Thu
07
Jul

AOR Heaven Next Releases Announced: DANTE FOX & MISS BEHAVIOUR

Artist: 
Friday, September 2, 2016
Categories: 
News Feed
 
Germany based label AOR HEAVEN will release the new album “Breathless” by DANTE FOX on August 26 and “Ghost Play”, the new album from Swedish Melodic Rock sensation MISS BEHAVIOUR on September 2.
 

Product: Miss Behaviour - Ghost Play
Release date: 02.09.2016
 
 
 
10 years after releasing their debut album Heart of Midwinter, Miss Behaviour is back with their 4th studio album Ghost Play. With Ghost Play the band is ready to take their career to the next level.
 
The breakthrough came with the album Last Woman Standing (2011). In spring 2011 Miss Behaviour competed in Swedish national radio with the song Till we meet again, making the premiere live performance with the current lineup in front of 400.000 radio listeners. Late 2011 the album Last Woman Standing won the Melodic.net ”Best AOR album of 2011” readers poll, and got fantastic reviews from magazines such as Classic Rock (UK), Sweden Rock Magazine (SE) and more. UK Magazine Classic Rock picked Cynthia as one of the best tracks in 2011, and featured the song on the compilation Classic Rock Buzz.
 
The band promoted Last Woman Standing with two successful tours in the UK, 2011 and 2012.
 
The follow up album to Last Woman Standing, entitled Double Agent was released in August 2014 on AOR Heaven. Once again the reviews were great - Classic Rock, Sweden Rock Magazine and Aftonbladet (SE) all praised - and this also earned them a slot on Stockholm Rocks Festival in November.
 
Ghost Play
Together with producer Patrik Magnusson (Crashdiet, Mick Mars among others), Miss Behaviour spent the entire 2015 writing and recording. Ghost Play is classic hard rock, with a great production and a great variety of songs. Everything is presented in a way that always been the essence of Miss Behaviour. Great melodies are in focus. This time it is presented, however, with a more powerful sound.
 
Sound clips in advance:
 
Discography: Heart Of Midwinter (2006), Last Woman Standing (2011), Double Agent (2014), Last Woman Standing (Re-Issue, 2015), Ghost Play (2016).
 

Product: Dante Fox - Breathless
Release date: 26.08.2016
 
 
Dante Fox were formed in September 1989 by lead Vocalist Sue Willetts  She was quickly joined by guitarist Tim Manford and this created a golden partnership.
On the strength of their songs Dante Fox caught the interest of Linda Bruce from Rich Bitch Studio’s and a debut album was now a reality. Following this an appearance on ITV television show ‘Hit The Town’ hosted by Rory McGrath launched the sounds of Lost And Lonely Heart through televisions all around the UK.
 
Dante Fox signed to Now and Then Records in March 1996 and in May they appeared on the Gods line up next to Hugo and Jamie Kyle. In October 1996 the debut Under Suspicion was released. Many shows followed including a support tour with ELO, Enuff Z Nuff and European festivals such as Mindview and Aardshock. Capitalising on this European interest the band returned to Holland for more headline shows. In April 1997 Under Suspicion was released in Japan and received a 87/100 review in BURRN magazine.
 
The Second album The Fire Within was released on Frontiers Records in March 1999. The album included current live favourites Under The City Lights, Firing My Heart and the dance floor hit Remember.  In Japan Firing My Heart and Over You were added to the playlist of Masa Itoh’s Heavy Metal syndicate radio show. The band closed the year with an appearance at the Gods and also the backing band for Stan Bush.
 
The band took a break and returned in 2005, with a slot at Firefest and a UK tour support to Vixen.
The Third album ‘Under The Seven Skies’ was released worldwide on Frontiers Records in March 2007 featuring the nine minute epic title track. The album was voted best album of 2007 by the listeners of ARFM Radio and the band continued to support the album by playing shows with Danny Vaughn and Wigwam.
 
The Fourth album Lost Man’s Ground released in October 2012 at the band’s appearance at Firefest. This featured a new rhythm section Andy Perfect (Drums) and Alan Mills (Bass), and also Alessandro Del Vecchio on backing vocals and Eric Ragno on keyboards.
In June 2012 a magical night was experienced opening for US band Night Ranger in London. This year ended with a much anticipated performance at Firefest and a great slot at Hard Rock Hell.
 
Sue Willetts was voted 19 in the top 50 Female vocalists of all time in  Classic Rock Magazine alongside Ann Wilson and Cher and the band performed at HRH AOR (Tesla, FM ) Hard Rock Hell Ibiza and a very successful tour with Romeo’s Daughter.
After their performance at HRH AOR 3 2015 time was spent writing and recording material for a new album.
 
The new album Breathless was recorded with Mark Stuart/Sheena Sheer and mixed and mastered at M2 Studio’s UK in May 2016 by Sheena Sear (Magnum). The album also features Keyboardist Eric Ragno and vocalist Lee Small who sang harmony backing vocals. Dante Fox are very excited to be working with AOR Heaven on Breathless and looking forward to presenting the new album to their fans on its release date of 26th August 2016.
 
Sound clips in advance:
 
Tour Dates: Viking Rock Festival - 13th August, 2016; HRH AOR Festival - 9th-12th  March 2017
 
 
 
Wed
06
Jul

ICONIC EYE Release "In A Broken Dream" Single

 
We are pleased to release on behalf of Iconic Eye the wonderful cover of the Python Lee Jackson classic "In A Broken Dream"

Greg Dean Said " When we recorded our current album "Hidden in Plain Sight", we realised that we are a new band and that people would need a cover song so that they could work out if they wanted to hear more; and to allow us to appeal to mainstream radio which may then lead to a bigger impact on the market.

Our singer, Tim, joined the band part way through the recording and this song was his suggestion. "In a Broken Dream", by Python Lee Jackson is an epic cross-over song, and was also covered by Thunder; so the pedigree of the song is a given".

Tim felt that this song gave a great opportunity to show off all aspects of the band but in particular his voice, which after all is what attracts people to want to hear more. It has turned out to be a favourite live and we hope that its release on Monday 4th July allows the band to attract many new listeners.

You can buy the single on iTunes or if you prefer a physical copy of the album it is available here: http://www.iconiceyemusic.com/store1/
 
 
Wed
06
Jul

RICKY PHILLIPS Talks To Sleaze Roxx; MONTROSE & COVERDALE/PAGE

Artist: 
Categories: 
Podcasts & Radio
 
Follow the link to read Sleaze Roxx's interview with Styx bassist Ricky Phillips including details of the last recordings from Ronnie Montrose to be released.

http://sleazeroxx.com/interviews/ricky-phillips-of-styx-interview/

Credit: Ruben Mosqueda of Sleaze Roxx (sleazeroxx.com). Excerpts from the interview:

DETAILS ON LAST RECORDINGS FROM RONNIE MONTROSE ABOUT TO BE RELEASED

Ricky Phillips: I met Ronnie back in the early '80s through a producer friend of mine. He and Ronnie had done a project where it was just he and Ronnie on stage. It was extraordinary. It was probably overshooting for the average Joe. It was aimed for a higher brow musically. Ronnie had done the Montrose thing with Sammy [Hagar] and he had done Gamma which was a bit more 'proggy.' He wanted to do something new. If he had just stayed a rock guitarist, he have become a household name because he was so great at it. He is a guy that played those licks first and a lot of guys stole from him. I've been told this from guys I know that are in huge bands.

I went out to do shows with Ronnie along with Eric Singer [KISS, Alice Cooper, Badlands]. We had a few different singers. Ronnie loved the way we sounded and he was inspired to do another rock record. Eric, Ronnie and I went into the studio and laid down ten tracks. I started working with Styx and Eric resumed working with Alice and KISS back to back.

Right before I went on tour with Styx I received a call from Ronnie he said 'Listen I have an idea. I'm calling the record 10 by 10. We'll get 10 different singers, one for each song and we'll get this thing done.' I said 'That's a great idea Ronnie but we can't even think of one singer we like! How are we going to find 10?!' [laughs] He replied 'Listen I'll call Sammy [Hagar] and ask if he can do one. I'll call Edgar [Winter] and see if he can do another. I'll call people I know.' I didn't have the time to chase down people to sing on the album but he did. He got them and then some. He got Mark Farner [Grand Funk Railroad], Gregg Rolie [Journey, Santana], Eric Martin [Mr. Big] and David Pattison [Gamma]. I got Tommy Shaw on one of the tracks. It became this cool project that had this really cool band.

The record sounds cohesive. It's a very interesting record. We finally found a home for it. We're having some meetings with a label about it getting released and I hope we have this album released by the beginning of 2017.

I jumped ahead a little bit. When I say that we recorded the album; drums, bass and rhythm guitars were done. Ronnie passed before he could lay down guitar solos. I mixed the record so that Ronnie was very big in the record. It was his concept so I wanted to ensure that he was represented on this record. I wanted to bring in guys that Ronnie was into to come in and record the solos for the album. I didn't get everybody that I went after but I think all the right guys are on the record. There's a great mix of singers and guitarists on there. I have Glenn Hughes on a track with Phil Collen from Def Leppard playing the solo, Sammy Hagar featuring Steve Lukather [Toto]' Eric Martin, I paired up with Dave Meniketti [Y&T] and on and on. We have Joe Bonamassa on there too. I also have Brad Whitford who is the unsung hero to both Ronnie and I in Aerosmith. He's the dark horse in that band. I called him and he was honored to be a part of it. I can't wait for you to hear the track with Edgar Winter and Rick Derringer. It sounds like it was lifted right out of the '70s.

I'm excited for the album to come out. There's been a lot of blood, sweat and tears put into this album and a lot of love. I think Ronnie will be looking down on us smiling when it's released. It's pretty special.

WAS JIMMY PAGE WORKING WITH DAVID COVERDALE IN PAGE/PLANT JUST TO WORK WITH ROBERT PLANT?

Sleaze Roxx: And There's Coverdale/Page which you were a part of. I was looking at the RIAA page and the album achieved platinum status [1 million copies sold] in the United States. At the time, it was considered a 'flop' but it sold a million copies. It's a good record.

Ricky Phillips: It went platinum relatively quickly too. I learned a lot on that record from Jimmy [Page] and David [Coverdale] making that record about the business. John Kalodner, a behind the scenes record guy who has made a lot of careers happen, really believed in it. John knew it was a great combination. David [Coverdale] got a lot of flak for sounding like Robert Plant. You know when Jimmy [Page] starts playing, that's what you do! [laughs] That's what comes out of your voice. That's what needs to be done! [laughs] That's what David was doing. I think he did an incredible job. I have some recordings of us working on material. I think those are even better than the record because we're fishing for ideas. That's really honest, pure creation happening there and I happen to have those recorded.

As time went on, Jimmy bought a home in Florida and he was moving there. Then we moved the recording to Vancouver, BC, and people got sick' A lot of stuff started happening. We spent about five months working and putting that album together. I'm not making any excuses because I think we made a great record. When we were making the video ['Pride And Joy'] Jimmy pulled me aside and said 'I'm getting back together with Robert [Plant].' You know, there will always be those rumors that he worked with David just to get Robert to work with him. [laughs] I don't know that it's true. It makes me wonder. That's what I wondered at the time when he pulled me aside. That was the end of Coverdale/Page.

I had a blast hanging out with Jimmy. I was constantly asking him about The Yardbirds which is one of my favorite bands. Can you imagine a band that featured [Jeff] Beck, [Eric] Clapton and [Jimmy] Page at one time or another? He didn't seem to mind telling the stories. [laughs] On many levels, it was an interesting and educational time.
 
Tue
05
Jul

Australian Rockers KAATO Announce Debut Release

Artist: 
Categories: 
News Feed
 
KAATO, independent rock band fronted and founded by Australian rocker Kurt Lowney have just released their debut self-titled album, produced by rock industry veteran Mitch Malloy.
 
KAATO came together in 2015 as Lowney began working with Nashville-based Malloy to write and record the self-titled KAATO album. "From day one, the musical chemistry between Kurt and me was undeniable.” says Malloy. Both were deeply rooted in the same musical influences.
 
Kurt has harbored the dream of KAATO since he was a 16-year-old recording in post-earthquake Japan in 2011. The Japanese called him Kaato (pronounced Kah-toe), meaning Kurt. It was during this time KAATO became Kurt's performance persona and stage name.
 
Kurt and Mitch began recording the KAATO album in Nashville at Mitch’s studio, Malloy Master Tracks along with Kurt’s longtime friend and bass player, Mika Nuutinan, and Mitch’s former bandmate and guitar virtuoso Tristan Avakian (Queen Extravaganza, Red Dawn, Malloy). The marriage of the four band members not only created dynamic, melodically charged music but also a compelling, not to be missed live show. When KAATO takes the stage all eyes and ears are held captive by the infectious music and dynamic performance.
 
The KAATO album launches with the first single, High Time, a fast-paced party song. The video gives an insight into the vintage live appeal of the band and its high energy show. While a complimentary hat tip to the original founders and influencers of rock, KAATO definitely brings its own fresh sound to the rock scene. Start to finish, "Our music is loud, it's fast, it's rude, it's rock and roll...it doesn't care. It's a mixture of Aerosmith, Boston, Styx and Zeppelin, and all the stuff that just makes you want to get up and dance.” says Lowney.
 
KAATO is scheduled to embark on a US and European tour beginning in July 2016 with tour stops including the world famous Whisky A Go Go in LA, Nashville, London, Liverpool, Athens, Madrid and Oslo, to name a few.
 
KAATO Track Listing (all songs penned by Lowney/Malloy):
 
1. SDRR
2. Only A Day Away
3. Time Stands Still
4. It’s All Happening Now
5. You Lose
6. Like A Blade
7. Guilty Go Free
8. I Don’t Love You
9. Colder
10. Clean As A Whistle
11. High Time
 
 
 
Mon
04
Jul

Rock Candy Records Latest - TARGET & GIRL

Artist: 
Tuesday, April 21, 2015
Categories: 
News Feed
 

The following five new Rock Candy titles are available now from www.rockcandyrecords.com for a discounted price including postage to anywhere ending on July 17.
 
GIRL 'SHEER GREED' CANDY307
 
CRASHING AWKWARDLY in to a scene that was almost exclusively primed for down and dirty hard rock, Girl were utterly out of step with the times. Hard rock bands during the very early 1980s complied with a strict in-vogue youth uniform of denim, leather and greasy long hair. The NWOBHM, as it was labelled, may have been a force for good but it certainly wasn't tolerant of aesthetic deviation' something that Girl found to be a major stumbling block.
 
Dressed to kill, they resembled a car-crash combination of Duran Duran, Japan and the New York Dolls. Musically, however, their riff-tastic style was more in tune with Aerosmith, Cheap Trick and Kiss. The band's somewhat androgynous look, penchant for eye makeup and cocky pouts, set them apart and there was no getting away from the fact that visually these guys were totally out of step with the scene. Sadly, therefore, they suffered some ridicule; despite the fact that they were actually trailblazing a style that was later successfully utilised by acts such as Hanoi Rocks, Motley Crue and Ratt.
 
Signed to Jet Records (owned and operated by the Mr Big of rock, Don Arden), this, the band's debut album, co-produced by Chris Tsangarides (Y&T, Thin Lizzy) and Nick Tauber (Def Leppard, UFO), made the critics swoon, but on the streets it was a different story, with the band failing to make inroads and wrestling with a label that didn't quite 'get it'. It remains, however, a masterpiece of musical juxtaposition boasting explosive tracks like 'My Number', 'Hollywood Tease' and an OTT cover of the Kiss Klassic 'Do You Love Me'.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 2 BONUS TRACKS, FEATURES PHIL COLLEN (DEF LEPPARD) AND PHILIP LEWIS (GIRL) 20 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM WITH NEW BAND INTERVIEWS, ENHANCED ARTWORK AND PREVIOUSLY UNSEEN PHOTOS.
 
TRACK LISTING: 1. HOLLYWOOD TEASE 2. THE THINGS YOU SAY 3. LOVELY LORRAINE 4. STRAWBERRIES 5. LITTLE MISS ANN 6. DOCTOR DOCTOR 7. DO YOU LOVE ME 8. TAKE ME DANCING 9. WHATS UP 10. PASSING CLOUDS  11. MY NUMBER 12. HEARTBREAK AMERICA BONUS TRACKS: 13. YOU REALLY GOT ME  (B-Side) 14. LOVE IS A GAME (Single)
 
GIRL 'WASTED YOUTH' CANDY308
 
THEY COULDN'T have been more different; five musical rouges from London who had, almost by accident, joined a NWOBHM street party and found themselves sticking out like dandies in bare knuckle cage fight. That these guys were unique was the least of their worries. Fortunately, they made amends by tooling up with razor sharp riffs, knock out hooks and raw production. They were also fronted by a charismatic lead vocalist that taunted the crowd by blowing kisses to bikers.
'Wasted Youth' was the band's second album for Jet Records, originally issued in 1982, and one that was recorded in two phases, amidst getting bogged down in the sort of unnecessary label aggro that had already started to erode their faith. Learning from their previous visual faux pas, they decided to dial down the glam look and concentrate on beefing up their sound, with tough guy bravado and a dress code to match. It was a brave attempt to redress the balance but, despite the coordinated effort and finely honed material, the project was still not firing on all six with a label still unable to connect the dots.
 
'Wasted Youth', sadly, was lost in space, a fate accentuated by the departure of guitarist Phil Collen, accepting an offer to join Def Leppard for their epoch making 'Pyromania' album. Later, Phil Lewis went on to front highly successful rock outfit LA Guns. Both of them left behind a 24 Karat legacy, one that has been hailed by several high profile musicians as a huge influence on the glam rock explosion.
 
SPECIAL DELUXE COLLECTOR'S EDITION, 2CD SET, FULLY REMASTERED SOUND, 12 BONUS TRACKS, FETAURES PHIL COLLEN (DEF LEPPARD) AND PHILIP LEWIS (GIRL) 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM WITH NEW BAND INTERVIEWS, ENHANCED ARTWORK AND PREVIOUSLY UNSEEN PHOTOS.
 
TRACK LISTING: DISC ONE 1. THRU THE TWILITE 2. OLD DOGS 3. ICE IN THE BLOOD 4. WASTED YOUTH 5. STANDARD ROMANCE 6. NICE 'N' NASTY 7. McKITTY'S BACK 8. 19 9. OVERNIGHT ANGELS 10. SWEET KIDS DISC TWO 'Live at the Marquee 23/10/1981 1. ICE IN THE BLOOD 2. ICEY BLUE 3. MAD FOR IT 4. OVERNIGHT ANGELS 5. OLD DOGS 6. BIG NIGHT 7. SWEET KIDS 8. WASTED YOUTH 9. NICE & NASTY 10. MY NUMBER 11. STANDARD ROMANCE 12. THRU THE TWILITE

 
  

TARGET 'S/T' CANDY309
 
ARGUABLY THE BRITISH rock scene was hugely influenced by the massive commercial impact of American melodic rock bands that emerged during the late 70s. However there was a time, earlier in the decade, when British rock cast a huge impact on American music. Acts such as Free, Bad Company, Trapeze and Deep Purple were the hot ticket items of the time and their influence was staggeringly persuasive' not least on Target.
 
Memphis based Target were keen students of the British sound and forged their style and identity with exacting accuracy. It was a style that showcased vocalist Jimi Jamison's (later to join Survivor) vocals perfectly, a wonderful combination of rough-hewn growls delivered with velvet smoothness, sitting proudly atop songs that packed a decidedly blues rock punch. The combination was hugely compelling.
 
Discovered by Black Oak Arkansas frontman Jim Dandy and his manager, in a Memphis Club, the five piece band were soon signed to A&M records and put in to the legendary Ardent Studios, with producer John Ryan, to cut this, their debut album. It is a work of sublime proficiency, digging deep into soulful grooves and muscular rock. Despite a concerted effort, including a thirty date US tour opening for Black Sabbath, the record failed to resonate commercially with the public at the time but did it provide a healthy platform from which to launch their follow up album.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 2 BONUS TRACKS, FEATURES JIMI JAMISON, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM WITH NEW BAND INTERVIEWS, ENHANCED ARTWORK AND PREVIOUSLY UNSEEN PHOTOS.
 
TRACK LISTING: 1. LOVE JUST WON'T QUIT 2. BAD BOY 3. LET ME LIVE 4. JUST A LITTLE TOO MUCH 5. CAN'T FAKE IT 6. 99 '  7. YOU NEED A WOMAN 8. LET ME DOWN EASY 9. WORKIN' SONG 10. ARE YOU READY BONUS TRACKS: 11. YOU NEED A WOMAN (LIVE 1978) 12. LET ME LIVE (LIVE 1978)
 
TARGET 'CAPTURED' CANDY309
 
MEMPHIS DURING THE 70s was a hot bed of musical talent. Sure, its blues and r 'n' b roots had always been proudly on display, but with the explosion of FM radio, bigger live venues, and the establishment of a renown studio (Ardent), the city seemed to be providing its home grown musicians with an opportunity to set the world on fire. None of these possibilities were lost on Target, a cabal of tough rockers keen to stamp their identity on the local scene and beyond.
 
Riding a wave of creativity and seeking to maximise their already solid reputation as a band to watch, Target took the recording of this, their second album, with an impressive sense of purpose. Their debut album had been well received, but 'Captured', originally issued in 1977 on the A&M label, showcased a band looking to maximise not only their sound but also their image, profile and appeal.
 
Retaining their southern rock roots, the album was recorded by producer Paul Hornsby (the Allman Brothers Band, Marshall Tucker Band, Grinderswitch) at the famed Capricorn Studios in Macon, Georgia. Tougher than the debut, the album oozes a decidedly British blues rock influence, bringing to mind Humble Pie, Bad Company and Trapeze, with vocalist Jimi Jamison developing his unique, velvety rasp, which would later serve him well as the frontman of Survivor. Sadly, swamped by insurmountable business and managerial problems, Target eventually dissolved, leaving behind two fine but now little known albums.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 6 BONUS TRACKS, FEATURES JIMI JAMISON, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM WITH NEW BAND INTERVIEWS, ENHANCED ARTWORK AND PREVIOUSLY UNSEEN PHOTOS.
 
TRACK LISTING: 1. IT'S ONLY LOVE 2. SHINE THE LIGHT 3. RUNAWAY 4. JUST FOR YOU 5. MAYBE IN TIME 6. MAKE OUR DREAMS COME TRUE 7. HOLDIN' ON 8. ROCK AND ROLL LAUREATE BONUS TRACKS - LIVE 1978 9. HOLDIN' ON  10. RUNAWAY 11. MAKE OUR DREAMS COME TRUE 12.JUST FOR YOU 13. MAYBE IN TIME 14. IT'S ONLY LOVE

 
  

BULLSEYE 'ON TARGET' CANDY313
 
BACK IN THE day, long before MTV or the internet, new artists and records just sort of escaped into the record stores with little explanation or indeed fanfare. For us in Europe the situation was even more mystical. We would keep an eye on the import racks looking for new stateside releases that showed some kind of musical promise. Boston, Kansas, Starcastle and Journey all came to our attention via this random method of discovery and Bullseye were no exception to this.
 
With roots in the Boston, Massachusetts scene but coming together in New York City, they quickly secured a record deal with the prestigious Columbia label, and set about recording their debut album, with producer Rob Stevens (who'd previously worked with prog rockers Crack The Sky), at the renowned Le Studio, Morin Heights, Quebec, and finished it in NYC at the Hit Factory. It was a match made in heaven, with the results displaying a musical maturity that defied the band's relatively fresh faced status.
 
Housed in a striking cover that suggested something special indeed, those of us that ventured deeper were delighted to find a well honed record, exploding with melodic hard rock firepower, and one that always kept songs at the forefront of the objective. Originally issued in 1979, tracks such as 'Moonwalk', 'Seventh Heaven' and 'I've Changed' lead the way but it's 'Treat Me Right' that will spark the most recognition as Pat Benatar went on to secure a hit single with it in 1980.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 3 BONUS TRACKS, 12 PAGE FULL COLOUR BOOKLET, 2,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM WITH NEW BAND INTERVIEWS AND ENHANCED ARTWORK.
 
TRACK LISTING: 1. TREAT ME RIGHT 2. SEVENTH HEAVEN 3. I'VE CHANGED (NEVER WANT TO SEE YOU AGAIN) 4. MOONWALK 5. IN THE HEAT OF THE SUMMER 6. MY OLD CAR 7. DON'T LET HIM KNOW 8. WHAT CAN I SAY 9. DON'T LOSE A DAY 10. MARCH ON, TIME BONUS TRACKS: 11. IT'S OVER 12. AGELESS 13. OLIVIA
 
 
Mon
04
Jul

Exclusive - RIK EMMETT Project Boasts TRIUMPH Reunion & More

Artist: 
Categories: 
News Feed
 
MelodicRock Exclusive:
 
I can exclusively reveal a few details behind Canadian legend RIK EMMETT's new project. The album is due out later this year, but will not be under Rik's name, rather the moniker RES9 (RIK EMMETT RESOLUTION 9) in it's expanded form.
 
Recently Rik and the other members of TRIUMPH posted a picture of the trio working together in the studio on a song for Rik's album.
 
I can now deliver the news that the trio are recording THREE new TRIUMPH songs for the project.
 
But that's not all. There are some other very special guests on the RES9 project - Rush guitarist ALEX LIFESON and Dream Theater vocalist JAMES LABRIE!
 
There is a lot of effort being put into this behind the scenes, stay tuned for more!
 
 

Pages