Dokken

Wed
08
Feb

Dokken (2004)

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Interviews
Dokken: Hell To Pay in 2004!

 

Dokken guitarist Jon Levin talks in detail about the new Dokken album Hell To Pay and about life in the band in general. Jon talked to Ron & Don Higgins, good friends of mine, who put their hands up for the interview and conducted it with enthusiasm. Thanks guys...

 

 

 


Ron: How are you doing, Jon?
Jon: I'm doing great.

Don: There's two of us on the line. I'm not sure if they told you that when they set this up but, I'm Don and then there's my brother, Ron. We're twins.
Jon: Hey, guys. What's going on?

Ron: Not much.
Don: We'll be doing this together. In fact, we met you on Friday night; you may or may not remember.
Jon: Oh, okay.

Don: At the show in Cincinnati.
Jon: Awesome.

Don: And by the way, that was a really good show. I was really impressed with the way the whole band sounded and, in particular, with the way that you really seemed to match all of George Lynch's notes. You did an outstanding job.
Jon: Thank you very much.

Don: It was really good. I liked the new song that you played, “Escape”.
Jon: Oh, you did like it?

Don: Yeah, I kind of wish you would've played more off of the new album, to be quite honest.
Jon: Well, we're going to be. Don had to do press in Europe so we're now going to be getting new songs worked into the set. We have to rehearse, you know.

Ron: Is this pretty early in the tour?
Jon: Oh, yeah. This is really early. In fact tonight we're opening with “Unchain The Night”.

Ron: Oh, great!
Jon: And we're going to have “Haunted” and “Prozac Nation” in the set within the week.

Ron: I love “Prozac Nation”
Jon: Awesome. And we're going to add “Dream Warriors”.

Ron: Oh, you're kidding?
Jon: So yeah, the whole set is really going to be overhauled within the next week. Like I said, Don had to do press so we lost our rehearsal time.

Ron: Gotcha.
Jon: Actually, after the show last night we all got in the back of the bus and rehearsed.

Ron: That's great. It's funny because my brother and I have both seen Dokken probably 6 or 7 times and, yes, we've seen every guitarist <laughs>, but we were trying to debate on what would be the opening song and the last few times we saw you they opened with “Erase The Slate”, which is interesting because it wasn't even in the set, at least here.
Jon: Yeah.

Ron: So I was thinking it might be something new off of the album, possibly “Don't Bring Me Down”.
Jon: We were thinking about that. You know, it's never really a great idea to open up with a song that nobody knows yet, though.

Ron: Well, yeah, that's what I was going to say. I was pleasantly surprised because I was kind of expecting that since that's what's being featured on Dokken Central right now and it's got that killer guitar riff, and that, by the way, is my favorite song on the album.
Jon: Oh, cool.

Ron: It's just great, with that opening and then that killer lead in the middle. Unbelievable.
Jon: Thanks so much, man. Which show did you say you were at?

Don: Friday night at Annies.
Ron: In Cincinnati, Ohio.
Jon: At Annies. Cool.

Ron: It was unbelievable, but when you kicked off with…
Jon: “Kiss of Death”

Ron: Yeah, “Kiss of Death”, which is a great song that is so up-tempo, it sort of grabs you by the jugular and doesn't let go, you know?
Jon: Yeah.

Ron: I thought that was an excellent way to start.
Jon: Well thanks. We'll see how it goes tonight because, like I said, we're changing it because we've done “Kiss of Death” so many times. We thought people might want a change, but we'll see.

Don: Well “Don't Bring Me Down” is, if you could incorporate that into your set, I would say that that song is definitely the most up-tempo song on the new album.
Jon: Yeah.

Don: And it is also the one that I would say stands out the most as being the most like the old classic stuff like from Tooth and Nail through Back from the Attack. It could almost be straight from one of those albums.
Jon: Yeah, I know what you're saying. I agree.

Don: The other stuff is more reminiscent of Dysfunctional through Long Way Home.
Jon: Do you guys like the album?

Ron: Oh, I love it.
Don: Yeah, I think it's very good.
Jon: Great.

Ron: I've actually liked the last few albums. I actually liked Erase the Slate a little more than the last one, but I'm seeing a lot of comparisons to this being like the older stuff, and I'd have to agree. I think it really is. We're doing this for Melodicrock.com which is for the most part a one man show with Andrew McNeice out of Australia, so he's the one that wrote up the review of the album.
Jon: Yeah, he's the gentleman I spoke to once. He's a real nice guy.

Ron: He is a heck of a guy. It's funny because he's in Australia so I've never met him, but I've transcribed so many of his interviews and sent him so many emails that I feel like I really know him.
Jon: You guys are going to do this interview and send it to him?

Ron: Yes. Well, I should mention this too, we're taping it.
Jon: Go ahead. That's fine.

Ron: And then we'll go ahead and transcribe it and then we'll send it to him and he'll upload it whenever he can. And, of course, this is with his blessing; in fact, he told me when I asked him if that would be okay, he said that he had a note to try and interview you, so when you say you talked with him, that makes sense.
Jon: I spoke to him a long time ago. We had a brief conversation, but he's a real nice guy.

Ron: Yeah, and he was happy to have us do it. Because he runs the site by himself, he is so swamped with work. We're very appreciative to him. He had a great quote in his review. He does this thing called The Bottom Line and it says, “It's certainly the band's most consistent and traditional sounding release from their recent history. This album will please the majority of the band's long time fans.” And I couldn't sum it up any better. I think that's exactly right.
Jon: Well, that's nice to hear. That's awesome.

Ron: I'll tell you something else that he said and I'm hearing this a lot too. You're going to love this quote if you haven't hear it, it's talking about you specifically. “His part in this album is not to be undervalued in any way – he rules this record.
Jon: Oh, wow. That's nice.

Ron: Yeah, and he goes on. He says that this is very comparable to the last album, and he says, “So if Don hasn't changed – why is this album so much better and why will fans be very happy with the result? The answer is Jon Levin.”
Jon: Oh, wow. That's very nice.


Ron: And again, I have to agree. Like I said, we've seen Dokken with all 5 guitar players and for the first time I didn't feel like here's the guy filling in for George Lynch, it's like, here is Dokken's new guitar player.
Jon: <laughs> Oh, that's awesome. Thanks!

Ron: Seriously.
Don: Some people may or may not know, but you played in Warlock for a while.
Jon: Yeah.

Don: I'm wondering, was George Lynch, perhaps one of your influences?
Jon: Yeah, definitely. He's older than me so I was just a kid but he was definitely one of my guitar influences, not my only one, but certainly one, you know.

Ron: Sure.
Jon: And Eddie Van Halen was a huge one. And Eric Clapton, Jimi Hendrix. All those guys. For myself, a lot of the guys who played in Dokken were great guitar players but for me the style didn't make sense. I sort of missed this type of style and I just happened to have his influence, being from the younger generation, and it seems to work. We get along really well, everyone in the band, which is really nice too.

Ron: Yeah. Well, you always hear so many stories about this and that and the wars between George and Don and yet, when I got to meet him at the show, he was extremely nice.
Jon: He always is. Don't listen to all the BS that people say, you know? You know what it is with bands, especially when you play together for long periods of time, not every two personalities match well together.

Ron: Right.
Jon: And just for some reason, I've never met George so I know anything about him, but for some reason his personality and Don's didn't go well together.

Ron: Yeah.
Jon: But ours, my personality and Don's, we go great together and we were friends long before I ever played in this band.

Ron: Really?
Jon: Yeah. <laughs>. So it's actually cool to be in it and have someone that's a friend in it too.

Ron: Sure.
Don: Well, you guys are all older now than they were back then so you live and learn.
Jon: Yeah, I don't know how everyone was back in the '80s, I'm sure there were probably some egos going around, but look, everyone's grown up now and we're all in this because we love to do it and that's why we're here, you know.

Don: Exactly.
Ron: Well, it shows because it looked like you guys were having an absolute blast on stage.
Jon: Yeah, we all get along really well, you know? There's no tension. We're all just enjoying ourselves and we're all really grateful and happy that we're able to do what we like to do, and that's play music for a living.

Ron: And I guess if you're going to be around Mick Brown for too long, you can't be too unhappy.
Jon: <laughs>

Ron: Because that guy, he is always up. He's like Mr. Life of the Party.
Jon: Yeah, he really is, you know. That's his role. He does it well.

Ron: Is he like that always?
Jon: That's how he always is, yeah.

Ron: That was my sense because, like I said, the two times I've had a chance to meet him and just the way he is onstage, you can just tell. It kind of reminds me when I saw Van Halen back in the day with David Lee Roth and it was a great show, but the next year when they came with Sammy Hagar for the 1st time, you could just tell that they were more relaxed and just having a blast. And it does make a difference, you know?
Jon: Yeah.

Ron: The fans can really tell.
Jon: Yeah, when everybody is getting along it's much better than when people hate each other. I mean, if it ever got to that point I'm sure nobody would do it anymore, at least I know I wouldn't. I'm an attorney; I don't need to be away from home and losing a lot of money from my law practice to do something that I hate.

Ron: Sure.
Jon: That doesn't make sense.

Don: And when the band is having fun it comes through the music and then the fans can pick up on that, I think.
Jon: Yeah, we're really enjoying it on this tour. I can't speak for anyone else; I'm fairly short because it's going really well.

Don: Now how long is this tour going to last? I know you've got dates scheduled through July.
Jon: Oh, man. We're scheduled through August 21, that's the last show of the 1st leg of the American tour and then from there I think we're going to do Europe for 4 or 5 weeks and then after that hopefully come back and get an arena tour with someone.

Ron: That would be great.
Jon: Yeah.

Don: If you come back around, especially if you incorporate some new songs, I'd like to check out the show again if it comes anywhere near.
Jon: Oh, yes. Please come again. Like I said, we're in the process of renovating the set. We've already got “Escape” now in it. Tonight we've got “Unchain the Night” in it and, like I said, one week from now there's going to be two more new songs off of the new album, probably “Prozac Nation”, and “Haunted” and it looks like we're going to try “Dream Warriors” too, so we're really trying to switch things around, make it fresh. We're rearranging things.

Ron: That's awesome.
Don: As a fan, I would even like to personally hear one or two of the ballads that you have. I think there's two or three on this album and then on Long Way Home there were like three of them and I think that's kind of a gamble because a lot of fans really want to hear the hard rock, up-tempo stuff.
Jon: Yeah, it's a little tough thing, I mean, we get by with “Alone Again” but I don't know how they'd react if we did more than one.

Don: Maybe if you did one right after the encore or something. Those songs are really good, they really showcase Don's voice when he sings in that mid range. You can really tell that he's a very good singer and I think those songs are pretty radio friendly. I think that if those were ever pushed by Clear Channel or somebody that you guys could legitimately be on the radio and hit it big with this album.
Jon: Well, thanks.

Don: A lot of people just don't know those songs.
Jon: Well, “Escape” is the first single off of the new album.

Don: I thought it might be because that's the new one you played.
Jon: Yeah, “Escape” is the new one and it went to radio two days ago.

Ron: Okay.
Jon: And the album comes out July 13, so hopefully we'll get some action on “Escape” as the single before the record comes out.

Ron: It's a very good song. I like “Escape” a lot. I noticed here that Andrew noted that that was one of his four favorites. He mentioned “Don't Bring Me Down”, which, like I said, is my absolute favorite, “Prozac Nation” and then “I Surrender”. So I think that's a good pick.
Jon: Yeah, that's a good one too.

Ron: See, even though my brother and I are identical twins, we're not entirely identical. I'm the guy that wants to go to the concert and hear all of the up-tempo stuff. So when he wants to hear the ballad, I want to hear “Don't Bring Me Down” <laughs>.
Don: Now I didn't say I didn't want to hear that.
Jon: That's funny.

Don: I think that's probably my favorite one on there as well. I would love to hear that one but yeah, I did like the show that we did see, but it was more like the Greatest Hits kind of thing, but all of the songs were certainly crowd pleasers, I would say.
Jon: Oh, good.

Ron: Well, here's the other thing, most people anymore that go to a show like Dokken really want to hear a lot of the older stuff. And you guys, gosh, I think you played five off of Tooth and Nail, at least three off of Under Lock and Key, so people that do want to hear the classic stuff, were not disappointed.
Jon: We're giving them a good mix. I mean, we have stuff from all the… basically, we've got a Greatest Hits show going now.

Ron: Yep.
Jon: However, we went ahead and substituted out some of the old ones now that we're going to refresh the set with what I was telling you and hopefully in one week from now approximately we're going to have three new ones off of the new album and have a whole new show going.

Don: That'll be great. And if you keep one of the old songs, I would definitely say keep “Paris is Burning”.
Ron: No doubt.
Jon: “Paris is Burning”? Unfortunately that's the one we might cut <laughs>.

Don: Well, again, not as many people know that because it's off of the first album but that's the one you guys played that I think you closed with.
Jon: Yeah.

Don: I was really surprised.
Ron: Well, the question is: If you drop that song, what are the 10 year old kids that get pulled onstage going to sing? Do you remember that?
Jon: Oh, no. What happened?

Ron: From the Cincinnati show when Don pulled up the kid onstage?
Jon: Oh, wait. That's right. I have a vague recollection.

Ron: Yeah, there was a kid right in front, and Don kept saying, “Man, how old are you?” And he was right up front and the kid said, “I'm 10”. So Don reaches over and pulls him up onstage and the kid starts singing, at least the chorus, to “Paris is Burning”. It was hilarious.
Jon: That's amazing.

Ron: And Mick was dying. After the show, he was talking about it because basically, Don just gave him the microphone…
Jon: I've got to tell you, I guess I'm so in my own world when I'm playing that I don't even have much of a recollection of it happening, but I believe you when you tell me it happened <laughs>.

Ron: Oh, it was great. And the funny part was, here's this kid who's 10, right, he's onstage and has no idea what he's supposed to do, so he starts saying, “Thank you, thank you all, thank you.”
Don: Like he was a temporary member of the band.
Ron: Mick was absolutely in tears laughing about that after the show.
Jon: That's great.

Ron: But it was great. See, that showed a side of Don that most people don't get a chance to see. He was so impressed that there was a kid that young that was into, not only Dokken, but stuff from the earliest album, that he pulled him onstage. That's classy stuff right there.
Jon: That's great. It's exciting for us to see a new young fan that's into what we're doing.

Ron: Absolutely.
Jon: Especially somebody that's that young.

Ron: No kidding.
Don: Obviously his parents were big fans.
Jon: Yeah.

Don: Speaking of the younger generation, I thought it was interesting, I know that Don talked about it in concert, and I think that I read about it on the website, where you guys did a show with some of the newer bands like Stained and Eve 6.
Jon: Oh, yeah. I remember that show. It was in North Carolina, I think.

Don: That must've been interesting.
Jon: Yeah, that was a good show. It was good that we went over really well that night. It was nice with all of the young crowd that's into all the new bands, they liked us too.

Don: That's good because I think a lot of times when it comes to bands that have been around for a while, it's not like they suddenly become bad, it's just a generation of people just don't know about them.
Jon: Yeah, things are very different today. Dokken has always been a band about musicianship and songs. And a lot of the bands today, I don't even know when the last time I heard a guitar solo in a new song in recent history.

Ron: Exactly.
Jon: So, things have changed a lot, especially in the past 10 years.

Don: Yeah, through the '90s with the whole grunge movement, the guitar solo kind of went away.
Jon: There were none. Now, we'll see. It seems like some of it is starting to come back.

Ron: It is. It's kind of a shame that more of the Clear Channels, the Infinity Broadcastings, the MTV's don't pick up on that because, you know, some of the stuff coming out, I don't know if you've heard The Scorpions new album, it's just great stuff.
Jon: Yeah, I heard it was supposed to be really good.

Ron: I was reading your bio on the Dokken web site and it was kind of funny that you mention how you went to LA and then when the grunge scene came, that's when you decided to become a lawyer!
Jon: Yeah.

Ron: I was not a fan of that; it's hard rock, yes, but it was missing some of the key elements that I like and anymore it's the same way.
Jon: I liked it, but it wasn't anything that I wanted to play. Hey, do you guys have a specific set of questions that you want to ask me?

Ron: We've got a few more, but mainly, we wanted to talk about the tour and get your reactions to it, which we've kind of done and get your comments on the new album because that is what people are really interested in right now, the new tour and the new album.
Jon: Okay, cool. I just wanted to make sure that I cover everything that you guys want to know.

Ron: We always tell people, we only want 15 or 20 minutes of your time, because we know you guys are busy.
Jon: Hey, I'm not that busy today, man. I'm in the middle of North Dakota. We're in a bus waiting to play 4 hours from now.

Ron: Oh, wow. Yeah, it looks like you're off tomorrow.
Jon: Yeah, we drive back to Minnesota from here and then we have a day off here.

Ron: Okay.
Don: If we could just ask a couple more things…
Jon: Yeah, sure. I've got time. Shoot.

Don: Do you have a favorite song off of the new album?
Jon: Ooh. I have to pick one?

Don: A couple. What are some of your favorites?
Jon: I can give you a couple of my favorites. I like “Don't Bring Me Down”, I like “Escape”, I like “Letter to Home”, I like “Haunted”, and “The Last Goodbye”.

Ron: “Letter From Home” was interesting. It does sort of have that sort of Beatleesque feel to it and just a little different than what you would normally expect from Dokken, which is a good thing. It shows the musicianship.
Jon: Yeah, we took some chances and that was one of the ones that paid off nicely.

Ron: I agree. Definitely.
Don: You took a chance on another song “The Last Goodbye”. I thought that was interesting. It had almost like an Eastern sounding influence.
Jon: Yeah, I like that one a lot. That's one of my favorite ones as well.

Don: Yeah, that one's very different, but different can be good. I did like that one as well, but the vocals and the guitar have that real Eastern sound to it, for lack of a better term.
Jon: Yeah, it's also got that sitar in the background.

Ron: Was that an actual sitar?
Jon: Yeah.

Don: I didn't know if it was a guitar made to sound like a sitar or if it actually was one.
Jon: Yeah, that was a sitar. Don actually played the sitar on that.

Ron: Really? That's cool.
Don: That's very cool. I didn't realize that.
Jon: Yeah.

Ron: See, it's funny, as you were going down the list and saying the ones you like, to me, it just reinforces how good this album is because I'm thinking, “Yep, that's a good one, that's a good one.” It is a solid album.
Jon: Oh, thanks. There's not really any that I don't like, you know? But those are the ones that stood out more.

Ron: Sure.
Don: That's understandable.
Ron: Now from what I understand, you were actually a fan of Dokken before you were in Dokken and that's why you were sort of shocked and surprised that you were asked to join. Is that true?
Jon: Yeah, I was always a big fan and I saw Dokken probably three or four times when I was younger, in the '80s.

Ron: In the day, as we like to say.
Jon: Yeah, I was like 21 years old or something. I always thought that Dokken were a big cut above all those other bands that were going on with the big hair and the nonsense, you know. Because they could play and they had good songs <laughs>.

Don: I loved a lot of those bands, and even some of the cheesier ones, but Dokken has always been one of my favorites from that era because I thought their songs were a little better and the musicianship was a little better. In some regards it was a shame that they didn't get as big as some of the other bands who I thought were lesser bands.
Jon: I agree.

Don: I don't know if it came down to image or luck.
Jon: It was on its way and I just think they sort of self destructed right when they were on the verge of exploding.

Ron: And they were huge, you've got to remember that by the time they did Back for the Attack and were doing the video for Dream Warriors they were at the top of their game.
Jon: Yeah.

Don: Yeah, that album and the two previous ones all went platinum, I believe.
Jon: We're hoping to bring it back, you know.

Ron: Well we're doing our part and that's why we wanted to interview you and get the word out because it's really a great album and people need to know about it.
Jon: Thanks very much. I mean, especially when two young guys like you like it, man, it means a lot.

Ron: I think we're about a year younger than you so…
Jon: Oh, yeah? You guys sound like you're real young.

Ron: Oh, great! I appreciate that because we just had our 37th birthday two weeks ago.
Jon: Well, Happy Birthday!

Ron: Thanks <laughs>. Anything to make me feel younger is outstanding <laughs>.
Jon: That's awesome.

Don: I've asked you about your own work, which is kind of unfair, but do you have some favorites from the Dokken catalog?
Jon: Songs?

Ron: Yeah, what would be some of your favorite songs or albums from when you were a Dokken fan before you joined the band?
Jon: My favorite three albums are Under Lock and Key, Back for the Attack and Tooth and Nail,

Ron: Yep. Absolutely.
Jon: And my favorite songs are… pretty much everything we've done in our set would encompass my favorites. There are a few that we didn't do; I like “Heaven Sent”, “Lost Behind The Wall”; I like “Prisoner”.

Don: I always liked “Bullets to Spare”.
Jon: Yeah, that's a cool one. That's about it, everything else we seem to be playing. I like “Unchain the Night” which we're going to be doing tonight for the first time so we'll see how that goes.

Ron: That's a great song.
Jon: Yeah, we're going to open with that one tonight.

Don: Oh, really? That'll be a crowd pleaser for sure.
Ron: I agree with you. It's nice to start off with something that people know that's full throttle and you don't let them go for the rest of the night.
Jon: Do you guys think that will be strong enough to lead off? We're still going to play “Kiss of Death”, but we're going to move it down a little.

Ron: I think it will be.
Don: I think that “Unchain the Night” is maybe… I personally like that song better than “Kiss of Death”, although I like “Kiss of Death”.
Jon: As fans, do you guys think that it will be as strong of an opener as “Kiss of Death” will be?

Ron: I think it will be. Do you, Don?
Don: I do, actually.
Ron: That was actually one of my favorite songs off of that album.
Jon: I like it a lot, but I'm just wondering if the tempo is fast enough to get it going or if it's too slow.

Ron: Hmm. “Kiss of Death” is definitely faster. “Tooth and Nail”, that might be something interesting to kick off with.
Jon: Yeah, we've tried that before. We did that once in the past.

Ron: How did that go?
Jon: It sort of works better a little later in the set. We're going to try this tonight and if we speak again I'll let you know how it goes. [Note: in a follow-up email, he noted that they decided to switch back to opening with “Kiss of Death”]

Ron: Yeah, I'd be curious because, like I said, it's one of my favorites, but you bring up a good point. It's not quite as fast as “Kiss of Death”, but it's a great song.
Jon: Yeah, it still rocks, so we'll see. It also matches with our intro tape too so…

Ron: Well, that's always important.
Jon: We'll give that a shot tonight and see what happens.

Ron: I do have another question and I'm not even sure if you would be able to answer it, but the one thing I've noticed with at least the last three albums, is there's a real spiritual aspect, at least with the album covers, and when we met Don after the show, he was talking a bit about it, saying that he felt blessed by God to be able to do this kind of stuff. He just comes across as being a real spiritual guy. Is that true?
Jon: Yeah, Don is definitely a spiritual guy. I am too actually.

Ron: That's great. Sometimes there's a misconception that people in rock and roll are all about sex, drugs, and rock and roll. Of course, that's one of the things I liked about Dokken because, lyrically, they were much more than that. It's good to know, that spiritually…
Jon: From my own perspective, when I say spiritually, I'm not religious, but I am spiritual. For me, as far as the sex, drugs, and rock and roll thing: I don't do any drugs, I'm married, so I don't fool around at all <laughs>, so all that's left for me is the rock and roll.

Don: Well, that means you get to focus all of you attention on the rock and roll, which is good for a musician.
Ron: Well, the other thing is, the guys who were into the sex, drugs, and rock and roll, where are they now? You can't live that lifestyle for long.
Jon: No, you can't.

Ron: Aerosmith found that out.
Jon: For me, it is and it always has been about the music.

Ron: That's great. I agree 100%. I think some of these guys realize that they can actually play better when they're sober.
Jon: Yeah. That's right.

Ron: So you're a lawyer, you're married and you don't do drugs. Man, you're killing the whole rock and roll image. <laughs>
Jon: I still rock out as hard as I can.

Ron: Phenomenal. I can see some kind of lawyer convention where you get onstage and kind of freak everyone out. That would be kind of cool.
Jon: <laughs> That's pretty funny, huh?

Ron: That's what's great about heavy metal, it doesn't appeal to just one type of fan, you know, the drunken bozo. Although, there were a few of those standing around to meet you guys the other night, which was interesting because either you or Don kept saying, “You're not driving home are you?”
Jon: Oh, it was probably Don.

Ron: There was one guy who was just way out of control.
Jon: Was he?

Ron: He wasn't starting trouble or anything, at least he was a happy drunk but he won't remember meeting you guys, I'll put it that way! I just thought it was interesting that Don kept rehashing, “Hey, I don't want to be on the road with you even though I'm on a tour bus.”
Jon: We're all over that at this point, you know?

Ron: Yeah. I'm married as well and so is my brother. Do you have any kids?
Jon: No. I don't have any kids.

Ron: That's what you need to do right there. That'll shake things up a bit.
Jon: Oh, really? Yeah, probably. When we're ready. My wife's very young, and I'm on tour right now so it's not the right time for me, but maybe one day.

Ron: It's great. I've got three of them and they're a blast. I've got friends that tell me they're not ready and I tell them, “Well, you're never ready.” <laughs>
Jon: I guess not. It just comes when it comes, huh?

Ron: That's right.
Don: I just have another quick music question.
Jon: Sure.

Don: I know from reading how you got together with Dokken, that really it started off because you were friends with Jeff Pilson first.
Jon: Right.

Don: I'm just wondering, now that he's not in the band and they've got Barry [Sparks], are you still close with him or know what he's been doing?
Jon: I think he actually just had a baby.

Ron: Really?
Jon: Yeah. He did. He just had a baby. Yeah, Jeff's a friend of mine. I haven't spoken to him in a while just because I've been busy.

Don: I know that he just had that album with George Lynch.
Jon: How was that? I haven't heard it. Is it any good?

Don: Yeah, I thought it was pretty good. Actually, I think Jeff does all of the lead vocals on it.
Jon: Oh, I think I did hear one song, actually, from that.

Don: It was pretty good, I thought.
Ron: It was a little slower tempo than I kind of expected, but it was a good album. With George Lynch, you always want to hear something really burning and rocking.
Jon: Yep.

Ron: Of course, his interests and styles vary all over anyway so depending on what mood he's in that day determines what he'll put down.
Don: It's great that everyone can still be friends and just try to make good music together. That's what it's all about.
Jon: Well, that's what we're trying to do

Don: I think you've done it with the new album and a lot of it just comes to exposure.
Jon: Well we appreciate you guys taking the time to get us some. Hey, by the way. If you guys need any photos or anything, I'll give you my email address and you can ask me and I'll send some to you.

Ron: That would be great.
Jon: It's <email address>. I've got to run right now, but if you have something else that you wanted to ask, feel free to holler and give me a call back.

Ron: We appreciate it. Maybe the next time you come through town, especially if you're doing the arena thing, we'll try to hook back up with you. All I can say is it was a great concert, the album is awesome, and I can't wait for it to come out on July 13. I hope you guys have great success with it.
Jon: Thank you very much, guys. Man, I really appreciate it.

Ron: It was our absolute pleasure talking with you;
Jon: Awesome

Don: Congratulations on the new album. It was a pleasure as well.
Jon: Speak to you soon.

Ron: Take care. Thanks a lot.
Don: Thanks a lot.
Jon: You're welcome. Take care.

Ron: Bye
Don: Bye
Jon: Bye.

 

 

Tags: 
 
Mon
14
Jan

THE END machine - "Alive Today" (Official Music Video)

 
The End machine, featuring George Lynch, Jeff Pilson, "Wild" Mick Brown, & Robert Mason, to Release Debut Album on March 22, 2019 via Frontiers Music Srl.
 
Hard rock titans collide for THE END machine, a brand-new project that features classic-era Dokken members George Lynch, Jeff Pilson, and Mick Brown as well as current WARRANT singer Robert Mason. The band will be releasing their self-titled debut on March 22nd via Frontiers Music SRL.
 
Surely, some fans may be wondering to themselves, isn’t this just Dokken without Don Dokken? “Musically, of course there's bound to be moments that will be reminiscent of Dokken. That's only logical,” says bassist Jeff Pilson. “But, my guess is there will be less of that than people would expect. Some people who've heard it say they think it's closer to Lynch Mob than Dokken, but really it is pretty much it’s own thing. We allowed ourselves to get a little deeper than either of those projects really have, while still staying extremely melodic and not being afraid of good old-fashioned guitar rock. Maybe Lynch Mob, a bit of Dokken, but then some 70's guitar rock added in. George [Lynch] is playing fantastic on this…very inspired. Everyone is really, but George covers some new territory here and it's very cool. Plus, the songs as compositions took on their own life, especially adding Robert [Mason] to the writing. That's what I'm most proud of, is the way this stands on its own. It doesn't step on our legacy together one bit, but it has it’s own personality and I think that's important.”
 
“This is decidedly not me ‘stapled’ onto a DOKKEN record,” adds Mason. “I wouldn't have been involved if that was the intent. Fans will hear bits of our styles in this collection of songs, and while reminiscent signatures are undeniable, The End: machine was purposely built to stand apart and on it’s own merit.”
 
Tracklisting:
1. Leap Of Faith
2. Hold Me Down
3. No Game
4. Bulletproof
5. Ride It
6. Burn the Truth
7. Hard Road
8. Alive Today
9. Line of Division
10. Sleeping Voices
11. Life Is Love Is Music
 
Catch THE END machine on tour on the U.S. West Coast this April:
 
+04/04/19: Los Angeles, CA @ Whisky A Go Go https://bit.ly/2M1pElN
+04/05/19: Las Vegas, NV @ Vamp’d https://bit.ly/2sh5yKW
+04/06/19: Tucson, AZ @ Club XS https://bit.ly/2CczjRN
 
Lineup:
Robert Mason - Vocals
Mick Brown - Drums
Jeff Pilson - Bass
George Lynch – Guitars
 
For More Info Visit:

 

 
Sat
07
Jul

The Metal Voice: JEFF PILSON (Dokken/Foreigner)

Artist: 
Release Year: 
2015
Categories: 
Podcasts & Radio
Jimmy Kay from Canada's The Metal Voice (https://www.facebook.com/themetalvoice) recently interviewed current  Foreigner  bassist Jeff Pilson (Dokken, Dio) who called  in from his hotel room on a headlining tour with Foreigner in North America. 
Watch here - https://youtu.be/D2hZkD3VU0s

When asked about his legendary  answering machine messages
"Actually there was a bootleg a long time ago of my answering machine messages. There was a period, especially in the 90's when I would just make these epic answering machine messages and I sort of got known for it, so then I felt obligated to continue. One time I did Pilsonian Rhapsody, I actually did, Bohemian Rhapsody done to an answering machine message. I went crazy with all the voices and music. I did the Batman theme, but of course I said PIL-SON instead of Bat-man and again played all the instruments. If you can ever hear the bootleg there are some pretty hysterical stuff."

When asked which of the three bands Dio Foreigner and Dokken  he is most proud of
"It would be Dio because there was a connection about Dio. It was the most heaviest  powerful band I had been in and I took what I learn in Dio and brought in back to Dokken later on. I would say Dio but I am really proud of Foreigner. Foreigner is on a headlining tour  now and we worked our asses off to get back here of course we have Mick Jones great songs but we had to work our way back".

When asked if Foreigner will be writing a new studio album
"I don't see us do a whole record of new material like we did in 2009 that was a tough situation for us because we are on the road so much  that it was really tough for us to come up with a whole record of new material, it was a lot of work and a lot of stress. I don't really see that happening again. What I do see  happening is what we had done on the last couple of years is that we will put out a new song here and there maybe include it in some package. I see us going recording of new songs but not full albums."

When asked if Foreigner is still Foreigner without Mick Jones can the band exist without Mick 
"It's a fair question but I will ask anybody who asks that have you seen the band live.  When Mick is not there, it's still very much Foreigner. It's sanctioned by Mick. I understand how people feel about original members but with Foreigner it's really about the songs. Lou Gramm was one of the greatest rock voices ever and it's not taking away from Lou it's actually flattering Lou that his performances were so universal that we can carry on and do those songs even when he is not there, so we can also do those songs when Mick is not there. The only way it could exist without him being there is if he passed away because he will always be connected to Foreigner. Even if Mick Passed away the legacy of the music is so strong to me yes Foreigner could exit but I don't anticipate it existing without Mick in some way or form."

When asked if there are any unreleased Dio Songs?
"As far as me having it no, as far as being unreleased material yes there is. There is actually a fair amount of unheard material. There is talks and they are in the works of someday the music seeing the light of day. In order for it to be releasable there would have to be things done to it .  Yes there is Ronnie on songs that people have not heard does exists.

However I do remember playing Ronnie a riff  and us starting to work on a song and I believe the riff is going to surface on the upcoming Dio Disciples record."

When asked if there will be a new studio album and a US tour by the classic Dokken lineup
"The reunited Dokken gets offers all the time and we talk about most of them, we are all on speaking terms and we get along fine. It's down to opportunity. I think all of us have somewhere in us where we would like to do perhaps one final studio record together. So I see that as a distinct possibility somewhere down the line but as a whole US tour the problem is kind of obvious it's our scheduling. Maybe someday some limited shows, its not impossible and I think a recording is possible but it's kind of first things first. The last time we talked about a recording Don was starting to work on  his Dokken album, fair enough, there is no hurry. Maybe some day but nothing in the books right now." 

When asked who much truth there was to the bickering and hatred of Don Dokken and George Lynch
"It was a drastically over hyped version that something that is essentially true. The two of them get along pretty good now but there was a time in the early days they didn't get along great. What really blew it all up is when we were doing publicity for the Tooth and Nail record we had a publicist who  wanted to come up with a publicity angle that would really help sell the band. So what they centered in after talking with everybody was wow Don and George don't like each other and that just exploded and it became the media hook that got stuck with the band and then it became a self fulfilling prophecy and then it became our worst enemy. Did George like the fact that the band was called Dokken, of course he didn't like that he just wanted to have a regular band name. "

When asked when he joined the band was he an equal partner in Dokken
"It was equal right from the beginning and that was the brain child of our managers  Cliff Burnstein and Peter Mensch and they new about the personalities of the band and the name so right from the start it was an equal split except for Breaking the Chains album cause I wasn't on it but they gave me a little piece of it. Don and George also encouraged me to write and to be a participant right from the beginning. "

When asked how the whole band fell apart after Back for the Attack Album
"It was our personalities exaggerated by drugs."

When asked about him producing the new Last in Line album and a timeline on it's completion
"Right now they are talking about January 2019 as a release date, the record is not completely done recorded."

When asked about his memories of the late Vinnie Paul from Pantera
"I didn't know him well, actually Pantera opened for Dokken on our very first tour, Pantera they were really sweet to us, they were just starting out. My memory of Vinnie was  that he always brought fun with him, he was a  very nice man. There were some strip club trips in the 90's , he was always up for a good time. I hope he rests in peace."

When asked about his new band/ project and new album project with George Lynch, Robert Mason (Warrant) and Mick Brown
That record is actually done although it;s going to come out until April 2019 it is phenomenal, it's a very inspired piece of work. We have a new band name but we are not announcing it yet. George is playing his ass off on it. The music is very natural to what we are there is a bit of Dokken in there, there is a bit of Lynch Mob in there, it's kind of that direction although it gets a little deeper, we got pretty musical and deep on this record. We are trying our best to do a couple of live shows at some point. The whole record is recorded and done it's being mixed right now to be released April 2019."
 
Mon
05
Mar

Rock Talk with Mitch Lafon - DOKKEN - Don Dokken & Jeff Pilson

Artist: 
Categories: 
Podcasts & Radio
 
Listen to Dokken's Don Dokken and Foreigner's Jeff Pilson on this episode of Westwood One's Rock Talk With Mitch Lafon. Plus a secret previously unreleased 1980's recording from one that era's most popular bands.
 
 
In our first interview, singer Don Dokken discusses his band's new live package Return To The East (2016) featuring the 'classic lineup' featuring George Lynch, 'Wild' Mick Brown and Jeff Pilson. Plus, Don offers an update on the current lineup's upcoming studio album, talks early days including Great White & Guns N' Roses, his approach to songwriting, future work with the 'classic lineup', The Beatles, Up From The Ashes, and being 'probably retired' in five years.
 
In our second interview, bassist Jeff Pilson discusses Foreigner's upcoming tour plans (including Whitesnake & Jason Bonham), the band's upcoming orchestral album, reuniting with Dokken & the Return To The East (2016) CD/DVD, Canadian band Chilliwack, thoughts on retirement, Lou Gramm, new music with Dokken, his new band Super Stroke, Warrant's Robert Mason, the upcoming Last In Line album, Motlley Crue, and more. 
 
Former Guns N' Roses/Great White manager Alan Niven co-hosts.
 
And stick around to the very end of the show for the exclusive world premier of our mystery song (a previously unreleased original 1980's) recording from a well-established band from that glorious era. 
 
Follow Mitch on Twitter @mitchlafon
Rock Talk's Facebook: facebook.com/RockTalkMitchLafon

 

 
Fri
23
Feb

DOKKEN 'Return To The East' On New Live Release

Artist: 
Friday, April 20, 2018
Categories: 
News Feed
 
Formats:
• CD/DVD
• Blu-Ray
• Collector's Box (CD/DVD + T-Shirt) [Comes with XL tee in the U.S., L tee in EU]
• 2xLP Standard 180g Black Vinyl
• 2xLP Limited Edition 180g Green Vinyl (Exclusive to Frontiers' U.S. Store - Limited to 150 WORLDWIDE)
• 2xLP Limited Edition 180g Red Vinyl (Exclusive to Frontiers' EU Store - Limited to 150 WORLDWIDE)
• MP3 (audio only)
 
"Return To The East Live (2016)" Available April 20, 2018!
 
At this point, Dokken simply needs no introduction. The band cemented their status as one of the legendary hard rock/heavy metal archetypes of the ‘80s rock scene with numerous successful albums and tours, evergreen songs and music videos and a lore that will live on forever.
 
In 2016, the classic original line-up Dokken featuring: Don Dokken, George Lynch, Jeff Pilson, and Mick Brown reunited to play the world famous Loud Park Festival in Japan. Fortunately for fans outside of Japan, cameras were there to capture the performance and now Frontiers is set to issue “Return To The East Live (2016)” on April 20th! In addition to the Japanese performance, this set also features footage from the classic lineup’s only US reunion show of 2016 in Sioux Falls, SD at Badlands.
 
If the release wasn’t amazing enough, the package includes a brand-new studio track, “It’s Just Another Day” and two acoustic re-workings of classic tracks, from the original members!
 
Don Dokken says, “[a]fter 25 years, it was great to reunite with George and Jeff and Mick and do a couple shows for the fans. We hope you like this album and video. There’s a lot of great bonus footage of us having fun, so enjoy it!”
 
Bassist Jeff Pilson on the forthcoming release, “I’m so thrilled this piece of the Dokken story is hitting the streets! What a magical experience it has been and this CD/DVD captures a lot of that wonderful manic energy that has always made Dokken so vital! I remain extremely grateful to have been a part of such a vibrant voice in the world of heavy rock. Thanx to the fans and to George, Don and Mick for being the musicians, writers and friends that you are!”
 
LINEUP:
Don Dokken – Vocals
George Lynch – Guitars
Jeff Pilson – Bass
Mick Brown - Drums
 
TRACKLISTING:
 
CD
01. It’s Another Day (New Studio Track)
02. Kiss Of Death
03. The Hunter
04. Unchain The Night
05. When Heaven Comes Down
06. Breakin’ The Chains
07. Into The Fire
08. Dream Warriors
09. Tooth And Nail
10. Alone Again (Intro)
11. Alone Again
12. It’s Not Love
13. In My Dreams
14. Heaven Sent (Acoustic Studio Bonus Track)
15. Will The Sun Rise (Acoustic Studio Bonus Track)
 
DVD
01. Tooth And Nail
02. Unchain The Night
03. When Heaven Comes Down
04. Breakin’ The Chains
05. Into The Fire
06. Alone Again
07. It’s Not Love
08. Paris Is Burning
09. Kiss Of Death
10. The Hunter
11. Dream Warriors
12. In My Dreams
13. Behind the Scenes

 
Tue
04
Jul

Rock Candy Records Latest - BAD ENGLISH, ALANNAH MYLES, DOKKEN, JETBOY

Categories: 
News Feed
 
The following six new Rock Candy titles are all available now from www.rockcandyrecords.com
 
ALANNAH MYLES ‘S/T’ CANDY354
 
WHEN CANADIAN CHANTEUSE Alannah Myles issued her debut album few expected it to attain a level of success that would elevate her to international acclaim and see her become one of the biggest selling female artists of the era. Alannah continues to exude an undeniable air of confidence, but the sheer scale of her accomplishment and the ramifications of the exposure are, in many respects, still being felt by her to this very day.
Born and raised in Toronto, Alannah’s rise to fame was initially littered with frustration and slow progress but bolstered by an unshakeable belief in her abilities. It was this faith in her own talent that fuelled her determination to succeed at all costs, eventually winning an impressive deal with Atlantic Records in the US. Her debut album issued in 1989, and produced by fellow Canadian David Tyson, is a record that mined the lucrative space between all out hard rock and considered pop.
On this record, we are left in no doubt as to Alannah’s vocal credentials. Raspy, sultry and uniquely distinctive her voice permeated a work that had immediate appeal, from cock-sure rockers such as ‘Still Got This Thing For You’, ‘Kick Start My Heart’ and ‘Rock This Joint’ to heart rending ballads like ‘Lover Of Mine’ and ‘Who Loves You’. But of course it’s the huge international hit single ‘Black Velvet’ that created her position in the marketplace, helping to propel the album to sales in excess of 6 million units worldwide.
 
SPECIAL DELUXE COLLECTOR’S EDITION, FULLY REMASTERED SOUND, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK
 
TRACK LISTING: 1. STILL GOT THIS THING  2. LOVE IS  3. BLACK VELVET  4. ROCK THIS JOINT  5. LOVER OF MINE  6. KICK START MY HEART  7. IF YOU WANT TO  8. JUST ONE KISS  9. WHO LOVES YOU  10. HURRY MAKE LOVE
 
  
 
MICHAEL WHITE ‘S/T’ CANDY350
 
MICHAEL WHITE’S STORY has always been closely linked to the ghost of Led Zeppelin by virtue of the fact that he fronts one of the world’s preeminent Zeppelin tribute acts, The White. Over the years he has carved out a lucrative career presenting an accurate and entertaining testimonial to an act that redefined the course of rock music.
Interestingly, Michael’s stab at solo success included an unexpectedly successful entrée into the business. Encouraged by Robert Plant himself, he submitted demos to Atlantic Records that were eventually sanctioned by the most important executive at the label, namely label founder, and the man who originally signed Zeppelin, Ahmet Ertegun. Label hopes were high that Michael could cut an impressive solo album and not entirely ape Zeppelin’s sound.
Paired with hot-shot producer Mack (Queen, Billy Squier) he was sent to Munich to record, but problems emerged almost immediately when Mack dismissed Michael’s band (incuding future W.A.S.P. guitarist Randy Piper and former Moxy drummer Danny Bilan) after only a handful of tracks had been taped. Michael suddenly felt that the project slipping away from him when Mack insisted on using session players and utilising electronic programming.
Issued in 1987, the album received positive acclaim for not only its content but also the way it steered clear of immediate Zeppelin comparisons. Indeed, if anything, the record displayed a decided nod to solo era Robert Plant, and it boasted an impressive selection of wide-screen epics such as ‘Matriarch’, ‘One Good Turn’, ‘Fantasy’ and the crowning glory ‘Psychometry’.
 
SPECIAL DELUXE COLLECTOR’S EDITION, FULLY REMASTERED SOUND, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK
 
TRACK LISTING: 1. FANTASY  2. I KNOW YOU NEED SOMEONE  3. BRING ON THE NIGHT  4. MATRIARCH  5. ONE GOOD TURN  6.    PSYCHOMETRY  7. DÉJÀ VU  8. JUMPIN’ THE FENCE  9. RADIO  10. DIRTY DANCER
 
JETBOY ‘FEEL THE SHAKE’ CANDY329
 
WHEN YOU THINK about the LA rock scene from the mid eighties there were a lot of winners (Guns N’Roses, Poison, Motley Crue) and a heck of a lot of losers. However, in a strange alternative universe, many of the also ran’s were more revered than the pantheon of heavy hitters. Take Jet Boy for instance, one of the most revered acts on the scene who, through no fault of their own, were lost to obscurity yet attracted a devoted and passionate fan following.
Formed initially in San Francisco, the band, like so many others, soon gravitated to Los Angeles where they cemented their line up, including former Hanoi Rocks bassist Sam Yaffa, and rubbed shoulders with other hopefuls in a scene that was rapidly exploding. In late 1986 they signed a coveted record deal with Elektra Records and set about recording their debut album with British producer Tom Allom (Judas Priest, Def Leppard and Krokus etc). However once the record was completed disaster struck when Elektra reshaped their roster and cast the band adrift
Fortunately MCA Records snapped up the band issuing ‘Feel The Shake’ in 1988. Informed by the sounds of the Rolling Stones, The CULT, Guns ‘N’ Roses and, most succinctly, Hanoi Rocks, the record won much acclaim but failed to connect commercially. Songs such as ‘Bad Disease’, ‘Fire In My Heart’, ‘Snake Bite’ and the title track, lodge them in the top echelon of low slung guitar mavericks.
 
SPECIAL DELUXE COLLECTOR’S EDITION, FULLY REMASTERED AUDIO, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK
 
TRACK LISTING: 1. FEEL THE SHAKE  2. MAKE SOME NOISE  3. BAD DISEASE  4. FIRE IN MY HEART  5. HOMETOWN BLUES  6. LOCKED IN A CAGE  7. TALKIN’  8.  HARD CLIMB  9. BLOODSTONE  10.  SNAKEBITE
 
  
 
STONE FURY ‘BURNS LIKE A STAR’ CANDY355
 
WE’VE SAID IT before and, no doubt we’ll be saying it in the future, that some records sink into obscurity with no obvious explanation. Quality and class, it would appear, don’t always lead to success in the music business, leaving omissions from the list of winners that have no obvious reasons. The fate of Stone Fury is one such example; an exemplary band, with great songs and superb musical arrangements, left behind at the starting gate, whilst others with lesser abilities made larger commercial impact.
Based in Los Angeles, and formed by the talented duo of German born singer Lenny Wolf (who would later taste success as the leader of Kingdom Come) and American guitarist Bruce Gowdy, Stone Fury concocted an immediately identifiable sound that led to much industry interest. The band’s demo eventually secured them a coveted deal with the giant MCA Corporation. Utilising the services of top British producer Andy Johns (Led Zeppelin, Free, Hughes/Thrall), their album was recorded in Los Angeles and issued in 1984, to strong critical reaction but, surprisingly, precious few sales.
Very much a heavy yet melodic outfit, their sound appeared to lean towards the 70s but Wolf’s near falsetto vocal style gave the songs a contemporary edge, bolstered by Gowdy’s impressive guitar work and adventurous, sometimes progressive, musicianship. Not to put too fine a point on it, songs such as ‘Break Down The Walls’, ‘I Hate To Sleep Alone’ and ‘Hold It’ show the band to be superior composers, with the ballad ‘Life Is Too Lonely’ easily demonstrating an ability to take the music to more emotional heights. Certainly an album that requires a lot more recognition.
 
SPECIAL DELUXE COLLECTOR’S EDITION, FULLY REMASTERED AUDIO, 12 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK
 
TRACK LISTING: 1.  BREAK DOWN THE WALLS  2.  I HATE TO SLEEP ALONE  3.  LIFE IS TOO LONELY  4.  DON’T TELL ME WHY  5.  MAMAS LOVE  6.  BURNS LIKE A STAR  7.  TEASE  8.  HOLD IT  9.  SHANNON YOU LOSE
 
BAD ENGLISH ‘S/T’ CANDY320
 
THERE WERE MANY attempts at piecing together supergroups during the late 80s but few were as successful as Bad English, a project born from the mash-up of two hugely influential outfits, namely the Babys (John Waite, Ricky Philips) and Journey (Jonathan Cain, Neal Schon and, later, Deen Costronovo). Both groups had featured talent to die for so anticipation was extremely high for this noble alliance, Fortunately, unlike similar collaborations, the results were spectacular, leaving no one in any doubt that Bad English had delivered a cornerstone record, one that is still revered to this day.
Fronted by the stunning and instantly identifiable voice of John Waite, and ably supported by guitar firebrand Neal Schon, the album contains a brace of superior tracks that elevated the record to platinum status and beyond. Signed to the Epic Records label and produced by Richie Zito (Eddie Money, Cheap Trick, Heart) it boasted no less than five hit singles, including ‘Price Of Love’ and the chart topping #1 power ballad ‘When I See You Smile’. It was a record constructed with pin point accuracy crushing the competition by a country mile.
Issued in June 1989, their commercial accomplishments belies the band’s true depth, a powerhouse rock band laying down the law with grit and determination, as demonstrated on tracks like ‘Possession’, ‘Best Of What I Got’, ‘Forget Me Not’ and ‘Rockin’ Horse’;  all scorching examples of a style and sound that has not diminished one jot over time. No wonder the album sold Platinum and beyond.
 
SPECIAL DELUXE COLLECTOR’S EDITION, FULLY REMASTERED AUDIO, 20 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK
 
TRACK LISTING: 1. BEST OF WHAT I GOT  2. HEAVEN IS A 4 LETTER WORD  3.  POSSESSION  4.  FORGET ME NOT  5.  WHEN I SEE YOU SMILE  6.  TOUGH TIMES DON’T LAST  7.  GHOST IN YOUR HEART 8. PRICE OF LOVE  9.  READY WHEN YOU ARE  10.  LAY DOWN 11. THE RESTLESS ONES  12.  ROCKIN’ HORSE  13.  DON’T WALK AWAY  BONUS TRACKS: 14.  PRICE OF LOVE (REMIX)  15.  FORGET ME NOT (REMIX)
 
 
DOKKEN ‘BEAST FROM THE EAST’ CANDY345
 
THE IMPRESSIVE THING about Dokken was that they not only crafted great songs, looking and sounding very much like the archetypical eighties LA rock band, but that they were also an extremely musically gifted unit. Each member was at the cutting edge of their craft, delivering maximum impact in both the studio and on stage. This combined talent produced several big selling albums and paved the way for the recording of this their career-defining double live album.
However, all was not well within the ranks of the band. Leader and vocalist Don Dokken and guitarist extraordinaire George Lynch were involved in a long running feud, one that was played out in public, but one which also added colour to the project, giving the band an edge that provided a palpable frisson to their appeal. In many respects ‘Beast From The East’ benefits from this tension, giving the music a sense of purpose and energy that easily eclipsed the studio recordings.
Taped in Tokyo in early 1988, during an eight date Japanese tour, and released later that year, the record received tremendous reviews and featured seriously impressive versions of Dokken classics such as ‘Dream Warriors’, ‘Unchain The Night’, ‘In My Dreams and ‘Just Got Lucky’. George Lynch’s guitar playing is off the hook, while the rest of the band lay down the law like men possessed. Look out too for a new studio track ‘Walk Away’, giving some indication of where the band might have gone had they remained together.”
 
SPECIAL DELUXE COLLECTOR’S EDITION,  2CD SET RESTORING THE ORIGINAL VINYL 17 TRACKS, FULLY REMASTERED AUDIO, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK
 
TRACK LISTING:  DISC ONE:  1.   UNCHAIN THE NIGHT  2.   TOOTH AND NAIL  3.   STANDING IN THE SHADOWS  4.   SLEEPLESS NIGHT  5.   DREAM WARRIORS  6.   KISS OF DEATH  7.   WHEN HEAVEN COMES DOWN  8.   INTO THE FIRE  9.   MR. SCARY.  DISC TWO:  1.    HEAVEN SENT  2.   IT’S NOT LOVE  3.   ALONE AGAIN  4.   JUST GOT LUCKY  5.   BREAKING THE CHAINS  6.   IN MY DREAMS  7.   TURN ON THE ACTION  8.   WALK AWAY
 
 
Thu
15
Sep

One On One With Mitch Lafon - EPICA

Artist: 
Release Year: 
2015
Categories: 
Podcasts & Radio

Vocalist SIMONE SIMONS from EPICA guests on Ep. 259 of One On One With Mitch Lafon.

LINK TO INTERVIEW: http://www.spreaker.com/user/talkingmetal/1on1-mitch-lafon-259-simone-simons-epica

In the show's only interview, vocalist SIMONE SIMONS OF EPICA discusses the band's new album The Holographic Principle, motherhood, her fashion & style blog, Nightwish's Oceanborn, movie work, Disney and much more.

Quotes from the interview:

The mindset going into the recording of The Holographic Principle (Time 1.14): "To, at least, have the same level of quality that we had with the Quantum Enigma."

(Time 1.58): "The writing process happened all over the world not only at our home studios, but also in the airplanes and back lounges of the tour bus."

Translating the music to the live stage (time 5.21): "We know that it's impossible for us to take the orchestras and choir with us - so there's anyways always backtracks so there you have limitless options."

Voicing movies (time 12.39): "I would love to actually be a guest vocalist in a Disney movie or an epic blockbuster... Disney movies - when I was little I loved Ariel, Aladdin, Beauty & The Beast and stuff like that. I think my voice would be suited for that really well."

For more about EPICA & Simone Simons visit:
Online: http://www.epica.nl & http://www.smoonstyle.com
Facebook: https://www.facebook.com/epica
TWITTER: @Epica & @SimoneSimons
Official YouTube: https://www.youtube.com/user/epica
Spotify: https://play.spotify.com/artist/5HA5aLY3jJV7eimXWkRBBp

 

 
Thu
08
Sep

One On One With Mitch Lafon - JEFF PILSON (Dokken)

Artist: 
Release Year: 
2015
Categories: 
Podcasts & Radio
 
FOREIGNER and returning to DOKKEN bassist JEFF PILSON guests on Ep. 257 of One On One With Mitch Lafon.

LINK TO INTERVIEW: http://www.spreaker.com/user/talkingmetal/1on1-mitch-lafon-257-jeff-pilson-dokken

In the show's only interview, Foreigner bassist Jeff Pilson talks about his upcoming return to Dokken, the possibilities for a new album, on 'doing it for the money' and much more.

Quotes from the interview:

For the money criticism (time 1.44): "This is entertainment. This is art. I think people and even artists themselves don't want to think that they do it just for the money. We have a fairly privileged life doing this and to think that we do it just for the money kind of brings up a bad picture in your mind."

(time 2.18): "I think that's how Mick was honestly feeling like the only reason he wanted to do it was for the money, but I've spoken with him since and now he's excited and gets the musical possibilities."

(Time 2.30): "We have a chance to go out and prove ourselves again as a band. I do love music and I do love Dokken even though we were a troubled band in so many ways."

The old wounds (time 5.58): "The truth is - in putting this thing together there were some old wounds that opened up. I think that's bound to happen. We're all pretty passionate dudes. We're all pretty sensitive dudes, but it gave us the opportunity to clear the air a little bit."

Is it really the end? (time 10.54): "Don says it is so I've got to take him at his word. For me, I would keep it as an open door."

For more about JEFF PILSON and FOREIGNER visit:
Online: http://www.foreigneronline.com & https://jeffpilson.wordpress.com
Facebook: http://www.facebook.com/Foreigner
TWITTER: @JeffPilson & @ForeignerMusic
Official YouTube: http://www.youtube.com/user/FWebTeam
Spotify: https://open.spotify.com/artist/6IRouO5mvvfcyxtPDKMYFN

 

 
Wed
25
May

Inside Metal: LA Metal Scene Explodes

Thursday, August 28, 2014
Categories: 
News Feed
 
The Los Angeles Premiere Screening of INSIDE METAL: LA METAL SCENE EXPLODES Scheduled for Thursday June 2 and Monday June 6, 2016 at 7pm
The Los Angeles screening for the second Inside Metal title LA Metal Scene Explodes will take place Thursday June 2nd in Hollywood, CA at the Attic (formerly Cinespace) and Monday June 6th at The Regency Theaters Valley Plaza 6 in North Hollywood. This is the follow-up to the critically acclaimed debut Inside Metal film Pioneers of LA Hard Rock and Metal. This title will focus on the monumental era of the LA Metal Scene, from 1981 to 1986, when local hard rock and metal bands took Los Angeles by storm.

Inside Metal: LA Metal Scene Explodes is a two-volume DVD set featuring narration by John Bush of Armored Saint. DVD 1 will be released worldwide on June 10th with DVD 2 to be released in early August.

Featuring: Lars Ulrich (Metallica), Stephen Pearcy (Ratt), Carlos Cavazo (Quiet Riot, Ratt), Jack Russell (Great White), Don Dokken (Dokken), Dave Meniketti (Y&T), David Ellefson (Megadeth), Chris Holmes and Randy Piper (W.A.S.P.), John Bush and Joey Vera (Armored Saint), Mike Inez (Alice In Chains), Gene Hoglan (Testament, Dethklok), Ron Keel (Steeler, Keel), Leatherwolf, Bruce Bouilett (Racer X), Betsy Weiss (Bitch), Jaime St. James (Black 'n Blue), Lizzy Borden, Marty Friedman, Marq Torien (Bullet Boys), Joe Floyd (Warrior), Ann Boleyn (Hellion), Steve Plunkett (Autograph), Nadir D'Priest (London) and many others in this compelling history about the quintessential period of hard rock and metal!

Two screening dates are set for Los Angeles. Several of the featured artists will be on hand at both screenings as will the directors and producers of the film. We will be screening both volumes of the movie (80 minutes each) with a 20-minute intermission so please prepare for a 3-hour screening.

Thursday, June 2, 2016. Showtime 7pm
The Attic (formerly Cinespace)
6356 Hollywood Blvd, 2nd level
Hollywood, CA 90028
(323) 817-3456
*Corner of Hollywood Blvd. & Ivar
*Full Bar / Full Menu

Monday, June 6, 2016. Showtime 7pm
Regency Theatres Valley Plaza 6
6355 Belliingham Ave.
North Hollywood, CA 91606
(818) 760-8444
*Off the 170 Fwy and Victory Blvd.

http://tradiov.com/la/videoscategory/insidemetal/
https://www.facebook.com/bob.nalbandian.3
http://www.youtube.com/bnalbandian

 

 
Mon
23
May

DOKKEN Classic Line-up Reunion All Set

Artist: 
Release Year: 
2015
Categories: 
Podcasts & Radio
 
DOKKEN will reunite (again) for dates in Japan and elsewhere in 2017. Mitch Lafon discussed with Mick Brown on One On One:
 
LINK TO INTERVIEW: http://www.spreaker.com/user/talkingmetal/1on1-mitch-lafon-223-wild-mick-brown-dok

Legendary drummer 'Wild' Mick Brown of Dokken joins Mitch for episode 223 of One On One With Mitch Lafon.

In the show's only interview, drummer 'Wild' Mick Brown discusses the upcoming classic line-up DOKKEN reunion & the confirmed Japanese tour dates as well as his new band 'Wild' Mick Brown And The Bourbon Ballet.

Quote from the interview:

About Dokken reunion (time - 23.37) : 'In spite of ourselves, we always seem to do well."

(time 24.15): "You have to decide - I'm in or I'm out. Let it go and play ball... Somehow, it seems to work out. It's never very easy and I'm sure it's not going to be this time either."


Online: http://dokken.net
TWITTER: @Dokken
Facebook: http://www.facebook.com/DokkenOfficial
Spotify: https://open.spotify.com/artist/09hNSPPOxDop4FRdr6UEnq

 

 
Mon
22
Feb

One on One with Mitch Lafon - JEFF PILSON

Artist: 
Tuesday, November 4, 2014
Categories: 
Podcasts & Radio
 
 
FOREIGNER's JEFF PILSON joins Mitch on episode 197 of One On One With Mitch Lafon.
 
In the episode's only interview, bassist Jeff Pilson discusses Foreigner's latest release In Concert: Unplugged (available only on Amazon for the benefit of Juvenile Diabetes), working on the Last In Line album (featuring Jimmy Bain, Vivian Campbell and Vinny Appice), working on the Mortal Kombat movie, his friendship with Steven Adler and his potential return to Guns N' Roses and the upcoming classic era DOKKEN reunion.

Quotes from the Jeff Pilson interview:

New album: "It may be acoustic, but it still rocks."

Dokken Reunion: "We've all come to a place where we are very appreciative of the legacy Dokken has. When we finally do something, we are going to try and do it right, but we are going to try and do something. Hopefully, I'll have something to report sometime soon."

Steven Adler & Guns N' Roses: "I'm a huge GUNS N' ROSES fan. I happen to think Matt Sorum is an amazing drummer, but chemistry is something you cannot argue with."

"There is something about the chemistry of Steven with those guys that made a sound that I think is the sound that we all know as that classic amazing Guns N' Roses sound. As great as the band could be in later days, I just never think it had that same desperate energy again. So, do I think he should get the call? Of course, I do. I honestly believe that those guys know that. They feel that deep down."

"I think he's ready and I hope to God he gets the phone call because if he does the world is going to get lit on fire again."

Last In Line: "I'm so insanely proud of that rock. It really feels like a little piece of history and I couldn't be more hounored (than) to be a part of it."

Will you tour with Last in Line: "I would step in in a heartbeat. Unfortunately, Foreigner already has dates."

For more about FOREIGNER visit:
Online: http://www.foreigneronline.com
Facebook: http://www.facebook.com/Foreigner
TWITTER: @ForeignerMusic
Official YouTube: http://www.youtube.com/user/FWebTeam
Spotify: https://open.spotify.com/artist/6IRouO5mvvfcyxtPDKMYFN

Follow Mitch Lafon on Twitter: @mitchlafon
One on One With Mitch Lafon's Official Twitter is: @1On1WithMitch
And Official Facebook page is: http://www.facebook.com/OneOnOneMitchLafon
 
Wed
16
Dec

Double Stop Podcast - JON LEVIN

Artist: 
Categories: 
Podcasts & Radio

Jon Levin (Dokken, Doro, Warlock) discusses his life and career on this week's Double Stop Podcast. From his early days and bands, to his first big break with Doro (Warlock) with the Force Majeure album and tour. We also discuss why he turned his back on music in the 90’s and became a lawyer, and how (over a couple of years) he landed the lead guitarist gig in Dokken. We discuss his 3 Dokken studio albums in depth (Hell To Pay (2004), Lightning Strikes Again (2008) and Broken Bones (2012), plus what the future lies for Dokken and possible recording plans.
 
 
On Dokken’s recording plans 60:00 "What we’re talking about is not doing a record, but maybe doing an EP, and then some videos. Three songs, or four songs and then a video for each song. And that makes a lot more sense to me.”
 
On his first time in the studio with Dokken (recording solos - a few years before he actually joined the band pre Reb Beach) 23:00 “The two songs were The Maddest Hatter but it was a different version of The Madddest Hatter, a slower version. Not the up-tempo version we now have today. And then “The Irish Song” (released as a bonus track for Long Way Home”).
 
On the recording of Broken Bones 50:20 “Loved it. The most fun of any record we’ve made. Loved it. Don and I purchased identical recording studios. Identical computers, identical pro-tools everything.”
 
Dokken on Twitter: https://twitter.com/dokkencentral
Jon Levin Website: http://www.jonlevin.com/
Dokken Website: http://dokkencentral.com/ 
 
Mon
30
Nov

Clone of Rock Candy Records Latest - TANE CAIN & MONTROSE

Artist: 
Release Year: 
2015
Tuesday, April 21, 2015
Categories: 
News Feed

The following four new Rock Candy titles are available now from www.rockcandyrecords.com for a discounted price including postage to anywhere in the world for the next two weeks.

TANE CAIN 'S/T' CANDY287

THE PROLIFERATION OF female singers in rock really took hold in the early 1980s, fuelled by the huge popularity of performers such as Pat Benatar, Ann Wilson, Stevie Nicks and Cher, amongst many others. It was a golden period, with many new names appearing at an exciting rate. But for every successful contender there were an equal number of artists for which fame and fortune sadly stayed just out of reach. One of those was Tan' Cain, a Californian based chanteuse with the voice and looks that should have propelled her to stardom.

Issued in 1982, Tan' Cain's self titled album has gone down in AOR folk lore as one of those records that had it all but, sadly, ended up as a fascinating curiosity rather than a big seller, despite the help and assistance of a major record label and several seasoned musicians. Chief amongst her supporters was her then husband Jonathan Cain the keyboard player and songwriter for Journey. Jonathan brought much to the party, co-writing most of the songs, playing on the album and roping in renowned producer Keith Olson to oversee the recording.

Employing a coterie of top west coast session players, including guitarist Tim Pierce (Giant) and fellow Journey members Neal Schon (guitar) and Mike Baird (drums), the album was constructed with pin-point accuracy, giving rise to a record that has been a long term critical hit far beyond its original commercial failure. Check out such gems as 'Temptation', 'My Time To Fly' and 'Holdin On' for irrefutable proof.

SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK.

TRACK LISTING: 1. TEMPTATION 2. DANGER ZONE 3. MY TIME TO FLY 4. CRAZY EYES 5. HOLDIN' ON 6. ALMOST ANY NIGHT 7. VERTIGO 8. HURTIN' KIND 9. SUSPICIOUS EYES

MONTROSE - 'PAPER MONEY' CANDY278

THERE'S LITTLE DOUBT that the self titled debut Montrose album was an absolute game changer in the world of hard rock and heavy metal. In fact, these days it is pretty much recognised as ground zero for all that became of the genre, with a sound and swagger that birthed many followers, including Van Halen. Formed by and named after guitarist Ronnie Montrose, the band featured then unknown vocalist Sammy Hagar who would later go on to enjoy a successful solo career and, ironically, front Van Halen.

The second Montrose album, craftily titled 'Paper Money', was recorded and released in late 1974, produced once again by master of the art Ted Templeman. It was a record that found band leader Ronnie Montrose making a decidedly left of centre stylistic turn, introducing a collection of mellower, perhaps more introspective songs into the mix. Sure, it was still very much a hard rock album, but the emphasis was placed on mood and atmosphere rather than muscle and brawn. It was a record that gave insight into the enormous creative talent of Ronnie and his rather unorthodox working methods.

There's much to be enjoyed here, including the Jagger/Richards penned 'Connection', spooky instrumental 'Starliner', intriguing 'Spaceage Sacrifice' and the epic and eerily prophetic title track. Best of all though is 'I Got The Fire', a song that easily picks up where the debut album left off, a track effectively covered by Iron Maiden several years later.

SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK.

TRACK LISTING: 1. Underground 2. Connection 3. The Dreamer 4. Starliner 5. I Got The Fire 6. Spaceage Sacrifice 7. We're Going Home 8. Paper Money

MONTROSE - 'WARNER BROS. PRESENTS' CANDY279

MONTROSE HAD SUCCESSFULLY crafted a respected reputation for themselves with two albums of Class-A hard rock, before abrasive relationships eroded the band's central core. Vocalist Sammy Hagar was effectively forced to leave the band by an increasingly mercurial Ronnie Montrose, a man who ran the band with complete control and authority. With Hagar cast aside Ronnie appointed new boy Bob James, who like Hagar, was an unknown quantity, but the possessor of an extraordinary voice.

When the band began to plan the recording of their third album, 'Warner Brother's Presents'', Ronnie instigated yet another significant change, by rejecting powerful producer Ted Templeman, in favour of assuming production duties himself. This led to a more eclectic record, that incorporated several moods, ranging from drawn out epics such as 'Whaler' and 'Matriach' to snappier cuts such as 'Oh Lucky Man' [written by Alan Price] and 'Black Train', a proto speed metal romp. But the album's stand out track is 'Dancin' Feet' with its snappy and uninhibited guitar riff holding centre court.

When the album was released in September 1975, it further enhanced the band's reputation as musicians, but it failed to alleviate their declining sales and lack of chart momentum. It also clearly demonstrated Ronnie Montrose's continued quest for musical development and diversity, a fact underscored by the appointment of keyboard player Jim Alcivar, helping to pride a vivid and contemporary sounding palette that indicated the direction to come.

SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK.

TRACK LISTING: 1. Matriarch 2. All I Need 3. Twenty Flight Rock 4. Whaler 5. Dancin' Feet 6. O Lucky Man 7. One And A Half 8. Clown Woman 9. Black Train

MONTROSE - 'JUMP ON IT' CANDY280

MONTROSE HAD ENJOYED a stellar reputation as one of the best bands of the mid 70s, with their debut album, in particular, garnering extraordinary praise, if not immediate sales success. But the band had also been heavily criticised for failing to deliver a consistent body of work, with Ronnie Montrose insisting on a course of experimentation rather than repetition. The band's previous album, 1975's 'Warner Brother's Presents'' was greeted with faint praise by many connoisseurs of the hard rock genre, with many citing leader Ronnie's need to diversify the band's sound as a self destructive achilles heel.

It was also noted that the band's recordings had become somewhat muted so, under pressure to conform, the label made him abandon production duties and had the reigns over to Jack Douglas, a man who had developed a red-hot reputation producing classic Aerosmith albums. Musically this was just the tonic needed and 'Jump On It' went someway to return the band to former glories, setting out a more defined rock sound, despite the fact that bassist Alan Fitzgerald had been sidelined in favour of a session player.

Issued in Sept 1976, the album contains a number of standout songs, including the hard hitting title track 'Jump On It', 'What Are You Waitin' For', 'Let's Go' and 'Merry -Go-Round' all of them showcasing the superior talent of vocalist Bob James. However, with Ronnie still not able to come to terms with losing control of his own band, and further internal friction, the band, sadly, split up.

SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK.

TRACK LISTING: 1. Let's Go 2. What Are You Waiting For? 3. Tuft-Sedge 4. Music Man 5. Jump On It 6. Rich Man 7. Crazy For You 8. Merry-Go-Round
 
  
 

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