Fri
17
Jun

ROCKINGHAM 2016 On Sale Now

Categories: 
Tour News
 
STANDING ON TOP OF THE ROCK-INGHAM
 
Press Release: "Hey we're back, I heard you missed us? A different venue, less bands but no dip in quality is what Rockingham is offering this year. After last year’s successful weekend, plans were put in motion to deliver more of the same AOR goodness as organizer, Dave Herron, explains, “Following on from the incredible feedback from our 2015 event we have decided to make Rockingham a more permanent part of the UK festival scene.”
 
It’s all set to take place over the weekend of the 21st to 23rd of October, at Nottingham’s Trent University – a mere stones throw from last year’s venue.
With the likes of Trixter, Steelheart and Kevin Chalfant headlining over the three days, a stellar line up has been added to augment an already impressive top of the bill. 
At least five of these acts have never played in the UK before, with the likes of Lionheart and Lee Aaron having never set foot on a UK stage since the eighties. 
With the new blood being ably represented by the likes of Art Nation, Blood Red Saints, Angels Or Kings and Stone Broken, Rockingham is covering all the bases. 
This promises to be a wonderful weekend of AOR
 
LINE UP FOR THE WEEKEND
 
Kevin Chalfant
So where do you start with Mr. Chalfant? That he should have got the job in Journey, possibly. Or that he recorded one of the finest AOR albums of the nineties with the Storm, maybe. Perhaps we should just say that he possesses one of the finest AOR voices to ever grace the genre, so you can expect a set stuffed to the brim with quality moments from a distinguished career.
 
Jean Beauvoir
Now here's a man that could possibly be one of the coolest to ever strap on a guitar. His tenure with Crown Of Thorns is legendary, their debut being one of the finest albums he's appeared on. Having worked with Kiss, The Plasmatics and Little Steven amongst many others, he's guaranteed to get everybody on their feet. Are you ready?
 
Blood Red Saints
Having delivered one of the finest debuts of last year, Blood Red Saints will need no introduction. Gigs with the likes of Romeo's Daughter and Hand Of Dimes have shown them to be capable of delivering live what they put down in the studio. With a collective pool of talent that has seen them appear with the likes of Sam Thunder, Angels Or Kings, Gary Hughes, In Faith , The Shock, Lost Weekend and Newman, the Saints are the pride of the U.K.
 
The Poodles
Canine capers from Jakob Samuel and company is always a good way to spend your afternoon. Over the years they've produced several quality moments, garnering plaudits from far and wide. This is Scandinavian AOR at its most bombastic and fierce, so bring a muzzle as this dog bites.
 
Art Nation
Formed from the ashes of Diamond Dawn, Art Nation released one of the finest albums from last year, which saw critics liken them to a junior version of H.E.A.T. It's not gone unnoticed as Music giants Gain have recently snapped them up for a lucrative deal. So expect a highly charged set of fist pumping, anthemic AOR.
 
Lionheart
This was a shock addition to the bill, but a very welcome one. Having dispensed one of the finest UK pomp rock albums of the eighties, Lionheart toured with the likes of Def Leppard to rave reviews. Their brand of AOR is laced with luscious harmonies, biting guitars and surging keyboards. With ex Iron Maiden alumni, Derek Stratton, at the helm, the results should be breathtaking.
 
The Defiants
Let's cut to the chase here, the Defiants have made one of the best albums of this year pure and simple. Then again what did you expect from people that have plied their trade in Danger Danger, a band that are not shy of a hook or three. Between them, Bruno Ravel, Rob Marcello and Paul Laine have knocked it out of the park. Their recent performance in Milan is spoken of in hushed, revered tones, a true 'I was there moment'. Theirs is the sound of the eighties, amplified and cranked to eleven. Party on, dudes.
 
Trixter
Next to the Defiants, Trixter are another band born out of the eighties hair metal boom. Their brace of albums were lauded from far and wide, giving them gold records and stateside tours with the likes of Stryper and Kiss. Having reunited in 2008, they've since released two new albums, playing several prestigious gigs along the way. Another band that tore Milan apart, they're guaranteed to give it to you good.
 
Crazy Lixx
Bringing the Glam to Rockingham, Crazy Lixx will be riding into town on the back of several well received albums. This year’s live album is the perfect starting point to help you understand what the Lixx are all about. They'll push the button marked instant party, so get ready for these Revlon rebels to bring the mascara mayhem.
 
Stone Broken
A hot hard rock band from Walsall, surely some mistake? Nope, Stone Broken has gifted the world a hard hitting debut that has seen the plaudits arriving their way by the truckload. For most they'll be an unknown quantity, but after this weekend they've the potential to be everybody's favourite new band.
 
From The Fire
After a fabulous sophomore album, albeit twenty years later, and a wonderful debut UK performance in the same year, From The Fire were once again the band on all AORsters lips. Led by the core trio of J.D. Kelly, Tommy Lafferty and Michael Sciotto, From The Fire are an old school AOR fans wet dream. They were a little ring rusty last time out in the UK, this time they'll return like champion prize fighters.
 
Lee Aaron
The Metal Queen back in the UK for the first time since the eighties is enough to make you dust of those old red spandex pants in honour of the fact. The Canadian chanteuse will stir the loins of every red blooded male, and female, with a rollicking dose of maple leaf mayhem. An award winning artist, Aaron is another coup for Rockingham.
 
Alessandro Del Vecchio Band
The little man with the big voice, Alessandro Del Vecchio should be no stranger to AOR fans the world over. He's appeared with the likes of Jim Peterik, Mitch Malloy and Axe amongst many others. With Nigel Bailey helping out, this could be one of the surprise packages of the weekend.
 
Angels Or Kings
Born in the eighties, this critically acclaimed UK AOR band were resurrected in the new millennium, releasing an album that generated rave reviews the world over. Currently preparing their sophomore release, the Kings will be one of the most eagerly anticipated bands of the weekend.
 
Steelheart
Fronted by Miljenko Matijevic, Steelheart were MTV darlings, an admittedly brief tenure with the media giant, before Grunge swept all before it. Releasing a brace of albums at the peak of their popularity, they were a chart bothering behemoth whose candle was snuffed out all too early. Sporadic activity over the years has seen Matjevic as the sole remaining member. These boys have set the excitement factor to eleven, so get ready to stand up and shout.
 
Fortune
A bucket list moment for an awful lot of AORsters, this promises to be an unmissable set. With Richard Fortune, Larry Greene and Mick Fortune on board, you can expect their debut album to be played in almost its entirety. Don't be surprised if the roof is lifted when the likes of "Dearborn Station" and "Thrill Of It All" are played, this promises to be a keyboard fans dream gig.
 
Martina Edoff
Returning to the UK for the second time this year, Martina Edoff's brand of highly energized hard rock will set the afternoon alight. With a band that includes members of Skintrade, Last Autumn’s Dream and H.E.A.T, they've the pedigree to make sure a blistering set of hard rock is on the menu.
 
Valentine
Returning after his show stealing performance at the inaugural Rockingham festival, Robby Valentine is sure to be one of the most grandiose sets of the entire weekend. The pomp factor will be high and the keyboard quota off the scale, making this a symphonic delight for all in attendance.
 
I think you’ll all agree that Rockingham Festivals AOR credentials have been fully endorsed by having such an array of talent on show. Fans and ticket buyers would also be wise to watch out for announcements of official pre and after shows in the coming months via the festivals Facebook page. 
 
TICKETING DETAILS AREAVAILABLE FROM: www.rockinghamlive.com
 
 
Thu
16
Jun

FIRST SIGNAL - One Step Over The Line (Review)

information persons: 
content: 
91%
Produced By: 
Daniel Flores
Running Time: 
47
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Melodic Rock
Label: 
Frontiers
Artist: 
Score: 
91
Friday, June 3, 2016
Categories: 
Reviews
 
Harry Hess returns with a sequel to 2010’s First Signal debut. The lead role of Mr. Hess is about all that is in common from the debut to this album.
 
Normally I’d jump in and complain that if you are using a project name, you should stick to the original personnel of that project, as swapping musicians/producers/writers generally leads to a completely different sounding album (Sunstorm and Allen/Lande for example).
But in this case, I’ll let it pass as the results speak for themselves.
 
Daniel Flores (Find Me, Murder Of My Sweet) and his new buddy Michael Palace are the duo behind all the music, whilst the songs are provided by an array of the current artists within the Frontiers stable.
 
Flores produces and delivers results that sonically improve on that of the debut – even if the style is a little different. The Dennis Ward moody AOR debut is trumped by this bubbly, more keyboard driven 80s sounding affair with at times a more aggressive edge, but overall an improved sound that isn’t far from the AOR of the two Find Me releases.
Harry is of course in fine voice over 11 tracks that hold a pretty consistent sound and quality. At times the keyboards are a little “too 80s”, but there is no doubt that this is a very fine release.
 
Highlights include the punchy She’s Getting Away; the sentimental ballads Still Pretending and Weigh Me In; the early Harem sounding One Step Over The Line and Love Gets Through; the angst of Broken and the moodiness of Kharma.

Hess, Harem and fans of the First Signal debut shouldn’t give owning this a second thought. Why haven’t you got it already? Essential for anyone who appreciate fine vocals and some catchy traditional melodic rock.

 
 
Thu
16
Jun

JORN - Heavy Rock Radio (Review)

information persons: 
content: 
87%
Produced By: 
Jorn
Running Time: 
57
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
87
Friday, June 3, 2016
Categories: 
Reviews
 
The man is back, again! One should stop saying that as Jorn never really departs, such is the consistency of his releases. That’s not always a positive, but the last couple of records have started to return me to my former status of worshipping the great man.
One thing the world probably doesn’t need is another covers album, even more so another Jorn covers album (this is his third, plus half of the debut album), but you know what – you can’t help but like large parts of this collection.
It’s Jorn being Jorn and its produced extremely well.
 
Jorn has managed to pick out some less predictable covers from areas of pop/rock from the 70s through to today and a few cuts from his more familiar influences.
Some work, some don’t. But the ones that do work are sensational, as Jorn metalifies some pop classics such as I Know There’s Something Going On and Running Up That Hill. I think there should have been more like these two on here. Jorn sounds fabulous.
Foreigner’s Rev On The Red Line is something he could record in his sleep (his version of Break It Up from the debut is still untouchable) and sounds great as does his version of the John Farnham legacy number You’re The Voice (since covered by many). I love his liner notes about each track and especially the praise he gives Farnham as a live vocalist. I wasn’t sure the song would suit Jorn, but it does.
 
Paul Stanley’s Live To Win is one track I thought Jorn would slay, but for some reason this heavier and rawer version seems to lose some of the melodies that the original carried.
Don’t Stop Believing is a fine version with a surprisingly high Jorn vocal. But honestly, I’m so sick of this fucking song – even the original I could do without hearing ever again. For Jorn’s tribute to Steve Perry, check out Edge Of The Blade from the debut – one of the best Journey covers I’ve ever heard. Wish he’d tried out Ask The Lonely instead.
 
Killer Queen is pretty decent too, but I have a hard time with anyone aside from JSS covering Queen. Jorn brings a good swagger to the track.
Hotel California is one you’ll either love or hate – but I dig it. Jorn’s rasp works and the guitar work on this iconic song does the original justice.
 
Well, we lasted this long without Rainbow/Sabbath/Dio/Purple, so we may as well close the album with songs from 3 of the 4 featured, plus an authentic Iron Maiden cover for good measure, giving the last 15 or so minutes a more familiar metal feel.

All in all – good stuff. A few fairly safe choices and some risks that pay off. I prefer the pop/rock tracks being beefed up rather than the metal tunes just being covered.
A lot of thought has gone into this album and Jorn sounds great as always.
 
 
Thu
16
Jun

DAN REED NETWORK - Fight Another Day (Review)

information persons: 
content: 
76%
Produced By: 
Dan Reed
Running Time: 
57
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Pop / Rock / Funk
Label: 
Frontiers
Score: 
76
Friday, June 3, 2016
Categories: 
Reviews
 
Can’t say I was ever a Dan Reed Network fan – his funk/rock style was something that I just didn’t embrace back in the day. However, I have admired a couple of Dan’s latter day solo albums. Some intelligent songwriting and out of the box musical arrangements there.
I had no expectations going into this, and what it delivers is a bit of both Dan Reed’s worlds.
 
Given the crossover in styles, it does appear a little disjointed and a little hit and miss. The hit resonates with me in a big way. The misses make the album drag, especially through the latter stages.
 
What hits – the brilliant melodies and subtle arrangements of the opening track Divided and the mature melodies of The Brave; the beautiful atmospheric ballad Champion and the equally pleasant keyboard styled B There With U.
The softer pop/rock of Heaven also connects as does the moody Stand Tall.
 
Misses include the funky ballad Infected; Give It Love; the funk/reggae swagger of Save The World which goes nowhere and the programmed beats of Reunite.
There’s a few others too, making this album about half cool, half not so.

An interesting album in parts, but perhaps not what the Dan Reed Network moniker might suggest. For that reason I think it aims to please all, without hitting the mark. Or perhaps it’s just exactly how Dan feels and writes in 2016. Up to individual fans to decide on this one.
But those few tracks in the first half of the album are seriously good.
 
Thu
16
Jun

WITHEM - The Unforgiving Road (Review)

information persons: 
content: 
89%
Produced By: 
Oyvind Larsen
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Progressive Melodic Metal
Label: 
Frontiers
Artist: 
Score: 
89
Friday, June 3, 2016
Categories: 
Reviews
 
 
Withem are a new progressive/melodic metal band NOT from Sweden! Yes indeed. They are not from Sweden. They are from Norway!
Once again the Scandinavians prove to be on the cutting edge of new music in all forms of rock n roll.
This is the band’s second album and first for Frontiers. They describe their sound as a mix of inspirations from such greats as Symphony X, Pagan’s Mind, Dream Theater and Circus Maximus. Pretty accurate too.
 
To me they haven’t quite got the chops of Dream Theater, nor the melodic finesse of Circus Maximus, but they are well on their way. And this is an impressive album.
I’d put their sound closer to Dream Theater thanks to the vocals of Ole Wagenius. His powerful LaBrie style range drives these songs and adds the melody to the powerful guitars and swirling keyboards.
 
This is an impressive sounding album. Guitarist Oyvind Larsen acts as producer and mixer and has done a remarkable job. This is a really clear and crisp sounding record while retaining all the necessary power.
 
Highlights include the powerful hook driven In The Hands Of God (the chorus is pure Circus Maximus); the initially faster, but then inter-changing pace of The Pain I Collected; the beautiful vocals and melodic guitar parts that drive Riven; the Rob Moratti-esque progressive AOR of The Eye In The Sky.

It took several listens to appreciate fully and have the melodies become more obvious, but the high caliber production and some inspired performances make this an album that is likely to launch the band onto a bigger platform and wider audience.
 
Tags: 
 
Thu
16
Jun

YNGWIE MALMSTEEN - World On Fire (Review)

information persons: 
content: 
45%
Produced By: 
Yngwie
Running Time: 
Yngwie
Release Date: 
Yngwie
Released: 
Yngwie
Musical Style: 
Yngwie
Label: 
Yngwie
Score: 
45
Categories: 
Reviews
 
Well, it’s not as bad as War To End All Wars. That record should have been titled Album To End All Careers. But somehow the great fret-fiddler Yngwie J Malmsteen continues on.
 
It’s hard to tell who is the most delusional. Yngwie himself for releasing this as is; his record label for actually paying for it to be manufactured or some of his fans who are reacting as if this album is the greatest slice of majestic, audio grandeur and shredtastic splendor since Les Paul took craft lessons in Jnr High.
 
Ok, so it’s not all bad….well it is if you were rating audio quality alone. I’m not sure where this was recorded. It sounds like it was recorded in my grandmother’s 1922 outhouse and pieced together on a 1981 Acorn BBC Micro 6502.
I just cannot understand how and artist, his manager wife and record label could all agree this was release ready. The production quality and muddy mix are just rotten.
 
To the songs themselves – well, the boy can play – no doubting that ever. And before the fanclub hit me up with death threats and witty insults about what really constitutes greatness, please be advised I have most of the Swedish Frethogger’s albums and I remain a strong fan of several in particular.
 
There are some good and bad here. The title track World On Fire is a great 1 minute idea that goes for 4 and a half and most of the instrumentals that follow are simply retreads of past work.
I’m being strangely hypnotized by Yngwie’s vocals on Lost In The Machine. Is he employing mind control to keep fans under influence? I don’t mind that song at all, except for the quality and the fact the vocals sound like they were sung into a Coke can rather than a microphone.
Largo and No Rest for the Wicked are simply the same riff as each other, just played faster and Duf 1220 is the most accurate song title on the whole album.
 
I really do like Yngwie. I think he’s doing an ok job, but his organization is one that cannot be criticized. I’m on their shit list because of my last few reviews – but that’s just part of the job.
This review won’t help of course. What he needs to do is embrace those that want to work with him. There are a number of great musicians from his past that that would happily collaborate with him. But no one wants to work for him.
 
Hopefully he can find the financing to hire a producer or at least a professional mix engineer, get a vocalist on board to work together and collaborate on some great songs that aren’t all widdling and get back to what really made Yngwie Malmsteen albums of the past so enjoyable. He needs an A&R guy to tell him what works and what doesn't. Givie me a call mate!
 
 

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