound shaped from 24 BIT digital technology, Canadian pomp rock classic album, 4 bonus tracks, 16 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interviews
 
TRACK LISTING: 1. PUT ON THE SHOW 2. TIME FOR YOUR LOVE 3. POINT OF VIEW / WHERE TO SPEND MY DOLLAR? 4. MAN IN THE MIRROR 5. TALKIN’ ABOUT 6. MELODY 7. ON THE ROAD 8. ASTRAL PROJECTOR 9. HOLLYWOOD BONUS TRACKS:10. ASTRAL PROJECTOR (Alt Take) 11. THE BATTLE (Unreleased) 12. HOLLYWOOD (Full version) 13. ON THE ROAD (Alt Take)
 
ORPHAN 'SALUTE' CANDY336
 
ORPHAN WERE FORMED in Winnipeg, Manitoba in the early 80s, initially going under the handle of The Pumps. They released a moderately successful album titled ‘Gotta Move’ in 1983 but a planned follow up album was inexplicably shelved, forcing the band to re-evaluate their future. Undeterred, they regrouped, switched their name to Orphan
and scored a coveted contract with label giant Portrait Records. Under this guise they recorded the, now highly praised, album ‘Lonely At Night’ (also available on Rock Candy) produced in New York by Tony Bongiovi and Lance Quinn - the same production team that nurtured Bon Jovi’s early records.
‘Salute’, the band’s highly anticipated follow up album, was a more mature and sophisticated record. Produced by the same British team who worked on The Pumps album (Jon Astley and Phil Chapman) and recorded in Long Island, New York, the record oozes quality and class. Blessed with a polished sheen and a rich tapestry of songs the sound is highly reminiscent of equally impressive Canadian acts such as Red Rider, Honeymoon Suite and Streetheart. But don’t go running away with any idea that they had mellowed out, there’s enough pulsating hard rock to satisfy the most discerning heavy-leaning ear.
Check out tracks such as ‘Stand Up’, ‘Lyin’ To Me’ and ‘Uncle Sam Wants You’ for proof positive of a new found sophistication, whilst the luxuriant, widescreen, vibe of ‘The Way It Should Be’ displays them as more than just a one Dimensional rock outfit. We can’t recommend this album highly enough.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully remastered sound shaped from 24 BIT digital technology, Classy Canadian's second highly rated AOR album, 12 page full colour booklet, 3,500 word essay, enhanced artwork and new interviews
 
TRACK LISTING: 1. OPEN UP THE SKIES 2. LYIN’ TO ME 3. WOMAN IN LOVE 4. CRAZY FOR THE NIGHT 5. STAND UP 6. A LITTLE HEART AND SOUL 7. OLD ENOUGH TO KNOW 8. UNCLE SAM WANTS YOU 9. STEEL & IRON 10. THE WAY IT SHOULD BE

 

 
Tue
19
Mar

Rock Candy Latest - NIGHT, ORPHAN, BITE THE BULLET, RIOT

Categories: 
 
5 new Rock Candy releases are available now as follows from https://www.rockcandyrecords.com/new-releases
 
RIOT 'RESTLESS BREED' CANDY402
 
THIS WAS RIOT’S 4th album. It followed a period of intense activity both physical and emotional, having survived a series of knockbacks over the years that would have decimated lesser contenders. The fact that they had recently survived several line-up changes, an underfunded UK tour supporting Sammy Hagar and bagged a spot on the 1st Monsters Of Rock festival was a minor miracle.
 
With interest building amongst grass roots fans the future was actually beginning to look bright. That was until frontman Guy Speranza made a decision to leave the band. Fatigued by years of touring and (literally) banging his head against a brick wall, he moved aside for Rhett Forester, a man seen as a golden ticket to bigger and better things. Now signed to Elektra Records, the band once again retreated to their management’s downtown New York studio to craft ‘Restless Breed’, a record that although well received in their circles, edged the band slightly towards the centre ground. It was less the full-on NWOBHM - inspired frenetic energy of their previous records and more disposed towards power metal.
 
Still led by guitarist Mark Reale, this record was in many respects hamstrung by a new label who really didn’t know how to market their kind of act. Previous releases had benefitted from the band’s resourceful managers and an ability to connect with an underground fan base, but this time around they were left constrained by a label that refused to support them on tour and were dropping the promotional ball at every turn. Still, hats off to the band for crafting another album that still impresses to this day.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 16 page full colour booklet, 3,500 word essay, and enhanced artwork with unpublished photos.
 
TRACK LISTING: 1. HARD LOVIN’ MAN 2. CIA 3. RESTLESS BREED 4. WHEN I WAS YOUNG 5. LOANSHARK 6. LOVED BY YOU 7. OVER TO YOU 8. SHOWDOWN 9. DREAM AWAY 10. VIOLENT CRIMES
 
  
 
ORPHAN 'LONELY AT NIGHT' CANDY407
 
WE AT ROCK CANDY have always kept a special place in our hearts for Canadian artists, from Coney Hatch and Harlequin to Aldo Nova and all points in between. We feel there’s something unique about their songwriting and musical ability that sets them apart from their cousins in the USA. Orphan are a perfect example of this special ingredient, lending their music a magical appeal and a sound quite unlike anybody else recording at the time.
 
Formed in Winnipeg from the ashes of a band called The Pumps (who had links to obscure RCA act Max Damian) the band quickly signed to the Portrait label, an offshoot of CBS records, who were bathing in the recent and unexpected success of fellow Canadian group Loverboy. With the record label deeming their name to be too new wave leaning they switched to Orphan, a more conventional and less restrictive moniker. Recorded in New York at the world famous Power Station studios and co-produced by its owner Tony Bongiovi (cousin of Jon Bon Jovi) and Lance Quinn (Bon Jovi, Danger Danger) the album hits the melodic hard rock nail firmly on the head.
 
As one of the best Canadian albums of the era, the record embraces all the great elements that make for compelling listening; great hooks, unrelenting melody and musical ability that takes full advantage of clever arrangements. It’s a similar, but not identical, sound to both Loverboy and Aldo Nova. Check out tracks such as ‘Miracle’, ‘Saved By The Bell’, ‘Hello’ and the title track for proof. And if it’s epic widescreen songs you like then look no further than ‘Night Parade’.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 12 page full colour booklet, 3,500 word essay, new band interview and enhanced artwork with unpublished photos.
 
TRACK LISTING: 1. LONELY AT NIGHT 2. WHAT KIND OF LOVE IS THIS 3. MIRACLE 4. SHE TOLD ME 5. SAVED BY THE BELL 6. ANY TIME AT ALL 7. HELLO 8. ALL OVER THE WORLD 9. NIGHT PARADE
 
BITE THE BULLET 'S/T' CANDY378
 
IT MAKES LITTLE difference to us at Rock Candy whether a record sold a million copies or just a handful to a smattering of supportive friends and family. If the record is of a certain quality then facts and figures are irrelevant - all we’re interested in is shining a spotlight on music that has stood the test of time and continues to impress. Bite The Bullet are hardly a household name but to a select few who heard their one and only album they are one of the most invigorating and accomplished melodic rock bands of the era.
 
Formed by Mick Benton who had already had some degree of experience as a member of obscure NWOBHM related rock band Mother’s Ruin and a subsequent solo deal with Atlantic Records, that produced a well-received EP. The seeds of Bite The Bullet came together in 1986, their demos attracting the attention of industry heavyweight Don ‘Mr Big’ Arden, the notorious owner of Jet Records, home to ELO and Ozzy Osbourne, who subsequently signed them and financed their lone album. Sadly, by the late 80s, though, the label had contracted to the point where it was no longer a powerhouse.
 
Originally issued in 1989 and recorded in London, the record oozed class and sophistication, conjuring up immediate comparisons to other dynamic UK melodic rock outfits such as FM, Strangeways and Dare. Tracks such as ‘Change Of Heart’, ‘Edge Of The Rain’ and ‘Finished With Love’ showcase a band in full command of both their style and direction; a sound that could’ve been made for the American airwaves.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 12 page full colour booklet, 3,500 word essay, new interview and enhanced artwork with unpublished photos.
 
TRACK LISTING: 1. CHANGE OF HEART 2. FINISHED WITH LOVE 3. EDGE OF THE RAIN 4. FAITH HEALING 5. COLD SURPRISE 6. RUNNING TO STAND STILL 7. DARK AGE 8. PLAYING AT LOVE 9. BIG MOUNTAIN 10. SAILORS SONG 11. WATERSHED
 
  
 
NIGHT 'S/T' CANDY379
 
THE STORY BEHIND Night is arguably one of the most intriguing and, by implication, frustrating in the history of rock. As a mini supergroup, with a super-slick FM radio style, they had the potential to fit neatly into the heavy-hitting platinum rock niche occupied by the likes of Fleetwood Mac, the Doobie Brothers and Air Supply. However, despite signing to an American record label and giving birth to two hit singles, their valiant efforts to compete fell short of expectations.
 
It’s therefore surprising to know that the band were actually formed in the UK, by Manfred Mann’s Earth Band lead vocalist Chris Thompson (he sang on the #1 single ‘Blinded By The Light’), together with celebrated backing vocalist Stevie Lange (wife of ‘Mutt’ Lange). Indeed, the band were well-known faces on the UK pub and club circuit before being unexpectedly signed up by Planet Records, a US-based label helmed by celebrated producer Richard Perry (Rod Stewart, Carly Simon, Pointer Sisters). The band moved to Los Angeles, and Perry recorded the album over an exhaustive twelve months, enlisting the help of special guest players, including Bobby LaKind, Steve Porcaro and Michael McDonald.
 
The results are pretty spectacular. Musically the sound was very much in vogue with FM radio, featuring strident yet powerful rock tracks and emotive power ballads. It was an album that yielded two American hit singles with ‘If You Remember Me’ and the anthemic ‘Hot Summer Nights’. However, despite this chart success, the album failed to perform as well as it might have been expected and it was back to the drawing board for the follow up.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 16 page full colour booklet, 3,500 word essay, new interview and enhanced artwork with unpublished photos.
 
TRACK LISTING: 1. HOT SUMMER NIGHTS  2. COLD WIND ACROSS MY HEART 3. IF YOU’VE GOTTA MAKE A FOOL OF SOMEBODY 4. AIN’T THAT PECULIAR 5. IF YOU REMEMBER ME 6. COME AROUND (IF YOU WANT ME) 7. YOU AIN’T PRETTY ENOUGH 8. SHOCKED 9. LOVE MESSAGE 10. PARTY SHUFFLE
 
NIGHT 'LONG DISTANCE' CANDY380
 
ARGUABLY NIGHT ARE one of the great lost acts of the late 70s/early 80s. Formed in London as a somewhat ad-hoc pub rock band going under the handle of Filthy McNasty, and fronted by two superlative vocalists, Chris Thompson (of Manfred Mann’s Earth Band) and Stevie Lange (wife of superproducer Robert ‘Mutt’ Lange). They secured a loyal following on the club circuit and were eventually offered a record deal from Planet Records, an American-based label affiliated to Warner Bros.
 
Night’s debut album certainly garnered critical and commercial attention, enough in fact to secure two hit singles in the lucrative American market place. Whilst the album stalled sales wise, the future still looked extremely promising and so with enthusiastic support they set about recording the follow-up record, ‘Long Distance’. Whilst the debut had been recorded during an extensive sojourn in Los Angeles, this time around, mainly for financial reasons, they opted to record in London. They also chose to switch producer and enlisted the services of bright young upstart Tim Friese-Green (Touch, Praying Mantis). It was a wise decision, as the album showcased a more strident style, moving away from the previous comparison to Fleetwood Mac, towards more forceful and harder rock laced with tougher guitars and solid hooks, a sound somewhat reminisant of REO Speedwagon and Survivor.
 
Released in 1980, the album, despite its sound quality and the undeniably good song writing displayed, failed to ignite commercial interest. It also suffered from label politics, with Planet Records dropping the band and album, despite some great reviews and encouraging reactions at several American FM radio stations. But ‘Long Distance’ is one of the best overlooked albums of the era.
 
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 16 page full colour booklet, 3,500 word essay, new interview and enhanced artwork with unpublished photos.
 
TRACK LISTING: 1. DR. ROCK  2. DON’T BREAK MY HEART 3. LOVE ON THE AIRWAVES 4. THE LETTER 5. CALLIN’ ME BACK 6. YOU CRIED WOLF 7. STEALIN’ 8. MISS YOU (LIKE I DO) 9. DAY AFTER DAY 10. GOOD TO BE BACK IN YOUR ARMS
 
 
Fri
06
Feb

TOTO Debut First Single 'Orphan' From 'Toto XIV' Album

Artist: 
Friday, February 6, 2015
Categories: 
 
TOTO DEBUT NEW SINGLE 'ORPHAN'
 
 
Available Today When You Pre Order TOTO XIV
 
First New Studio Album in Ten Years Out In Europe 3/20
The UK and Oceania on 3/23, and North America on 3/24
World Tour Commences In Glasgow on May 21, 2015
 
 
 
Los Angeles, CA --- Frontiers Music Srl has announced a March 20 release date for TOTO XIV in Europe, with The UK and Oceania on 3/23, and North America on March 24.  The album will hit retail globally, with specific dates for territories in Asia, South America and others to follow.  

The first single from TOTO XIV 'Orphan' is available as an instant grat track beginning today on iTunes worldwide when you pre-order: http://geni.us/TotoXIViTunes.  A video for the song is also available now on YouTube: https://www.youtube.com/watch?v=BrnQORhbCWE

Configurations for the album will also include CD, with a deluxe edition available featuring a "making of" documentary on DVD, expanded booklet that includes an in depth story and interview about the new album alongside exclusive pictures in ecol-book packaging. Additionally Toto XIV will be available as a 2LP vinyl set, and a Super Deluxe limited edition which includes the Deluxe CD/DVD edition, 2LP vinyl, an exclusive poster, t-shirt (large size only), and lithograph. 

Toto XIV is a realized vision three plus decades in the making exhibiting world-class musicianship, masterful arrangements, topical lyrical commentary, and melodies that the collective genius of Lukather, Paich, Porcaro, Williams and their assembled band-mates bring to life. TOTO XIV is the band's first album of new material since 2006's Falling In Between.  However, the band personally considers the new album to be the true follow-up to TOTO IV, which made the band global superstars.

Keyboardist Steve Porcaro reveals, "This is opposite of going through the motions.  We are treating this like it is Toto V, our follow-up to TOTO IV.  We just want to be the best version of ourselves that we can be.  Be true to ourselves and make the best music we can.  Entertain people which is what we were put on this Earth for."  Keyboardist David Paich reflects, "I think of TOTO as a unit and a band that carries a responsibility when it goes out there in to the public consciousness.   There is so much negativity and darkness that I think you have to be as Quincy Jones puts it, 'beams of light that blast through the darkness'." 

As they began the process of a return the studio, all of the principle long-term members brought their A-game to the table.  Guitarist Steve "Luke" Lukather offers, "When you put us in a room, and everybody brings in their pieces, the next thing you know it all fits together. Everybody's performances are top notch.  We are really bringing our best out, forcing ourselves to make personal best choices, what's best for the music.  I'm really excited to hear what people think."  Singer Joseph Williams adds, "We are talking about a band where everybody is a writer, and everybody is a lead singer, and everybody is a player.  All involved brought this trio to the table where it could just live on its own." 

The band will hit the ground running with an extensive European headline arena tour with appearances at key festivals. The itinerary begins in Glasgow on May 21, and takes Toto through the UK, France, Luxembourg, Netherlands, Denmark, Sweden, Norway, Germany, Switzerland, Austria, Poland, Hungary, Romania, Bulgaria, Serbia, Italy, and Belgium.  Ticket sales came out of the box with strength, with some appearances selling out within days of on-sale.  A North American tour will follow in the summer of 2015.  The band is also in the planning stages for their return to Asia later this year.

The last couple of years have been active, with a seven show sold-out tour of Asia that took them through Nagoya, Osaka, Tokyo, Sendai and Sapporo in April, 2014.  Also that month, the 35th Anniversary Tour - Live In Poland title was released, debuting at #1 in territories across the globe.  Last August and September, the band hit the road travelling across North America as co-headliners with Michael McDonald, which when it was all said and done was their most comprehensive tour on the continent in years. 

Toto also continues to raise awareness for ALS, for their brother and friend, Mike Porcaro, who has been diagnosed with ALS, Lou Gehrig's Disease.  The band commits energies towards fundraising for Police and Fire Departments of California and the Fallen Heroes initiative (http://www.fallenheroes.org/), and help the United Nations in their humanitarian endeavors through music.

An EPK featuring the band's insights can be viewed here: http://youtu.be/vsBf9hSkOPQ

TOTO XIV TRACK LISTING
  1. Running Out Of Time
  2. Burn
  3. Holy War
  4. 21st Century Blues
  5. Orphan
  6. Unknown Soldier (For Jeffrey)
  7. The Little Things
  8. Chinatown
  9. All The Tears That Shine
  10. Fortune
  11. Great Expectations

  
 
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