Mon
11
Mar

BACK TO WORK

 
Apologies for the lack of updates....I've been sick with a shitty cold that knocked my on my ass. Getting back into it now. Get ready for a bunhc of updates and some new MRR announcements and pre-orders!
 
 
Tue
05
Mar

THE RADIO SUN Beautiful Strange UK Headline Tour

Artist: 

 

Australian melodic rockers The Radio Sun will launch their recently released album 'Beautiful Strange' with a U.K headline tour in March. The boys will begin their shows with a date at HRH AOR Fest 2019, their fourth appearance at the festival in a row. The Radio Sun will then play a special one off London date at The Water Rats venue where they will perform two sets, acoustic (in the tradition of their VIP HRH unplugged sessions) and then a full electric set. Next, are dates at Trillians in Newcastle, the Underground in Plymouth & Dreadnought Rock in Scotland. Dates & tickets information on the flyer below.
 

 

 
Tue
05
Mar

GYPSY ROSE Debut Album Reloaded

Artist: 
 
The first release from new Melodic Rock label ScandiRock Records is a re-issue of the 2005 debut Gypsy Rose album with one bon us track on April 26.
 
The band GYPSY ROSE was founded back in 1981 in Sweden by Håkan Gustafsson and Martin Kronlund, but their self-titled debut album was just  released in 2005 - almost 25 years later! Now life has not been all too kind for the band during the 80's. Labels that went belly-up after signing, warm attention from foreign producers (Taavi Mote - Geffen Records) that in the end was nothing more than a cold shower.

Finally GYPSY ROSE broke up in 1993, but thanks to Andrew McNeice   at www.melodicrock.com the group got together again in 2004 and started the recordings in Martins Kronlund’s studio.
Now, the album is re-released on CD and digital under the new name “Reloaded” with a new cover, re-mastered by Martin Kronlund and with the bonus track “Solitude” added.
 
 
Mon
04
Mar

Tony Mills - "Running Guns" (New 2019, Lyric Video)

 
Tony Mills - 'Running Guns', from the album, 'Beyond the Law' (2019)
Guitar - Tommy Denander, Bass - Linda Mills, Drums - PeteNewdeck.
 
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Artist: 
 
Fri
01
Mar

TOBY HITCHCOCK - Reckoning (Review)

information persons: 
content: 
86%
Label: 
Frontiers
Score: 
86
Friday, January 25, 2019
Categories: 
Reviews
 
Toby Hitchcock is one of the voices of the last decade or so. Since his Pride Of Lions debut, his powerful tenor has been front and centre for some of the genre’s best anthems and most epic ballads. Any Toby Hitchcock is good Toby Hitchcock.
 
And for the most part, this album is no different. Songs are delivered by the who’s who of the AOR scene, with at least another 4-5 classic songs here – Queen Untouchable, Promise Me, No Surrender and This Is Our World. Man, the guy can sing.
 
I like that a lot of the album is uptempo and flows at a pretty hectic pace. I don’t think this is as strong as Toby’s Erik Martensson helmed debut. Even though this album is also a Swedish production, the differences are quite stark. Reckoning sounds firmly planted in the 80s, with the keyboards and production style a more distinct European in flavour.
The songs are enjoyable but not to the same level as the debut or Pride Of Lions.
 
There is one issue that desperately needs to be addressed. The keyboards. We need to talk about the keyboards.
 
As has been the case with all Daniel Flores productions, the keyboards dominate. They are the highest element in the mix, aside from vocals and there are just way too many layers of them. There is no letup in the sonic bombardment. There needs to be more space for the rest of the instrumentation to breathe. Even during guitar solos the keyboards still dominate.
 
I like Daniel a lot – very talented and sweet guy – but there must be an intervention. The keyboards are simply overbearing, and the production style is becoming very repetitive. Find Me (all 3), the second First Signal album, the Palace debut, Cry Of Dawn and now Toby Hitchcock – largely all sound the same. So moving forward I hope some individual personality can be infused into these projects. And that's the main essence of what's missing here - its own personality.
 
That said, there’s still plenty to enjoy and Toby’s vocals are powerful, emotional and totally immersive. Fans of Find Me, Daniel’s other AOR work and 80s keyboard melodic rock will enjoy.
 
 

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