Tue
22
Mar

Frontiers Records Signs Italian ProgMetal Outfit DGM

Artist: 
Categories: 
News Feed

Frontiers Music Srl is excited to announce the signing of Italian Prog Metal masters DGM for a multi-album deal!
 
DGM started in 1994 as an instrumental band and evolved over the years into a formidable and tight unit, offering super heavy riffs, tight drum patterns, beautiful melodies, classy arrangements, and top notch musicianship!
 
With eight full length studio albums, one EP and a live CD/DVD under their belts, DGM is a band that has reached full stylistic maturity and is truly at the top of their game! To witness their outstanding potential, check out some of their most popular songs on YouTube:
 
Hereafter - https://youtu.be/Bk08JwDpSH4
Reason (ft. Russell Allen) - https://youtu.be/n7-YIZhwvKI
Trust - https://youtu.be/YjPZgtm3Dmk
 
The band also spent a good amount of their time touring worldwide, taking part in some of the most important metal festivals including ProgPower USA, ProgPower Europe, PPM Festival and Gods Of Metal to name a few. They also supported Symphony X on their 'Iconoclast' European tour in 2010 and headlined an Asian tour in 2014, with shows in Japan and China.
 
Band guitarist and producer, Simone Mularoni says: 'We are really excited to start this new journey with Frontiers Music Srl! We feel blessed and honoured to see our name close to the bigger acts of the rock scene we all love and to be part of a label we follow since the beginning of its career. In particular we think this new album perfectly suits the path that Frontiers pursued over the years, since it's extremely melodic, epic but in the same time with all the usual DGM's trademarks! We cannot wait for all of you to listen to the new songs and to meet everyone on the road!"
 
DGM new album will be released in late summer and be sure to look out for the band's live show in a town near you!
 
DGM are:
MArk Basile - Vocals
Simone Mularoni - Guitars
Andrea Arcangeli - Bass
Fabio Costantino - Drums
Emanuele Casali - Keyboards

 
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Tue
22
Mar

One On One With Mitch Lafon - GLENN HUGHES

Artist: 
Release Year: 
2015
Categories: 
Podcasts & Radio

Legendary bassist GLENN HUGHES joins Mitch on episode 205 of One On One With Mitch Lafon.

LINK TO EPISODE: http://www.spreaker.com/user/talkingmetal/1on1-mitch-lafon-205-glenn-hughes-deep-p

In the episode's only interview, former DEEP PURPLE bassist Glenn Hughes discusses his recent health issues (knee replacement and heart surgery), as well as his upcoming summer tour, Deep Purple, Black Sabbath, being elected into the Rock 'N Roll Hall of Fame, the possibility of making a new album with David Coverdale and the return of Black Country Communion.

Quotes from the GLENN HUGHES interview:

Knee operation: "I wanted to be very very recovered to play for my fans."

(Heart surgery: tune in to the 2.58 minute mark of the interview)

Black Country Communion: "Joe and I (man to man) never fell out. The problem was that we wanted to continue and Joe has an amazing solo career."

"Black Country Communion will be the last band I play in."

(BCC discussion starts at the 18.30 mark of the interview)

Deep Purple/RARHOF: "David and I are going to go up there and accept out awards gracefully. If we get offered to join in then we probably will. It is what it is."

"I'm so honored to be part of that band and accept an award with David (the only guy in Deep Purple that I have a real relationship with). We've never ever not been friends. I love him to pieces."

(A Coverdale/Hughes album -- tune in to the 29.07 minute mark of the interview)

For more about GLENN HUGHES visit:
Online: http://www.glennhughes.com
Facebook: http://www.facebook.com/glennhughesonline
TWITTER: @glenn_hughes
Spotify: https://open.spotify.com/artist/50FDiYHYqGJkaCuK4JhAYw

Follow Mitch Lafon on Twitter: @mitchlafon
One on One With Mitch Lafon's Official Twitter is: @1On1WithMitch
And Official Facebook page is: http://www.facebook.com/OneOnOneMitchLafon
 
Fri
18
Mar

One On One With Mitch Lafon - ACE FREHELY

Artist: 
Release Year: 
2015
Categories: 
Podcasts & Radio

ACE FREHLEY joins Mitch on episode 204 of One On One With Mitch Lafon.

Link to Episode: http://www.spreaker.com/user/talkingmetal/1on1-mitch-lafon-204-ace-frehley-march-2

In the episode's only interview, former KISS guitarist discusses his latest album Origins Vol. 1, working with Paul Stanley, his upcoming 2016 tour plans, the 40th anniversary of KISS' landmark Destroyer album, the 20th anniversary of the pre-reunion MTV Unplugged album, Psycho Circus, the reunion tour and much more.

Quotes from the ACE FREHLEY interview:

Getting Paul Stanley on the album: "It was actually rather easy. I called Paul and he picked up the phone right away. I told him what I was doing and he was very receptive."

"I had originally tried to get Gene on the record, but he never got back to me."

On working with KISS again: "I'm not ruling it out. I always leave the door open. Right now, I'm just very excited about Fire And Water. Paul's really happy with the way it turned out. I'm very happy. So, we're just moving forward in a positive way and whatever happens in the future happens or if it doesn't - it doesn't."

The 1996 KISS - MTV Unplugged album: "It was a little nerve-racking. We weren't sure how the fans were going to receive it, but when we taped the show; the fans just went crazy when me and Peter walked out. It was just one of those moments in time where everything solidified."

"Paul and Gene realized that they had to move forward with me and Peter because the fans wouldn't have it any other way."

The Reunion Tour: "It was a lot of fun in the beginning, but as the years progressed it got a little weird."

"Paul and Gene know how to push my buttons and Peter's buttons."

The supposed reunion album, Psycho Circus: "I felt it would have been a better album if me and Peter had played more on it."

For more about ACE FREHLEY visit:
Online: http://www.acefrehley.com
Facebook: http://www.facebook.com/officialacefrehley
TWITTER: @ace_frehley
Spotify: https://open.spotify.com/artist/62olK5zZHSgFUXGDykgBL8

Follow Mitch Lafon on Twitter: @mitchlafon
One on One With Mitch Lafon's Official Twitter is: @1On1WithMitch
And Official Facebook page is: http://www.facebook.com/OneOnOneMitchLafon
 
Fri
18
Mar

CIRCUS MAXIMUS - Havoc (Review)

information persons: 
content: 
93%
Produced By: 
Circus Maximus
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Progressive Melodic Hard Rock
Label: 
Frontiers
Score: 
93
Friday, March 18, 2016
Categories: 
Reviews
 
On the surface, I’d say that overall, this isn’t as strong as the last album Nine, but there are parts of this release that I favor over everything the band has done before.
 
Havok is a left turn for the guys after their brilliant progressive monster Nine. This time they’ve evolved into something a little more commercial. The album is nowhere near as heavy as last time and there’s an updated more contemporary sound in play, plus more keyboards as well.
 
There’s a few tracks here striving for modern rock radio – there’s a trilogy of tracks almost immediately - the moody Highest Bitter has an almost Shinedown quality to it as does Havok, which throws in vocal effects and a distorted production. Pages rounds it off – modern progressive and heavy down tuned guitar.
I enjoy those tracks in the flow of the album, they fit the narrative, but if I’m honest, the main reason I’m listening to them is from a purist’s point of view, in that I want to hear an album start to finish as the artist intended.
 
What I’m really waiting for are the quite masterful melodic epics that bookend those heavier tracks. These are the band at their creative best - as progressive and epic as ever – but also more complex and hook driven than before. They aren’t heavy in the normal sense, but they sure are powerful.
 
Those tracks include the brilliant opening track The Weight, with its symphonic heart; then the even better Flames, which is really just magnificent. Mellow, yet uptempo, melodic yet challenging. It features a wonderful chorus and some inspired guitar playing and keyboard parts.
Loved Ones comes next and is the first of 3 big epics on the album. It’s a little faster and a little heavier, but still fits the new sound. The chorus has an epic feel as does the extended instrumentation.
After The Fire is darker and more guitar driven, but still dramatic and engaging and at 8 minutes goes by in a flash thanks to several different musical passages.
Remember is one of the melodic songs of 2016 so far for me and is in a word – essential. It builds from a soft start to an epic finish that just blows me away every time. The chorus hook is extreme, even if it takes a while to arrive and the interplay between keyboard/guitar and drums is unbelievable.
Chivalry closes the regular album and does it with class. Another 8 minute plus epic, the song travels a few different paths before a great guitar riff plays out over the last minute or two.

Fabulous stuff again from the guys. They reach new levels of commercial melodic accessibility here as well as turning modern for a few tracks too.
Some like myself will favor one style over the other, but it’s still a great listen start to finish and I dare say it could find the band some new fans.
Overall a different beast to the last album, so I expect some folks won’t rate it quite as highly, but there’s still many highlights to appreciate.
 

 

 
Fri
18
Mar

LORDS OF BLACK - II (Review)

information persons: 
content: 
83%
Produced By: 
Tony Hernando and Roland Grapow
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Melodic Metal
Label: 
Frontiers
Score: 
83
Friday, March 18, 2016
Categories: 
Reviews
 
If you attract the attention of Richie Blackmore and subsequently get the gig to front Rainbow in 2016, you must be something pretty special right?
Vocalist Ronnie Romero has done just that. But before hitting the road with the Purple One, his band Lords Of Black must first deal with their business at hand…. The release of their furious, fast and flashy metal opus “II”.
 
Lords Of Black are a metal band with a modern approach – “catchy, melodic and progressive” in their words. Pretty accurate too. There’s no end of double kick drum here, screaming vocals and truly over the top guitar acrobatics.
But there’s also piano, synth and orchestral passages as well as some softer moments where the true timbre of Ronnie’s voice shines.
 
But mostly – it’s fast, really fast or overdrive fast as the metal comes in your face and threatens to disintegrate your ears. Did I mention these guys are Spanish? Can’t really tell to be honest….this is old school commercial metal all the way.
 
All very consistent - as long as your ears can keep up - and one to crank when in need of a shot of adrenaline.

Once again co-produced, mixed and mastered by Roland Grapow, this album has the power of a nuclear reactor and the performances of 3 guys with their lives on the line.

 

 
Fri
18
Mar

THE TREATMENT - Generation Me (Review)

information persons: 
content: 
87%
Produced By: 
Laurie Mansworth
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
87
Friday, March 18, 2016
Categories: 
Reviews
 
With so many albums to choose from these days, it’s pretty easy to skip a release or even an entire band on occasion.
I haven’t given UK rockers The Treatment any time until now, given the bigger push by Frontiers Records.
And while I haven’t had time to go back and take in the band’s first two albums, I am a new fan on the basis of this third full length album.
Generation Me is The Treatment’s first album featuring Mitchel Emms on vocals and Tao Grey on guitar, and launches the band’s partnership with their new label Frontiers Music Srl.
 
Being that my appreciation of these guys comes directly from the hard crunch of the AC/DC styled riffs and the stand out vocals, perhaps this is a great place for anyone to start without the need for prior familiarity.
 
What we have here is a very enjoyable, high energy classic hard rock album that features a raw, but impressive production and music that’s best described as Tesla meets AC/DC.
The raspy, sometimes higher tone of Emms is really pleasing to these ears and the riffing is a great variety of punchy hard rock and faster paced dirty rock n roll.
 
Best of all are the songs. You can have the best sound and the best talent, but without the songs, you’re going nowhere.
The title track is fast and furious; the hard rocking opening track (and single) Let It Begin is a perfect opener; The Devil gets tuck in your head pretty easily; the softer going Backseat Heartbeat is pure melodic Tesla, mirroring that band’s excellent use of acoustic guitars; We Are Beautiful flows beautifully and Light The Sun is a cool anthemic Tesla styled rocker to close the album.

The only places I struggle is with the go-nowhere Better Think Again and I Know She Knows, which to me just has a really annoying chorus. That takes away from the second half of the album, but elsewhere it’s very consistent and thoroughly enjoyable.
 

 

 
Fri
18
Mar

ROYAL HUNT - Cargo (Review)

information persons: 
content: 
85%
Produced By: 
Royal Hunt
Running Time: 
90
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
85
Friday, March 18, 2016
Categories: 
Reviews
 
The powerhouse that is Royal Hunt continues on with this “in between albums” live release, a double album recorded during the band’s 2015 festival appearances.
The set takes in 90 minutes of full power Royal Hunt – a complete rendition of their signature concept album Paradox to kick off Disc 1. On Disc 2 there are just 5 songs, but thankfully the best track from the band's recent era - A Life To Die For - proves to be a fitting climax.
 
Just 12 songs for the 90 minutes of high intensity progressive (melodic) metal. You know the band – you know the songs. The only issue with a release such as this – is it any good? Yes indeed.
 
The recordings are clear, sharp and very well mixed. The performances are what you’d expect of the pros that André Andersen, DC Cooper, Andreas Passmark, Jonas Larsen and Andreas Johansson are.

One for fans of The Hunt and especially the Paradox album and a great performance from DC Cooper and the rest of the band.

 

 

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