220 Volt

Tue
08
Oct

MATS KARLSSON Delivers 'The Time Optimist' Dec 6

Artist: 
Friday, December 6, 2019
Categories: 
News Feed

 Mats Karlsson, guitarist and songwriter with classic Swedish hard rock act 220 Volt is releasing his first ever solo album titled “The Time Optimist” on December 6th 2019. Mats, a native Swede grew up in Östersund in northern Sweden but has resided in Stockholm since the mid 80's. 
 
The new record is a collection of songs that are a bit more laid back than the 220 Volt stuff, and move freely between rock, hard rock, singer/songwriter style and some AOR-touches here and there.  
 
Mats asked his brother Ulf to play all keyboards, and gathered some great musician friends to help out incl. drummer Björn “Grizzly” Höglund (Easy Action, The Summit, Hoven Droven), drummer Peter Hermansson (220 Volt, Talisman, John Norum), Bass-ace Nalle Påhlsson (Therion, Treat, Easy Action), and also some well-known musicians in Sweden as drummer Mike Ajax, bassist Lars Ericsson (The Summit), the first 220 Volt singer Christer “Frille” Åsell and also vocalist Jenny Fall. “The Time Optimist” consists of 11 tracks in different styles, nine tracks penned by Mats, one by Mats co-written with Björn Höglund, and the album also has a cover of the track “Real Gone” by Sheryl Crow/John Shanks. There are two duets where Mats shares the lead vocals with singer Jenny Fall, and one with “Frille” Åsell. 
 
The term “time optimist” is a Swedish expression referring to a person who is always positive that he/she will achieve a certain amount of work in specified time and often failing.  This self-produced release will come out on CD, vinyl and on digital platforms on December 6th 2019.  
 
“Megalo Seitani” will be available as a lyric video & single on October 4th. A second track will also be released ahead of the album. 
  
www.facebook.com/mk220v/ 

 
 
Sun
14
Jan

Johan Kihlberg's IMPERA Launch 'Age Of Discovery' Feb 23

Categories: 
News Feed
 
After three albums with his band IMPERA, founding drummer Johan Kihlberg decided it was time to spread his wings, and the Swede came up with the idea to record his first solo effort, Johan Kihlberg’s Impera “Age Of Discovery”.  “I felt this would give me the opportunity to spread my wings a bit and work with some other people," Johan said. "I grew up with bands like KISS, QUEEN, ABBA and THE BEATLES, who were not afraid to have a wide range of styles on their albums. I’m obviously a hard rock fan at heart, but I’m also influenced by bands like SIMPLE MINDS, KRAFTWERK, MANFRED MANN’S EARTH BAND, HUMAN LEAGUE and many others. I’m also a huge fan of movies and movie soundtracks."
 
The first person Johan approached was LION’S SHARE guitarist Lars Chriss, who is also a renowned producer and mixer.  “Johan and I got together and started writing songs," Chriss said. "He usually had an idea of the direction and we took it from there. We also had a couple of friends coming up with basic ideas for about half of the album. We had the luxury to cherry-pick the songs we thought would add to what we already had going. For lyrics and melodies we worked closely with singer Mick Devine of the band SEVEN, whom I’ve done a couple albums with the last couple of years. My old friend and LION’S SHARE keyboardist Kay Backlund stepped up to the plate and worked with us on a couple of tracks as well."
 
Kihlberg and Chriss decided to work with several different singers on the project, while enlisting Kihlberg’s longtime friend and IMPERA bandmate Mats Vassfjord to lay down the bass tracks. "As soon as we had the songs written, we started thinking about what voice and singer that would fit each individual track the best," Kihlberg said. "Fortunately, they all agreed and did an amazing job on the album. I even managed to get one of my all-time favorite singers, Michael Sadler from SAGA, to sing a song."
 
Johan Kihlberg’s Impera “Age Of Discovery” features a wide range of musical influences while remaining a very strong, melodic and powerful album. It boasts great production work by Chriss and a stunning artwork by Carl-André Beckston.

Line-up: Johan Kihlberg - Drums/Keyboards; Lars Chriss (Lion’s Share)- Guitars; Mats Vassfjord (220 Volt) Bass; Michael Sadler (Saga) - Lead & Backing Vocalss on 8; Göran Edman (Yngwie Malmsteen, John Norum) - Lead & Backing Vocals on 6; Mick Devine (Seven) - Lead Vocals on 3, 5, 9 - Backing Vocals on 3, 7, 9, bonus track; Nigel Bailey (Bailey) - Lead Vocals on 7, 10, bonus track - Backing Vocals on 5, 10 ; Nils Patrik Johansson (Lion’s Share, Astral Doors) - Lead & Backing Vocals on 2, 3; Michael J. Scott - Lead & Backing Vocals on 4; Mattias IA Eklundh (Freak Kitchen) - solo on 9; Kay Backlund (Lion’s Share) - Keyboards on 1, 3, 6; Anders Rybank (Coastland Ride) - Keyboards on 8
 
Produced by: Johan Kihlberg & Lars Chriss
Mixed by: Lars Chriss for www.noterious.eu
Mastered by: Mike Lind
Artwork by: Carl André Beckston
 
Fri
31
Oct

220 VOLT - Walking In Starlight (Review)

information persons: 
section name: 
SCORE
content: 

 

75%
Produced By: 
22o Volt
Running Time: 
60
Release Date: 
2014
Released: 
Europe
Musical Style: 
Hard Rock
Label: 
AOR Heaven
Artist: 
Score: 
75
Friday, October 31, 2014
Categories: 
Reviews
 
Sweden delivers yet another rock band in the form of 220 Volt. But these guys aren’t new – they’re back from the 80s, with their first proper studio album since 1997.
It doesn’t happen often, but this is one band that skipped past me in the heyday, so more or less, despite reported changes to their sound, I’m taking them on as a new listener.
Anders Engberg (ex-Therion ex-Lions Share), who joined this group on late 2012, is the new voice of the band, so with a fresh voice it really is a new start for the band.
Founding members Thomas Drevin and Mats Karlsson handle the guitars and drummer Peter Hermansson complete the line-up.
 
What I’m hearing is pretty typical Scandi-styled melodic hard rock. I’ve spun it several times and I’m liking the vocals, which sound a little like the great Matti Alfonzetti or Goran Edman, but otherwise I’m struggling with the songs somewhat.
 
Production is ok, it’s not a sharp or as crisp as it should be and compared to some other recent releases. The drum and cymbal sound in particular is weak.
Coupled with some songs that don’t quite do it for me and a sound I’ve heard before, I rate this as a decent release that fans of the band should enjoy, but I’m not seeing huge crossover potential.
This is a pretty hard rocking release though. There are times where the band takes it up a notch and that’s when I think they sound at their best – tracks like Alive, Through The Wastelands and System Overload.
Plus the more melodic Take A Good Look and Stranded.
 
Overall, not bad, but not a stand out for me in this always crowded market. I expect longtime fans will enjoy and newcomers to the European hard rock scene might also find something worthy here.
 
 
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