Thu
28
Mar

LA GUNS - The Devil You Know (Review)

information persons: 
content: 
70%
Label: 
Frontiers
Artist: 
Score: 
70
Friday, March 22, 2019
Categories: 
Reviews
 
I believe the usual line used is “stripping it back to the roots” or “delivering the raw energy of the early days”. I prefer the terms “low budget” and “crap production.”
 
The production quality aside – and it really is painful to listen to this album at volume – LA Guns definitely deliver the high energy levels.
 
This is a lively record of uptempo, attacking rock songs with a bad attitude and an aggressive feel. There’s touches of the debut and Cocked And Loaded, the punky part of Vicious Circle and some outside 70s blues rock influences (Led Zep anyone?)
 
Tracii shreds like a teenager and Phil sounds….well, like classic Phil, which is always a good thing.
 
The songs themselves are a mixed bag. The first three are pretty much classic LA Guns and Don’t Need To Win sounds like the earliest vibe of the band, Another Season In Hell stretching things into more adventurous territory.
 
The rest…I could take them or leave them. Nothing really stands out and as stated, the production is so rough and raw, its hard to appreciate any song that doesn’t deliver the highest quality.

So it’s another middle of the road score here for LA Guns. Their inconsistent catalogue remains just that. I’ll stick with the debut, Hollywood Vampires, Vicious Circle, Waking The Dead and Cocked & Loaded. Those are essential LA Guns records.
 
 
Wed
27
Mar

Last Call For FICTION SYXX 'The Alternate Me' Premium Preorder

Artist: 
Categories: 
News Feed
 
MRR is excited to announce the second Premium Preorder campaign will be for the second studio album from progressive melodic rockers FICTION SYXX.
 
THIS IS THE FINAL WEEK FOR PREMIUM PREORDERS. Next week an official release date will be announced for the regular edition.
 
New this week for Premium Preorder customers are 5 rough mixes and 9 (almost) final mix tracks to check out!
 
New Video!
 
 
FICTION SYXX is dialling in on their sophomore release, ‘The Alternate Me’!
 
The line-up had one change - Larry Hart (King Kobra/Montrose) on bass guitar takes over for Tony “The Fretless Monster” Franklin.  This release is focused more on the core than their debut release ‘Tall Dark Secrets’. There are no guest artists on this one and JK Northrup & Mark Lanoue share the lead guitar duties. Prepare for a mix of melody, harmony, soaring slide, and at times SHRED!
 
Fiction Syxx is:
Mark Allen Lanoue - Lead Vocals & Guitar
JK Northrup - Guitar, B. Vocals & Production
Rory Faciane - Drums
Larry Hart - Bass
Eric Ragno - Keyboards
 
There will be 11 tracks … plus bonus material for Premium Preorder supporters.
 
MRR and FICTION SYXX are excited to launch one full track right now – the epic album opening track ‘Tall Dark Secrets’. PP supporters will get a WAV file of this track delivered to them shortly, along with another full length mixed and completed track, plus an exclusive video of JK Northrup in the studio discussing this track.
 
MRR/FS2 Premium Preorder is available today for just $30
 
Standard inclusions in the PP Packs include the following:
 
- Exclusive ‘Longbox’ Cardboard Sleeve Slipcover CD Packaging
- WAV file of debut track
- Additional fully mastered, completed song
- Weekly updates from the artist
- Exclusive Advance Release Date, receiving the CD weeks ahead of an official release
- Names included in the CD booklet
- Additional demos and completed tracks sampled along the way
- Digital Download of completed release ahead of shipping of CD
- Airmail shipping cost included
 
Stay tuned for more and PREORDER NOW!
 
 

 
Wed
27
Mar

MESSANO and KNIGHT'S REIGN Re-issues Out April 12

Artist: 

Preview track: "Hide Our Love Away (Tell Me Why)" https://tribunalrecords.bandcamp.com/album/messano-deluxe-edition
 
OVERVIEW: 
The decades-long career of respected guitarist Bobby Messano picked up steam in the mid- to late-'70s with acts such as Stanky Brown and Starz. Gravitating toward session work around 1980, MESSANO would contribute to albums from a range of different artistsóPeter Criss and Joe Lynn Turner among themóas well as touring alongside heavyweeights like Steve Winwood, Lou Gramm, and more. For a portion of that era, Bobby had also joined rockers Franke & The Knockouts, performing (and co-writing two tracks) on their 1984 album, Makin' the Point.
 
Toward the end of the '80s, MESSANO also stepped up to present his debut solo album, having assembled a backing band consisting of Erik Boyd (bass), Joey Zee (keyboards), and Mike Gage (drums). Recorded with Jim Barg at The Barge Sound Studio in Wayne, NJ, Bobby handled lead vocals, guitar, bass, and the bulk of the songwriting. That being said, two cuts nodded to his past: "Hide Our Love Away (Tell Me Why)" was first recorded by Franke & The Knockouts under the title "Carrie Why?," and "Sing It, Shout It" was a Starz cover from 1977.
 
Released by Strategicóa division of Relativity Recordsóin 1989,89, the 11-song album has become a bit of a cult classic over the years for fans of top-shelf, hook-fueled melodic hard rock. MESSANO wouldn't release another solo album until 1998óthe blues-based Dominion Roadsó‚Äîbut has remained an active and highly regarded force in the blues community since that time.
 
30 years later, Divebomb Records is excited to reissue this underrated AOR treasure. Newly remastered with a whopping five bonus tracks, the disc will be presented with a typically detailed booklet featuring a retrospective interview with Bobby Messano himself. For the fans, by the fans!
 
FOR FANS OF: 
FRANKE & THE KNOCKOUTS, JOE LYNN TURNER, SPYS, HONEYMOON SUITE & TYCOON
 
TRACK LIST:
1. Hide Our Love Away (Tell Me Why) 
2. Sing It, Shout It 
3. You and I (Are Forever) 
4. Rock & Roll Heaven 
5. Stand And Fight 
6. Don't Tell Me It's Over 
7. Hot N' Heavy
8. Rock Out
9. (On The) Firing Line
10. Four Play
11. Face Behind The Axe
 
BONUS TRACKS 
12. Good Girls Gone Bad 
13. Ready To Rock Tonight 
14. I'll Be There 
15. Sleepless Nights 
16. Every Little Thing
 
 
 
KNIGHTS REIGN
 
 
OVERVIEW: 
Little-known Texas act KNIGHTS REIGN formed when ex-Lix members Tony Marsh (guitar) and Mike Reiner (drums) joined forces with vocalist Tim King, previously of Baltic Avenue. Tim then recruited T.J. Ostrander on keyboards, and the quartet located bassist Jason Rasberry through a local friend who owned an area music store. The quintet quickly developed a uniquely progressive sound centered predominantly around hard-hitting guitars and full-band vocal harmonies, drawing influences from all sorts of hard rock and metal, and even characteristics of blues or funk. A catalog of songs were crafted over the course of about one year during the early-'90s and recorded in a temporary studio set up in Reiner's home. The result was a self-recorded, self-produced, and self-released 12-song CD issued through Perisphere Records in 1994.
 
Shortly afterward, John Bedinghaus replaced Rasberry on bass and KNIGHTS REIGN soldiered on, writing and demoing songs intended for a second album through the latter part of the decade. While that material displayed a more mature and focused approachóat times even coming across like a harder-edged Journeyóbeing located in an area with little to no opportunities for higher-profile live performances, the group simply ran its course and drew to an end. Their lone self-titled CD has since become an extremely rare collector's item, having only been sold directly by the band, and never repressed...
 
...until now! Over two decades later, Divebomb Records is elated to present the complete discography of KNIGHTS REIGN: over 75 minutes of music, including five previously unreleased bonus tracks culled from demos for the incomplete second album. Remastered by Jamie King at The Basement Recording, the disc will come complete with lyrics, photographs, and a retrospective interview on the history of the band. For the fans, by the fans!
 
FOR FANS OF: 
JOURNEY, HONEYMOON SUITE, FRONTLINE, GIUFFRIA & STRANGEWAYS

TRACK LIST: 
1. No Time To Cry 
2. Goodbye 
3. Rain 
4. In Too Deep 
5. The Other Side 
6. Get Tough 
7. On My Way 
8. Final Test 
9. Stand 
10. Moonburn 
11. Rest Of My Life 
12. In Your Eyes

BONUS TRACKS 
13. From The Beginning 
14. Emerald Eyes 
15. One Foot In The Fire 
16. Time 
17. Waiting For The Sun
 
Wed
27
Mar

PLANET AXE Announce Tour Dates

Artist: 
The PLANET AXE Tour collective featuring Alice Cooper guitarist Ryan Roxie plus Brandon Gibbs (Devil City Angels), and Joel Kosche (ex-Collective Soul). Other members include Robby Miller (Bass) and Kenny Bailey (Drums,) will embark on their 2nd US tour during the month of April 2019.
 
Following dates are:
APRIL:
3rd: Rascal’s, Moline, IL
4th: Tailgator’s Live, Cedar Rapids, IA
5th: Mississippi Moon Bar, Dubuque, IA
6th: Roc Haus, West Dundee, IL
7th: Top Fuel Saloon, Braidwood, IL
9th: The Bourbon Hall, Louisville, KY
10th: Rhythm Saloon, Mt Juliet, TN
11th: 37 Main, Buford, GA
13th: The One of Port Richey, New Port Richey, FL

 
After the PLANET AXE dates, Ryan Roxie will meet up with Alice Cooper and the rest of the Alice Cooper Band for the Domination Festival in Mexico (Kiss, Lamb of God, Slash), and then continuing a US tour featuring The Alice Cooper Band and Halestorm.
More dates in Europe/UK to follow. For more information and tour dates go to: https://ryanroxie.com
 

 

 
Tue
26
Mar

TESLA - Shock (Review)

information persons: 
content: 
88%
Label: 
Universal
Artist: 
Score: 
86
Categories: 
Reviews
 
Tesla have been splitting fan opinions with their last few albums, but from what it appears, perhaps ‘Shock’ has come close to impressing most of the fan base.
 
The most noise surrounding this album seems to be the ‘Leppardization’ of the sound, given then Def Leppard guitarist Phil Collen is producing. Yes, it’s obvious, but how can that be a bad thing, really?
The production is big and fat and the guitars are front and centre, Jeff Keith sounds in better shape and the songs are very strong.
 
For me it is great to hear Tesla back to their classic tone, leaving the modern tuned down aspect of their last couple behind – for the most part. The album’s title track certainly delivers a bombastic modernized set of riffs, but it fits well within the album.
Two ballads in the first 5 songs might be pushing things a bit – but both are classic Tesla.
 
I do have to raise my concerns with the carefree, breezy California Summer Song. It’s horrid. Lets Get Rocked meets that jackass Kid Rock with a truly obnoxious song. Then it’s another ballad – and the weakest of the album. So the album really suffers for pace through the middle, but finally The Mission comes to kick ass and rescue us from the mid-album cheese.
 
From here out it’s nothing but hooks and riffs and little for any Tesla fan to complain about.

The album’s twelve tracks clock in at only 44 minutes, but a slight tweak in the sequencing and the abandoning of California Summer Song would bring this album closer to the band’s best work. Their first 4 albums are untouchable.

Welcome back Tesla!
 
Tue
26
Mar

CRANSTON - II (Review)

information persons: 
content: 
78%
Label: 
Indie
Artist: 
Score: 
78
Categories: 
Reviews
 
To those not paying attention, it might seem that PHIL VINCENT is in 17 bands, but the reality is it is only 5. And his solo career!
 
So yes, he's a busy lad and sometimes it might be valid to quote the quality over quantity cliche, but as long as he's delivering records like Cranston II, I don't think you could fairly use that.
 
CRANSTON is singer, songwriter, multi-instrumentalist Phil Vincent, AOR God Paul Sabu and D’Ercole drummer B.F. D’Ercole. So Phil isn't reaching far outside his musical circle for collaborators, nor is he delivering anything we haven't heard before - crunchy melodic hard rock with a slight pomp touch and those unmistakable Kip Winger styled vocals.
 
But the genuine warmth in which I hold Phil is testament to the material he delivers. Ok, so the production might not quite be there, but there's always a few songs from each album you treasure and there aren't too many fillers on offer. And he's a very fine guitarist too.

If American melodic hard rock with a pomp touch and a heavy Winger influence is your thing, then look no further.

 
Tue
26
Mar

THE END MACHINE - The End Machine (Review)

information persons: 
content: 
65%
Label: 
Frontiers
Score: 
65
Categories: 
Reviews
 
George Lynch, Jeff Pilson, Mick Brown, and Robert Mason - it should be a slam dunk, home run, guaranteed hard rock monster right? Well not in this case.
 
Straddling a line between classic and modern rock, the album sounds sonically great and you can't argue that the performances of the critically acclaimed personnel isn't to their usual high standard. But why is the album stuck in a nowhere zone?
 
For me its the songs. They just aren't there. I'm not finding any compelling reason to come back to the album once it's finished playing. I think Robert Mason is a powerful singer, but I've never warmed to any album he's been involved in. For example, the second Lynch Mob album he fronted was a huge let down after the classic debut. I think he sings great, but without the necessary personality to own any project he's fronting.
 
The emphasis on down tuned guitars and that modern hard rock sound leaves me cold and the similar mid-tempo pacing throughout keeps me reaching for the skip button.

I was hoping there would be a more Dokken or even Lynch Mob flavored sound here or at least some kind of personality, and while there are hints of both, neither takes hold. For me it is just another modern American hard rock album in a pool of too many other similar projects. They guys needed better songs and more personality.

 

 

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