Thu
26
Jan

MelodicRock Records Open Call

 
 
MelodicRock Records is set for its biggest year to date. I'm truly excited to finally announce some of the projects I've been working on for months.
 
However, there's always room for more. 
MelodicRock Records is always looking for new artists, new albums, old discoveries, lost albums and unreleased gems or even vital reissues to bring back to life. 
 
So this is your open call to present ideas, projects, demos, albums...you name it. 
 
Share this post if you know someone, send an email (ajm@melodicrock.com) or join the discussion on Facebook.
 
Let's see what MelodicRock Records can do for you. 
 
Wed
25
Jan

2017 Melodic Album Preview

Categories: 
News Feed
 
2017 is offering up a staggering number of new releases – from newcomers, to familiar names, to classic rock legends – there’s something for everyone as they say.
 
Here is a quick summary of some of those releases and some insights into the ones that I’ve been fortunate enough to hear.
 
 
Night Ranger – Don’t Let Up (March 24) Another well-produced hard rocking release with a couple of slower acoustic ballads, but very diverse – perhaps the most diverse NR album yet. The lead single is the most commercial and recognizable NR song, but also listen out for Running Out Of Time, Truth and Jamie.
 
Eclipse – Monumentum (March 24) There was never any doubt right? The lads have done it again and perhaps turned things up yet another notch as far as sonic bombardment and guitar shredding. Plus Philip Crusner on drums is fantastic. It’s heavy, its melodic, it’s brilliant! Look out for The Downfall Of Eden, Hurt and Killing Me. Extrordinary stuff and exactly what I was hoping to hear!
 
Brother Firetribe – Sundown (March 23) hang onto your hats boys and girlsd – here comes another multi-layered, guitar and keyboard soaked, big budget Scandi melodic rock album. Easily better than the great last album, and growing on me more every day, BFT fans can be assured they are getting a killer album here!
 
Pride Of Lions – Fearless (Feb 24) More or less, just another POL album. But that isn’t said with any complacency or hesitation. It’s another great set of songs from the pen of Jim Peterik and the voice of Toby Hitchcock. Diverse, pompous and theatrical as the couple of albums before it, more reliably memorable melodic rock.
 
Lionville – A World Of Fools (Feb 24) Always great to hear Lars singing and while we wait for a new Work Of Art album, this is more than enough quality AOR to fill the void. Expertly produced and featuring slick, pure AOR at it’s European best.
 
Tokyo Motor Fist (Feb 24) It’s a lot of fun. It’s quite varied and definitely reaches into Def Leppard territory during the second half, it really is a great mix of Ted Poley and Steve Brown’s talents. Production is pretty loose, but the energy and hooks are infectious.
 
Unruly Child – Can’t Go Home (Feb 24) Never a band to do things in the simple, structured way, this is another quality AOR album, more varied than the last album and still weighing in on the lighter side, but there’s a lot of musical intelligence in these songs and the performances.
 
One Desire (March 24) Pure Scandi-melodic bliss. Layers of everything (vocals, guitars and keys) and a monster production right out of 1985. These guys make the 80s sound like now with their contemporary production, yet classic AOR sound. Absolutely brilliant.
 
Black Star Riders – Heavy Fire (Feb 2) More Lizzy-like guitar driven 70s rock n roll and more quality music. Wasn’t as impressed with the last album, but this sounds up there with the debut.
 
 
Also coming up to watch out for:
 
Thunder, Dirty White Boyz, Black Country Communion, TNT, Steelheart, Treat (Live), Art Nation, Crazy Lixx, H.E.A.T, Degreed, Toby Hitchcock, Riverdogs, Harem Scarem, Mr. Big and Heaven & Earth!
 
And don’t forget the Arti Tisi archives from MelodicRock Records and new announcements due very shortly about 2 classic and unmistakably amazing albums that were never released back in the 80s!
 
Plus new albums from Faith Circus and a few other familiar MRR names.
 
Wed
25
Jan

In The Studio - THE KINKS

Artist: 
Wednesday, November 26, 2014
Categories: 
Podcasts & Radio
 
Dallas, TX January 24, 2017 -  North American syndicated Rock radio show and website InTheStudio: The Stories Behind History’s Greatest Rock Bands takes a stroll into the Seventies decade of The Kinks with lead singer, songwriter Ray Davies on the 40th anniversary of their remarkable comeback album Sleepwalker.
 
The Kinks were probably a lock for Rock and Roll Hall of Fame induction for their British Invasion Sixties output alone, but the first half of the Seventies were tough going for them until reclaiming their rock bona fides, starting with 1977’s Sleepwalker and much of what turned up on 1978’s Misfits
 
Historically lumped into the mid-Sixties British Invasion bands with The Beatles, Rolling Stones and The Who, London’s lovable Kinks nevertheless took a considerably different unintended path, particularly in America. At the era-defining iconic events from 1967 to 1977 Montereyy Pop Festival, Woodstock, Altamont, Isle of Wight Festivals, Watkins Glen, Day on the Green where were The Kinks?  Inexplicabbly, this band which had reeled off a string of Top Ten hits in both the UK and US with “You Really Got Me”, “All Day and All of the Night”, “Tired of Waiting for You”, “Sunny Afternoon”, “Victoria”, “Apeman” and the timeless “Lola”, all which had helped to define rock’n’roll on radio in the latter half of the Sixties, went MIA there on the entire first half of the Seventies.
But it certainly was not for lack of trying. The exquisite “Celluloid Heroes” appeared on The Kinks’ 1972 album Everybody’s in Showbiz, yet still had disappointing US sales. Ray Davies then wrote a series of musical shows, including 1973’s Preservation Act 1 (a double album, no less); Preservation Act 2  followed a year later; and Soap Opera bubbled up in 1975. Not a one broke into the US Top Fifty sales.
 
When the opportunity to record for veteran record man Clive Davis’ Arista label appeared in 1976, it came with a caveat: no concept albums. Songs including “Sleepwalker” and “Juke Box Music”, with Ray Davies giving the good-natured nod to critics who felt that his preceding five year output had been too precious for rock’n’roll, helped to put The Kinks back on powerful US rock radio in 1977, which in turn permitted them to headline major US arenas for the first time ever. The resultant momentum continued into what became the legendary band’s sixteenth album, Misfits, in Summer 1978. 
Ray Davies shares with In The Studio host Redbeard the desire of The Kinks to avoid the pitfalls of gatekeepers in order to deliver their music.
 
“It’s all the other people you have to go through. I’m talking about media people, record companies, TV, Radio. They’re the people who are judgmental on this... I have always had this theory about playing live. It’s the one occasion that you can be one on one with your fans without going through all the business of relying on somebody to cut the records, someone to press the records, to do the artwork, then to play the record.”    -  Ray Davies
 
The Kinks Sleepwalker @ 40/ InTheStudio interview program is available now to STREAM at: “http://www.inthestudio.net/redbeards-blog/kinks-sleepwalker-40th-anniversary-ray-davies/
Direct Link to InTheStudio broadcast affiliate radio station list: http://www.inthestudio.net/radio-stations/www.inthestudio.net/radio-stations
Direct Link to: The Kinks: “http://www.thekinks.info
Direct Link to InTheStudio:  “http://www.inthestudio.net

 

 
Wed
25
Jan

ROSE TATTOO Back With A Live One From The Archives

Artist: 
Friday, February 3, 2017
Categories: 
News Feed
ANGRY ANDERSON TO CELEBRATE AUSTRALIA DAY WITH THE ANNOUNCEMENT OF A NEW LIVE ALBUM FROM THE TATTS
 
“TATTS: LIVE IN BRUNSWICK” RECORDED IN 1982, MASTERED FOR 2017
Thirty-five years ago, the Australian pub rock scene was at its pinnacle and live music was everywhere, and so was Rose Tattoo, scratching its way to the top of the heap.  Tatts: Live in Brunswick goes back to that era, recorded at the infamous Bombay Bicycle Club in Brunswick, Melbourne as part of their legendary and explosive Never Too Loud tour in 1982 and mastered in all its glory for loyal fans in 2017. 
 
The 14-track album is set for digital release on Friday, February 3 and will also be available exclusively at Rose Tattoo’s upcoming Brisbane and Sydney performances at the Guns n’ Roses shows on February 7, 10 and 11, as well as the GRR Shop and SFR Store. 
 
Released through indie powerhouse Australian rock label, Golden Robot Records and available for digital pre-order from Australia Day, Tatt’s: Live in Brunswick offers 14 kick-your-ass-from-here-to-there tracks from one of Australia’s most revered rock bands of all time.  Peerless, raw, heavy blues rock with a hot mix of slide guitars and an unmistakable voice, this album will take you back to a time when rock was king and the band was at its most formidable with all the might of what’s ahead in 2017.

 
Track Listing:
01 Out Of This Place
02 Bad Boy For Love
03 Assault And Battery
04 Tramp
05 We Can't Be Beaten
06 Butcher And Fast Eddy
07 Rock And Roll Is King
08 Texas
09 One Of The Boys
10 Branded
11 Revenge
12 Juice On The Loose
13 Rock And Roll Outlaw
14 Scarred For Life
 
PRE-ORDER TATTS: LIVE IN BRUNSWICK
SFR Store (fan bundles) | http://bit.ly/RT-LIB-SFRStore
iTunes | http://bit.ly/RT-LIB-iTunes
*** Pre-order commences Australia Day***
 
GNR TOUR DATES
BRISBANE - Tuesday 7 February at QSAC Stadium, ticketek.com.au or 132 849
SYDNEY - Friday 10 February at ANZ Stadium, ticketek.com.au or 132 849
SYDNEY - Saturday 11 February at ANZ Stadium, ticketek.com.au or 132 849
 
Not In This Lifetime Tour image
FOLLOW ROSE TATTOO
Website | Facebook

 

 
Tue
24
Jan

DIRTY WHITE BOYZ Born Out Of Tony Mitchell Project

Friday, March 24, 2017
Categories: 
News Feed
 
Escape Music is proud to present to you Dirty White Boyz from England, to be released March 24.
 
The Band is:
Tony Mitchell -  Lead and backing vocals / Guitars / Keyboard
Paul Hume - Guitars / backing vocals
Nigel Bailey - Bass / backing vocals
Neil Ogden - Drums / backing vocals
Jamie Crees - Rhythm Guitars
 
Produced by: Tony Mitchell and Paul Hume
Mixed and mastered by: Paul Hume at Summer Bank Studio, UK
Executive Producer: Khalil Turk for Escape Music Ltd
 
Track list: 1- All She Wrote  4:52 / 2- Dynamite 5:17 / 3- Hangin On A Heartache 4:53 / 4- Ride With Angels  5:41 / 5- Playing Dirty 5:08 / 6- Rise 4:52 / 7- Waiting For This Feelin 4:24 / 8- Sanctuary 6:28 / 9- Hell To Pay 5:01 / 10- All In The Name Of Rock N Roll 4:54 / 11- After The Rain 5:41  / 12- Bring It On 5:29
 
In early 2016, Ex Kiss of the Gypsy & Kingdom of Deadmen frontman/guitarist, Tony Mitchell started writing & recording what was to be his 5th solo studio album.
 
He set out to return to his melodic/AOR rock style that was associated with him in his previous bands leading up to the raw classic rock style of Kiss of the Gypsy & the heavy rocking Kingdom of Deadmen.
 
It became evident to Mitchell that the songs had a real magic about them & rather than finish the album & release it on his own XGypsy music label which he had done with previous albums, he thought he would test the water by sending a handful of tracks out to a few melodic rock record companies.
 
All were blown away & wanted to release it there & then but what swayed Mitchell's decision was when he received a call from Khalil Turk from Escape Music.
 
After a conversation about the recording of the songs, Khalil suggested that he introduced Mitchell to a few musicians that he has worked with, to make the songs sound even better as Mitchell played all instruments & vocals on the demos.
 
The musicians included Paul Hume (lead guitar) & Neil Ogden (drums) from classic rock bands,Demon & Lawless,
Nigel Bailey (bass) from melodic rock bands, Bailey, Lifeline & 3 Lions also, Jamie Crees (guitar) from Lawless.
 
All brought their individual style to the table & was evident that something very special was happening ... Dirty White Boyz was born.
They have all come together to form an allegiance of AOR/Classic/Melodic Rock & each lending their style & craft to the dynamic songs for this debut album.
 
DWB have tried to use all the ingredients from their rich history, Mitchell's raw, rock vocals & punchy thick riff guitars, Ogden's thunderous, rock solid drumming, Hume's flawless, majestic lead guitar licks & solos, Crees's power riffs & twin lead & Bailey's thumping, ground shaking bass lines, all of which are singers that can harmonise effortlessly.
 
Now with the debut album, Down & Dirty finished, it's all systems go. The album not only hits you like a freight train, it also leaves you breathless in it's a combination of melodic gems, Anthemic rockers & a few heart wrenching power ballads for good measure.
Songs that will shake the very roof off any venue, songs that will take you on an emotional rollercoaster ride & songs that will stand the test of time
 
Dirty White Boyz are here !!! Jump aboard this Rock train, get down & dirty & let's enjoy the ride !!!
 
 
 
Mon
23
Jan

MRR Teams With JOHNNY LIMA To Re-Issue Two Classics

Artist: 
Categories: 
News Feed
 
MelodicRock Records is pleased to announce another blast from the past, partnering with the one and only JOHNNY LIMA to reissue his long out of print self-titled debut (1996) album and the similarly out of print Made In California (2003).
 
The albums will be issued on a double disc jewel case with deluxe slipcover limited edition package.
 
And yes, of course there are bonus tracks!
 
The 2-Disc set will retail for $25 (including shipping) and is strictly limited to 500 units worldwide.
 
 
JOHNNY LIMA - JOHNNY LIMA & MADE IN CALIFORNIA - $25 (Incl. Worldwide Shipping)
 
 
JOHNNY LIMA & SHOTGUN SYMPHONY REISSUES - $70 (Incl. Worldwide Shipping - SAVE $5)
 
 
HEY! I've already ordered Shotgun Symphony - add Lima in for me will ya? ($20)
 
 
 
DISC ONE: JOHNNY LIMA (Original Debut Release; Remastered)
 
01. Never Gonna Let U Go
02. Little Runaway
03. Here for You
04. Rock 'N Roll River
05. Crazy
06. If I Had a Heart
07. Speak of the Devil
08. Another Lonely Day
09. Something's Gotta Change
10. Into Your Arms
11. Reckless Heart
12. Fly Angel
13. Fire Of Love (Bonus Track)
14. Drift Away (Bonus Track)
 
DISC TWO: MADE IN CALIFORNIA
 
01. Made in California
02. Best Night of My Life
03. The Chosen One
04. Go On, Go Away
05. We've Got Tonight
06. Another Girl
07. Help
08. Love Ain't Enough
09. Something About You
10. Where Are You Now
11. Welcome to My Paradise
12. Rock N Roll Generation (Bonus Track)
13. She Gets Around (Bonus Track)
 
 
BIO:
Whoever said “Rock is Dead!” obviously forgot to mention its demise to Johnny Lima.
Born to Portuguese immigrants in a small town in central California, Lima got his first taste of Rock ‘N Roll at the tender age of four, when his parents let him stay up late one night to catch KISS on a TV show. Little did they know that it was that one band, on that one TV show, that would convince their child that all he was meant to do in his life was to Rock ‘N Roll All Night. After many years of “playing” to his favorite KISS records with a tennis racket, his parents finally gave in and bought him his first guitar, eight years later at age 12.
“I was too impatient to ‘learn’ the guitar the proper way. I wanted to get down to writing songs the minute I picked up the guitar for the first time” said Lima. “And I’m glad that was the approach I took. To this day, I still meet guitar players that blow me away with their technique, but they can’t write a song to save their life. Writing songs is how you make money in this business -- not playing guitar solos.”
 
A few years later, Lima took his acquired songwriting and vocal talents north to the San Francisco Bay Area in search of the ultimate rock band. After fronting a couple of popular local Bay Area bands, that didn’t amount to much outside of the Bay, Johnny decided it was time to take it to the next level. By doing so, he’d have to do it alone. After spending a few years on his own honing his songwriting skills, Johnny entered the studio to record his debut solo album with money his parents gave him. In 1996 his debut album was independently released worldwide. A brave move, considering the musical climate had changed drastically and any rock music with hooks and melody was now out of fashion with the mainstream.
 
However, it was an album that over 10 years later would command upwards of $80 on eBay since it was out of print only two years after its release. Although the music business wasn’t kind to him in his own backyard, across the Atlantic, Lima's style of music was still respected and garnered the attention of many independent labels in Europe, those hell bent on keeping melodic rock alive. Lima's music caught the attention of Now and Then Productions in England, who signed him to a production deal in 1998. A year later, the follow-up to his debut album, Shine On, was released by Italy’s Frontiers Records. The album earned rave reviews all over the world, including a perfect score in Scream Magazine (Norway) and Majestic Magazine (Holland).
 
Lima was also invited to perform at the annual Gods of AOR show in England in 1999 and 2000. On his return from England in 2000, Johnny wasted no time and began writing music for his third album that was scheduled to be released in 2001. Little did he know that 2001 was going to be a very important year in his personal life, and that music would take a backseat for the first time. Lima married his longtime girlfriend Cara in 2001 and in December they welcomed the birth of their son, Ashton.
Made in California wouldn’t see the light of day until 2003. Released by Frontiers Records, Made in California was an album that showcased Lima’s knack for big hooks, big vocals, and was the perfect soundtrack to any rock fan’s summer. It was also the last album Lima would record for Now and Then Productions and Frontiers Records. During this time, Lima’s debut album from 1996 was becoming a much sought after album amongst rock fans and therefore harder than ever to find.
 
 
Mon
23
Jan

Nancy Wilson of Heart and Liv Warfield Form New Band ROADCASE ROYALE

Categories: 
News Feed
Los Angeles, CA — January 20, 2017 — Nancy Wilson, one of the founding members of the Rock and Roll Hall of Fame group Heart, has teamed up with former Prince band member and R&B singer Liv Warfield to form a new super group called ROADCASE ROYALE.
 
The sound of ROADCASE ROYALE is muscular rock with some R&B/Blues and in depth ballads thrown in, reflecting the iconic sounds of both their respective bands. ROADCASE ROYALE’S debut song is available to stream now via the band’s Soundcloud page. The song, “Get Loud,” is a ROADCASE ROYALE original, and will debut January 20th immediately following Concert for America: Stand Up, Sing Out!, which will be livestreamed through Facebook. The song will also be featured at the Women’s March on Austin, TX (the largest ever gathering of Texas women) on January 21.
 
Joining Wilson (guitar) and Warfield (vocals) are lead guitarist Ryan Waters (the musical director for Liv’s solo work and Prince protégé) along with Heart members Chris Joyner (keys), Dan Rothchild (bass), and Ben Smith (drums). Each of the members’ musical talents shines in “Get Loud.” The song begins with a laid-back groove, providing a solid acoustic and electric foundation for Warfield’s vocals — all about getting loud and standing up for women’s equality. “Get Loud” blends this important message with the groups R&B and rock influences, resulting in a uniquely powerful track.
 
The band has recorded five new original songs as well as plans for a tour early in 2017. Wilson has said, ROADCASE ROYALE’s activity doesn’t mean Heart is going away. “ROADCASE ROYALE is a side project,”. she notes, “and not a replacement for Heart.” She also stated that the name ROADCASE ROYALE came to the group during a backstage meeting they had last year, and said “When I came up with the name ROADCASE ROYALE it was an interesting symbol to me since the big heavy duty road cases that our amps drums and guitars travel in are much like the musicians they accompany on the road. Strong and regal looking yet all scuffed up and dented, covered in funny stickers that tell the story of a crazy traveling circus.”
“It’s going to be fun to see our road cases with ROADCASE ROYALE stenciled on the side!” Wilson added.
More about ROADCASE ROYALE:
Led by former Prince collaborator Liv Warfield and Nancy Wilson, co-founder of Heart, ROADCASE ROYALE has a rich background in rock and R&B. Warfield, Wilson, and their bandmates bring their decades of experience from the upper echelon of the music industry to ROADCASE ROYALE, along with a renewed sense of direction and drive. Joining Wilson and Warfield are Warfield’s lead guitarist and musical director Ryan Waters and Heart veterans Dan Rothchild (bass), Ben Smith (Drums) and Chris Joyner (Keys). Each of these members shine in ROADCASE ROYALE with their various sensibilities creating the group’s sensitive, passionate, and driving rock and R&B sound.
 

 

 
Fri
20
Jan

New Band BRIGADE Features Veteran Performers McAuley, Leese & Kottak

Artist: 
Categories: 
News Feed
 
Los Angeles, CA – Prominent musicians Howard Leese, guitar (Heart, BadCo, Rock Vault, Rock-n-Roll Hall of Fame Inductee), Robin McAuley, vocalist (MSG, Survivor, Rock Vault), James Kottak, drums (The Scorpions, Kingdom Come, Montrose) and Jason Boyleston, bass (Paul Rodgers band, Starship w/Mickey Thomas, guitar, Rock Vault, guitar) announced the formation of Brigade, a new Los Angeles based rock band.
 
Brigade is scheduled to perform their first gig at the Ronnie Montrose Tribute Concert on Saturday, January 21, 2017, 7pm, Yost Theater, Santa Ana, CA. This tribute show, organized by former Montrose frontman Keith St. John, is part of the weekend of live entertainment during the annual NAMM (National Association of Music Merchants) convention in Anaheim, CA.
 
"We are all excited about this new venture, our mutual love of Rock-n-Roll and our first appearance as a band at the Ronnie Montrose Tribute Show at NAMM,” said the Brigade members in a joint statement. Brigade will be recording live in-studio later this year. "We all love the live in-studio style of recording music, where everything is raw, honest and hopefully one-take," said the band.
 
Additional information including Brigade show dates and appearances will be announced shortly. Band member endorsements include: Paul Reed Smith (Leese), Aquarian Drumheads, Ahead, Big Bang Distribution, CymPad, DW Drums and Zildjian (Kottak).
 
Follow the band on Twitter @Jkottak, @robin_mcauley, @JasonBoyleston, or on Facebook: http://www.facebook.com/Brigaderockband - See more at: https://www.onlineprnews.com/news/815152-1484700434-marquee-musicians-fo...
 
Fri
20
Jan

R.I.P HOWARD KAUFMAN (Manager to Def Leppard/Chicago/Aerosmith)

Categories: 
News Feed
 
From Billboard.com:
 
The H.K. Management roster included Aerosmith, Stevie Nicks, Jimmy Buffett, Chicago, Lenny Kravitz and Def Leppard.
Howard Kaufman, a frequent collaborator of Irving Azoff's and an influential artist manager whose clients have included some of the biggest names in rock n' roll, has died, Billboard has confirmed. He was 79. The cause of death is as yet unknown.
Kaufman's longtime management company, H.K. Management, had an artist roster that included Aerosmith, Stevie Nicks, Jimmy Buffett, Chicago, Lenny Kravitz and Def Leppard.
In 1974, Kaufman teamed with Azoff to form Front Line Management, which notably guided the careers of the Eagles, Steely Dan, and Buffett, among others. The company disbanded in the early 1980s, around the time the Eagles began their long hiatus, but was resurrected by the pair in early 2005. The revamped Front Line experienced rapid growth and in 2008 was acquired by Ticketmaster, which named Azoff CEO.
 
 
From Bob Lefsetz:
 
He famously told a household name band he'd make them more money in two years than they had in the previous twenty.
 
And then he did.
 
Most people don't know who he was. Because unlike those that followed him into the business, Howard was not about fame, he was about protecting the interests of his artists, and money.
 
And everybody cares about the money. Knock around this business long enough and you'll hear the famous cliche... "It's not about the money, it's about the money."
 
And Howard started off as an accountant. He worked with James William Guercio. And then he went on to partner with Irving Azoff and steer the careers of Jimmy Buffett and Stevie Nicks and Aerosmith and Def Leppard and... You want someone in your corner, and that was Howard. He could be funny and he could be stern, but one thing's for sure, you could not pull the wool over his eyes.
 
The first time I met him was on a plane down to Chula Vista, to see Jimmy Buffett, and he told me Fleetwood Mac was gonna reform and I asked him about new material and he told me he'd be happy if they never made another record. This was 2003, he already knew where the bucks were buried, on the road. You see old does not mean dumb, does not mean over the hill, oftentimes it means wisdom and foresight and Howard had it.
 
And now he's dead.
 
I won't say he died before his time, prematurely, that he was cut down in his prime, he was 79, but yesterday he was in the office, manning the phones, working, he had time left on his clock.
 
Only it turned out he didn't.
 
Huh.
 
This has been a very strange year. Although the press has gone on about the passing of legends, from Bowie to Frey to Prince to George Michael to lesser luminaries like Dan Hicks, even Leonard Cohen, the story has been about the individuals and their work.
 
But really, it's about the passing of an era.
 
This music business didn't sprout in its present incarnation overnight. There were a lot of twists and turns, it was invented along the way. Bill Graham may have institutionalized rock concerts, but it was Led Zeppelin's manager Peter Grant who flipped the script, who had Jimmy and the boys getting ninety percent of the money, because after all, everybody knew the show was gonna sell out.
 
And in the twenty first century, Jimmy Buffett was getting over a hundred percent of the gross. How can that be, you ask. Because even if you give him all the ticket revenue you're gonna make bank on parking and merch and food and beverage. Hell, if you're a guaranteed sell out there's enough money for everybody.
 
And there was plenty of money in the seventies. There were no billionaires. Rock stars were as rich as anybody in America. The only difference was, they were beholden to nobody. If they acted out, the manager just peeled off enough hundreds to make it right. It was the wild west, no wonder the Eagles made a concept album entitled "Desperado."
 
And we've had a couple of revolutions in this century. We had Napster and the changing of distribution to all you can eat streaming. And, of course, the internet has also fostered the social media revolution, and tech has made it so the cost of production has sunk.
 
But the era of the one of a kind musician, riding through town defining the game as he played it? That's through. Most of the business has become institutionalized.
 
So, it's not as simple as David Bowie's body of work, it's also about hearing of an act that's not on the radio and buying the album and becoming infatuated and going to see the act at a club or a theatre where they blow you away and you tell everybody you know and you drag them to the next show and eventually they get a song on the radio and everybody knows and you tell them you were there first but all the time you're foraging for new acts.
 
And the acts neither sounded the same nor used the same producers. And their skills were paramount, how they looked was secondary. If you couldn't sing, write and play, you couldn't make it.
 
And if you didn't have the right team, your career was a nonstarter.
 
You ended up with Howard. After you'd been ripped off by others, because Howard knew the landscape, he knew where every dollar was buried. In a world where concert promoters show you books that say they lost money, how do you figure out the real numbers? The kickback from the hall, the advertising shenanigans...only through experience.
 
There was a plethora of people who learned this way. There were no school programs, there were no books, because it was being invented along the way.
 
And now they're passing too.
 
You can read about some thirty year old wanker getting a promotion at the label but that person... It's like working on the assembly line making cars in Mexico. You're filling a role, but it's very different and with a lot less excitement than it was working at Ford a hundred years ago, never mind being Ford.
 
But the baby boomers remember. Right time, right place. The Beatles were on TV and it all blew up. But that was more than fifty years ago. Some of the music survives, but most of the story does not. How we got from there to here. From terrible sound systems with no production to great sound systems with hi-def projection. From tickets sold for $3 at record stores to clicking to buy on your mobile phone from StubHub for over a hundred.
 
I'll let others who knew Howard better tell his story. But I was always intrigued by both his intensity and his laughter, and his dedication to the job.
 
Because it's about the work.
 
Whether you're slinging burgers at McDonald's or pushing paper at Goldman Sachs, you spend a lot of time there and you've got to enjoy it. And, if you dislike where you are, you have to find a way to something better. To the point where the day before you die, despite having enough cash for your whole neighborhood to retire, you go to work, because you love it.
 
Howard Kaufman loved his job.
 
And those he represented loved him.
 
And in a world where we're all ultimately forgotten, that's all you can ask for.
 
From Irving Azoff:
 
Howard was a giant among men. He never sought the spotlight, but was the best in the business.
We worked together for more than 45 years. He was a great influence on me and taught me a lot.
Despite his major health issues, he always wanted to work till the end and I’m glad he got his wish.
It’s a tragic loss for our industry. He will be missed by me as well as scores of others he touched.

 

 

 
Wed
18
Jan

BLOODBOUND Launch 'War Of Dragons' February 24

Artist: 
Friday, February 24, 2017
Categories: 
News Feed
 
It’s been an impressive journey for BLOODBOUND: The Swedish power metal commando has become more and more popular in recent years. All this falls back on talent and hard work: Since 2005 BLOODBOUND have not only released six studio albums and a Live DVD/CD, they’ve also toured with giants such as Sabaton, HammerFall and U.D.O. - in the process winning over a very devoted and loyal fanbase of metalheads.
 
So it doesn’t come as a surprise that BLOODBOUND’s next career move would be a headlining tour now – armed with their brand new studio album, titled ‘War Of Dragons’. It’s basically a continuation of the successful ‘Stormborn’ (2014), but offering more fast-paced tracks, without lacking the anthemic feel the band is known for. BLOODBOUND are masters in combining melody with power and ‘War Of Dragons’ perfectly displays the evolution that the band has gone through since their debut ‘Nosferatu’.
 
BLOODBOUND was founded in summer 2004 by Tomas Olsson and Fredrik Bergh. Soon they recorded a demo and received contract offers for Europe and Asia instantly. The debut ‘Nosferatu’ was released in 2006 and yielded best critiques. Consequently they played shows with bands like Sabaton, Arch Enemy, Pretty Maids and Evergrey. But 2006 also brought line-up changes which didn’t pass unnoticed, particularly as singer Urban Breed left BLOODBOUND after the tour.
 
But soon Michael Bormann (ex-Jaded Heart) was found to fill the gap and so the second album ‘Book Of The Dead’ was recorded and released in 2007. It became the band’s first album entering the album chart in Sweden. But shortly after the release of ‘Book Of The Dead’ it was quite obvious - Michael´s other obligations did not allow enough time for BLOODBOUND. To play the already booked shows they could convince Urban Breed to return to the band. And it became more than some gigs. Urban stayed for another tour (supporting HammerFall) and recorded the next album ‘Tabula Rasa’ with the band on which more modern and progressive elements have been added to BLOODBOUND’s sound. Numerous festival shows as well as another tour with HammerFall followed.
But in 2010 the band parted ways with Urban Breed again. On their search for a new vocalist they found the man to finally give BLOODBOUND continuity: Patrik J Selleby, who was not only a great vocalist and frontman, but a friend.
 
A much noticed return in shape of 2011’s ‘Unholy Cross’ album showed BLOODBOUND return to their old sound, just one and a half years later ‘In The Name Of Metal’ continued in this vein and especially with 2014’s ‘Stormborn’, BLOODBOUND made a whole lot of new fans. The band has toured with Sabaton and U.D.O. in recent years, released a Live DVD/CD (‘One Night Of Blood’) in February 2016 and simply can’t wait to unleash what they’ve been working on for a while now: ‘War Of Dragons’. This new release will see BLOODBOUND tour as headliners in March/April (special guest being their label mates Crystal Viper). So, it looks like one of Sweden’s premier metal acts is keeping it busy – more than ever!
 
LINE-UP
 Patrik J Selleby - vocals
 Tomas Olsson - guitars
 Henrik Olsson - guitars
 Anders Broman - bass
 Fredrik Bergh - keyboards
 (currently vacant) - drums
 
 
TRACKLIST
1. A New Era Begins
2. Battle In The Sky
3. Tears Of A Dragonheart
4. War Of Dragons
5. Silver Wings
6. Stand And Fight
7. King Of Swords
8. Fallen Heroes
9. Guardians At Heaven’s Gate
10. Symphony Satana 11. Starfall
12. Dragons Are Forever
 
Available as CD, 2CD Digipak, ltd. colored Vinyl & ltd. Box Set
 
Tue
17
Jan

She Rocks, Vol.1 - Featuring Some Of The Best Female Guitarists Today

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FEATURING SOME OF THE BEST FEMALE GUITARISTS TODAY - Lita Ford, Orianthi, Nita Strauss, Jennifer Batten and Many More Contribute Tracks
 
Released on Friday, January 20, 2017 via Steve Vais Favored Nations Label
 
(Los Angeles January 16, 22017) Favored Nations Entertainment will release the all-female compilation, She Rocks, Vol.1. digitally on January 20th with the physical CD available on February 4th.  The compilation will be celebrated at the 2017 She Rocks Awards, taking place this Friday in Anaheim, CA during the annual NAMM Convention.  
 
This collection of kick-ass guitar goddesses is produced by author and former Guitar World editor, Brad Tolinski with iconic guitarist Steve Vai as executive producer, and showcases eleven female guitarists, each a virtuoso in her own right. From the legendary Lita Ford to Sarah Longfields jazzy riffin, to Orianthis melodic stylings and the all-out shredding of Nita Strauss, these players each contribute their own voice to this carefully curated collection. 
 
She Rocks, Vol.1 compilation is released on Vais own Favored Nations Label, and in cooperation with the Womens International Music Network (theWiMN.com), hosts of the famed She Rocks Awards.  
 
The She Rocks, Vol.1 compilation showcases the amazing talents of Orianthi, Yasi Hofer, Kat Dyson, Sarah Longfield, Lita Ford, Jennifer Batten, Nita Strauss, Steph Paynes, Nili Brosh, Gretchen Menn, and Yvette Young and will be released on January 20, 2017.  Find out more at http://www.favorednations.com/artists/sherocksvol1/
 
She Rocks, Vol. 1 Track List:
1.            Orianthi Transmogrify
2.            Yasi Hofer Cosmic Stars
3.            Kat Dyson U Know What I Like
4.            Sarah Longfield The Taxi Time Travel Task Force
5.            Lita Ford w/Lez Zeppelin The Lemon Song
6.            Jennifer Batten In the Aftermath
7.            Nita Strauss Pandemonium
8.            Steph Paynes The Sun at Her Eastern Gate
9.            Nili Brosh A Matter of Perception
10.          Gretchen Menn Scrap Metal 
11.          Yvette Young Hydra
 

 

 
Mon
16
Jan

LIV SIN Releases New Single, "Let Me Out" Today

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The current Queen of Metal, SISTER SIN veteran LIV SIN has released her first solo single, "Let Me Out," which can be previewed here

Throughout their thirteen year history Swedish sensations SISTER SIN sold thousands of albums and toured the world on high-profile tours supporting the likes of SLAYER and KING DIAMOND on the Rockstar Energy Drink Mayhem Festival, as well as being a part of the Revolver magazine "Hottest Chicks In Metal" tour. SISTER SIN toured relentlessly for over a decade across Europe and North America garnering an intensely loyal following of rockers that craved the band’s aggressive and melodic brand of hard rock.

When SISTER SIN called it a day at the end of 2015, Liv Jagrell knew that she had much more to offer the world and her fans. From this, LIV SIN was born. The new music shows the power and attitude that Liv is known for. She says: "For me, it has never been an option to stop singing. I live for the stage and for my fans. I still miss SISTER SIN, but I am very excited to work on my own project, and I can promise it will not be some soft pop rock. This is going to be metal deluxe, because that's who I am!"

"Let Me Out" comes from from the highly anticipated full length Follow Me  (co-produced by longtime ACCEPT and U.D.O. member Stefan Kaufmann and U.D.O. bassist Fitty Wienhold.) album due to be released on 28 April. 2017. Liv says of the track, “The song is about what a person is willing to do and sacrifice to take themselves out of a destructive situation, sometimes with fatal consequences. We see it every day, the desperation in the world is spreading and gets people to behave irrationally. It feels incredibly good to release this single and finally show what we've been working on. I've found a really good gang of new band members and we can’t wait for the world to hear our songs and to come out and play live."

Pre-orders for Follow Me are being taken here
 
 
Mon
16
Jan

New Website For PARIS

 
MRR band PARIS is launching a website: www.paristheband.com
 
Arnaud Leger (the band's friend and artwork designer on both albums) worked together with Sebastien to create the new website that includes infos, soundbites, videos, photos, merchandising... It's a great looking site.
 
Earlier this year PARIS released their second sensational album The World Outside, featuring production by Steve Newman. It can be sampled and purchased here: http://melodicrock.com/articles/melodicrock-records/2016/06/03/paris-wor...
 
 
Sun
15
Jan

NIGHT RANGER Announce 'Don't Let Up' For March 24

Artist: 
Friday, March 24, 2017
Categories: 
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Frontiers Music Srl is proud to announce the release of “Don’t Let Up”, the new studio album from Night Ranger. “Don’t Let Up” is set for a March 24th release. The album will be available in both a standard edition and a deluxe edition (featuring bonus track and bonus DVD - physical format only).
 
For your first taste of new music from the album, check out "Somehow Someway" here:
 
 
“‘Somehow Someway’ is all Night Ranger. It not only captures the spirit of our live shows but also is the essence of who we are and who we have been for the last 35 years…a kick ass American rock and roll band…case closed,” says Jack Blades, bassist and vocalist.
 
Adds Kelly Keagy, drummer and vocalist, "The song "Somehow Someway" is an up-tempo rocker with an infectious, big guitar lick. Take caution while you're driving in your car, you may find yourself going WAY over the speed limit. Check it out!"
 
"Our new single, 'Somehow Someway' is a rockin' barnburner up to the standards of our first single, "Don't Tell Me You Love Me". This could be a great song to perform live and add to our setlist....Enjoy!!" encourages guitarist Brad Gillis.
 
Pre-order "Don't Let Up" and/or stream the first single here: http://radi.al/NightRangerDontLetUp or at the links below:
 
Night Ranger truly epitomizes the sound of the 80's, while at the same time transcending it. Since their reunion in 1996, they have brought their guitar heavy, melodic brand of hard rock into the 21st century with their unparalleled talent, energy, and creativity.
The new album, "Don't Let Up" was self-produced by the band.
“The “Don’t Let Up” album is the result of five musicians living and breathing rock 'n roll 24 hours a day. 35 years on and Night Ranger is once again ready to let the fans know “It’s Only Rock and Roll, but I like it,” says Blades of the new album.
 
Keagy adds, “Working on the material for the new album "Don't Let Up" was a great experience once again. I always look forward to creating music with Brad, Eric, Kerri, and Jack. I'm really looking forward to playing some of this material for the fans. It rocks!”
"I'm looking forward to the new Night Ranger studio effort 'Don't Let Up' as it's always a pleasure releasing new material to keep the bands creative flow. As typical for NR, we have all the elements that made us popular in the first place, including twin lead vocal tradeoffs with Jack and Kelly and dual guitar harmonies and solos with my new partner in crime, Keri Kelli. We've stacked the deck again with up tempo driving rock songs, mid tempo tunes and a few acoustic ballad tracks. We're hoping this new album will be added to your existing Night Ranger catalog!!!" enthuses Gillis.
 
With more than 17 million albums sold worldwide, over 3000 live shows performed, and more than 1 billion in radio audience, Night Ranger has both epitomized and transcended the arena rock sound and style of that era and beyond. With songs that have significantly impacted popular culture and continue to expand their ever-growing fan-base, Night Ranger is proof that powerful songs, plus accomplished musicians is the perfect formula for continued success.
 
Night Ranger has earned widespread acclaim, multi-platinum and gold album status while leaving their indelible mark on the music charts with a string of best-selling albums (Dawn Patrol, Midnight Madness, 7 Wishes, Big Life and Man In Motion), its popularity fueled by an impressive string of instantly recognizable hit singles and signature album tracks. Producing legendary hits such as “Sister Christian”, “Don’t Tell Me You Love Me”, “When You Close Your Eyes” the anthemic “(You Can Still) Rock In America”, along with "Sentimental Street", "Goodbye", "Sing Me Away", "Four in the Morning" and more.
The band was also one of the first big "video" bands, with over 10 number 1 videos on MTV.
 
Over the years, the band’s music has made notable contributions to and been featured in many different areas of media and popular culture. Night Ranger’s songs can be heard in TV Shows; The Unbreakable Kimmy Schmidt, American Dad, Glee, Grey’s Anatomy, Parks & Recreation; Rock Band, Guitar Hero and Grand Theft Auto, video games; Rock of Ages hit Broadway musical and feature film; the Oscar-Nominated film Boogie Nights, Friday the 13th, Teachers, Sixteen Candles, The Secret of My Success; JBL’s "Hear The Truth” brand campaign; and many more!
 
NIGHT RANGER is Jack Blades (bass, vocals), Kelly Keagy (drums, vocals), Brad Gillis (lead & rhythm guitars), Eric Levy (keyboards), and Keri Kelli (lead & rhythm guitars).
 
“Don’t Let Up” Track Listing:
1. Somehow Someway
2. Running Out Of Time
3. Truth
4. Day And Night*
5. Don’t Let Up
6. Won’t Be Your Fool Again
7. Say What You Want
8. We Can Work It Out
9. Comfort Me
10. Jamie
11. Nothing Left Of Yesterday
*Bonus audio track on Deluxe Edition
*Bonus DVD: Band Interviews; “Running Out Of Time” (video); “Day And Night” (Video)
 
For More Info Visit:
 
 
Sat
14
Jan

MIKE TRAMP 'Coming Home' Video Debut

 
"Coming Home" is the brand new single released today taken from the album "Maybe Tomorrow" released on the 24th of February 2017 on Mighty MusicTarget Group worldwide (ex. Japan by Bickee Music).
 
Artist: 
 
Sat
14
Jan

ECLIPSE Continue Their 'Monumentum' March 24

Artist: 
Friday, March 24, 2017
Categories: 
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Frontiers Music Srl is pleased to announce the release of the hotly anticipated fifth studio album from ECLIPSE, “Monumentum” on March 24, 2017.
 
Pre-orders of "Momentum" and/or streams of the first single, "Vertigo" are available here: http://radi.al/EclipseMonumentum
 
Two years after the successful release of the “Armageddonize” album around the globe, Eclipse have established themselves as rising stars with audiences in Australia, Japan, America and Europe (including the 3.5 million viewers who saw Eclipse's debut on Swedish national television at Melodifestivalen 2016).
 
With the musical development and maturity shown across the board on their last two albums, "Bleed and Scream" and "Armageddonize," the future has become clear: these guys are destined for stardom! And now with their new album, aptly entitled “Monumentum,” band’s amazing abilities are truly on display for the world to hear.
 
After touring extensively for two years in support of “Armageddonize”, Eclipse's main songwriters Erik Mårtensson and Magnus Henriksson reconvened in Erik's new studio in the Swedish countryside in late summer 2016 and started writing new songs. The intention was to write and record an album with no compromise on either song quality or musical performance from the band.
Singer, songwriter and producer Erik Martensson says: “With every album, one's way of writing music changes a bit. What you thought was exciting and interesting while writing one album can radically change when you start writing the next. I think we have brought in quite a few new tricks in the writing and recording process while still staying true to our sound. In the end, it all boils down to if it's good or bad songs and I think this is the best album we've done. In my opinion there is not one single weak song on the album and I'm really proud of it!”
 
We know saying your latest album is the best you've done is the oldest cliché in rock music, and so instead of taking our word for it, tune in and listen to the killer opening track “Vertigo” here:
 
 
It's melodic rock that's respectful of the roots of the genre, but with sights set firmly on the future. Fans of the band will not be disappointed and newcomers can look forward to hard rocking tunes with massive hooks from the first to the final track.
 
As Erik puts it: "When I go and see a band I just want to hear songs that make me wanna put my fist in the air and scream along, and I want everyone around me to do the same. Well, Monumentum is one giant fist waiting for a chanting crowd of rockers. We can't wait for the people to hear it!"
 
Better be ready: ECLIPSE are coming to kick your ass!
 
“Monumentum” tracklisting:
1. Vertigo
2. Never Look Back
3. Killing Me
4. The Downfall of Eden
5. Hurt
6. Jaded
7. Born To Lead
8. For Better or for Worse
9. No Way Back
10. Night Comes Crawling
11. Black Rain
 
Upcoming Tour Dates with MORE To Be Announced SOON:
March 31st - Fryshuset Klubben, Stockholm, Sweden
April 1st - Sticky Fingers, Gothenburg, Sweden
April 29th - Frontiers Rock Festival, Trezzo (Milano), Italy
June 30th - July 2nd - Rockfest Barcelona, Barcelona, Spain
August 9th-12th - Leyendas del Rock, Villena, Spain
 
ECLIPSE
Erik Mårtensson – lead vocals, guitars
Magnus Henriksson - guitars
Philip Crusner - drums
Magnus Ulfstedt - bass
 
Follow ECLIPSE on:
 
 

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