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Wed
19
Apr

LA GUNS - Black Diamonds (Album Review, 2023)

information persons: 
content: 
40%
Label: 
Frontiers
Artist: 
Score: 
40
Categories: 
Reviews

LA Guns have the be the single most inconsistent band in rock n roll. The same outfit that delivered classics like their debut, Cocked & Loaded, Hollywood Vampires, Vicious Circle and Waking The Dead are also responsible for the turkeys American Hardcore, Shrinking Violet and the very average albums The Missing Piece, Hollywood Forever and The Devil You Know.

Now have another absolute turd on their hands.

When seeking to defend a particular sound or direction, I often hear words like raw, live, 70s infused, punky… I prefer a more direct approach – like unlistenable, demo quality and shite.

It’s not like all the songs suck, I’m really taken with the heavy ballad ‘Diamonds’ for example and there are some memorable hooks elsewhere. But it all just sound terrible. There’s some of the old school punky vibe of the debut and Vicious Circle in some tracks and some good ol’ LA Guns sleaze elsewhere, but the album is totally unlistenable. It sounds like an audience bootleg of a 1975 Sex Pistols show.

The mix is horrid, the drums sound like they were recorded in the same lavatory Tracii Guns recently played a gig from and the vocals are so hollow, its hard to imagine how they could be so badly recorded then mixed into the tracks.

Tracii Guns sounds like a guitar god on several tracks, he’s a class player; and Phil Lewis still has the voice, but hearing both at their best without risking permanent damage to your ear drums is just not worth it. This album cannot be played at loud volume. Or any volume really.

Tags: 
 
Tue
08
Dec

LORDS OF BLACK - Alchemy Of Souls, Pt. I (2020)

Score: 
90
Categories: 
Reviews

I’ve actually passed the point of being sick of hearing Ronnie Romero’s name connected with every damn release coming from the metal world. In the last year or so we’ve had Vandenburg, Rainbow, Magnus Karlsson’s Freefall, MSG, Core Leoni, The Ferrymen and now in 2021 he’s fronting another project. Enough already?

I think so, but Lords Of Black is actually his band and Ronnie (together with guitarist Tony Hernando) is back where he started here and this is where I want to hear his voice and where think he sounds most natural. After all, he does have a killer voice.

The 4th Lords Of Black album is an onslaught of classic European melodic metal – mixing Dio, Maiden, Helloween and the other usual suspects into a nice blend of high octane, guitar and rhythm fuelled, uptempo metal with a strong commercial bent, not to mention offering both traditionalists and contemporary metal fans something to like.

It’s a very well-produced and mixed sounding record. Its frustrating to hear metal so well executed when so many AOR records have questionable production quality. Of course, that is a side issue to this. Can’t fault it – Lords Of Black deliver once again.

 
Fri
14
May

LEVARA - Levara (2021)

Score: 
99
Categories: 
Reviews

Masterpieces don’t come around too often, nor do albums that push the glacial boundaries of what normally defines the AOR/melodic rock genre. This album is everything I love about melodic and heartfelt music, wrapped up into a contemporary package that will appeal to old school devotees and a new generation who appreciate well crafted pop songs with an edge.

In an age where synth-wave is a growing phenomenon, Levara mix the best of a retro meets modern sound, delivering a bright, fresh and uplifting collection of songs, supremely written and crafted and expertly produced like a slick major label release from the 80s.

If you’ve been living under a rock with no internet connection, Levara are Trev Lukather (son of Steve Lukather) on guitars, bass and keys; drummer Josh Devine (son of vocalist Mick Devine) and vocalist Jules Galli. They are an extraordinary trio.

Half of the 10 tracks are already released as videos and if those haven’t convinced you of the brilliance of these guys, then there’s still 5 more chances with the remaining album cuts.

Of those, On For The Night offers listeners a lush mid-tempo melodic rocker before a Toto-esque rhythm sets up the monster ballad Allow.

Towards the end of the 38 minute album is a pleading modern rock song Just A Man that gives way to one of the finest and most gut-wrenching ballads in recent memory. No One Above You is simply wonderful – perfection personified and the bombastic end is majestic.

Chameleon is still on the top of my Best Songs of 2021 list, you just don’t get intelligent, unpredictable songs like this that often.

Oh, and vocal God Steve Perry pops up in amongst the choir of harmony vocals that are all over the record.

It’s a rare occurrence for me to agree wholeheartedly with a band’s own press release, but the words of Trev Lukather to sum up Levara are as good as any I could write. He says Levara is “Anthemic, massive drums, epic fills, loud guitars, soaring solos, huge vocals, unreal high notes, strong melodies and a hook that you can’t get out of your head.”

Amen to that. Get this record pronto.

 
Tue
15
Feb

LIONVILLE - So Close To Heaven (2022)

Score: 
80
Categories: 
Reviews

The fifth Lionville album in 9 years sees a drop in quality in both songwriting and production values from their quite marvellous 4th album and indeed, the 3 that preceded that.

The usually divine vocals of Lars Safsund (Work Of Art) seem a little lost in the keyboard heavy mix here and are certainly not as sharp and decisive as we’re used to.

Songwriting seems to be stuck in auto-pilot here – there’s nothing that differs in any way from the material already delivered – and as pointed out, in better quality.

The opening track features the vocal talents of Robbie LaBlanc in a duet performance that overshadows Lars’ own vocal.

It’s still one of the better pure-Euro AOR albums and bands around, with Stefano Lionetti, and Lars doing their best to deliver on what was probably a reduced recording budget.

 
Wed
10
Apr

LONERIDER - Attitude (Review)

information persons: 
content: 
90%
Label: 
Escape Music
Artist: 
Score: 
90
Friday, April 26, 2019
Categories: 
Reviews
 
LONERIDER is an exquisitely recorded album, with performances to match. FM frontman Steve Overland re-joins his Shadowman partner guitarist Steve Morris (Heartland/Ian Gillan) and a rhythm section comprised of legendary drummer Simon Kirke and Tyketto bassist Chris Childs.
 
Every note on this album sounds planned, executed and placed perfectly in place. Its quite a diverse musical tapestry, with a bluesy rock base branching into AOR, earthy midwestern rock, a couple of tunes that could almost be described as southern rock. And there’s a couple of pretty lush ballads to flesh out a very interesting record.
 
The songs, while diverse and multi-genre spanning are all rock songs at heart and I can’t pick a filler amongst them all. It’s especially rewarding to hear Steve Overland in a fresh setting that doesn’t automatically mirror FM, Overland or Shadowman – which is obviously this album’s closest relative, musically speaking.
 
Steve Overland sounds flawless as usual and its great to hear Steve Morris delivering some sublime guitar riffs and divine solos.

If you’re a fan of all of the above – there’s no questioning the quality of this record.

 
Thu
28
Mar

LA GUNS - The Devil You Know (Review)

information persons: 
content: 
70%
Label: 
Frontiers
Artist: 
Score: 
70
Friday, March 22, 2019
Categories: 
Reviews
 
I believe the usual line used is “stripping it back to the roots” or “delivering the raw energy of the early days”. I prefer the terms “low budget” and “crap production.”
 
The production quality aside – and it really is painful to listen to this album at volume – LA Guns definitely deliver the high energy levels.
 
This is a lively record of uptempo, attacking rock songs with a bad attitude and an aggressive feel. There’s touches of the debut and Cocked And Loaded, the punky part of Vicious Circle and some outside 70s blues rock influences (Led Zep anyone?)
 
Tracii shreds like a teenager and Phil sounds….well, like classic Phil, which is always a good thing.
 
The songs themselves are a mixed bag. The first three are pretty much classic LA Guns and Don’t Need To Win sounds like the earliest vibe of the band, Another Season In Hell stretching things into more adventurous territory.
 
The rest…I could take them or leave them. Nothing really stands out and as stated, the production is so rough and raw, its hard to appreciate any song that doesn’t deliver the highest quality.

So it’s another middle of the road score here for LA Guns. Their inconsistent catalogue remains just that. I’ll stick with the debut, Hollywood Vampires, Vicious Circle, Waking The Dead and Cocked & Loaded. Those are essential LA Guns records.
 
 
Wed
18
Oct

LA Guns - The Missing Peace (Review)

information persons: 
content: 
70%
Produced By: 
LA Guns
Release Date: 
2017
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
70
Friday, October 13, 2017
Categories: 
Reviews
 
LA Guns are vocalist Phil Lewis and guitarist Tracii Guns. Full stop. Both parties have trialled separate line-ups without the other, but output has never matched what these guys can do together.
I used to adore LA Guns. Vicious Circle, Cocked & Loaded, Waking The Dead, Hollywood Vampires…all genre classics!
 
But recent years have seen the band deliver some pretty suspect releases and you really don’t know quite what a new album might deliver these days.
 
With Missing Piece there are still some missing pieces. Phil sounds a fresh and vibrant as always, Tracii is shredding like a mofo, but the sound here leans towards a loose and trashy punk vibe, with a pretty ordinary production effort.
The album moves fast, the riffs come just as quickly and there’s attitude overload, but essentially, we’re talking about half an album of decent songs and half forgettable ones, plus a questionable production quality.
 
What I’m liking is the rapid fire All the Same to Me, Speed; the groovy Kill It Or Die (shit chorus though) and the ballads Crystal Eyes Christine and the more epic The Flood's the Fault of the Rain.

Cool attitude, great energy, but poor production and too many fillers where it doesn’t sound like too much time has been spent on the writing process. I’m still up in the air over buying a hard copy for my LA Guns collection. It’s already missing a few albums due to similar QC problems, so my OCD won’t kick in too badly.
 
Fri
18
Mar

LORDS OF BLACK - II (Review)

information persons: 
content: 
83%
Produced By: 
Tony Hernando and Roland Grapow
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Melodic Metal
Label: 
Frontiers
Score: 
83
Friday, March 18, 2016
Categories: 
Reviews
 
If you attract the attention of Richie Blackmore and subsequently get the gig to front Rainbow in 2016, you must be something pretty special right?
Vocalist Ronnie Romero has done just that. But before hitting the road with the Purple One, his band Lords Of Black must first deal with their business at hand…. The release of their furious, fast and flashy metal opus “II”.
 
Lords Of Black are a metal band with a modern approach – “catchy, melodic and progressive” in their words. Pretty accurate too. There’s no end of double kick drum here, screaming vocals and truly over the top guitar acrobatics.
But there’s also piano, synth and orchestral passages as well as some softer moments where the true timbre of Ronnie’s voice shines.
 
But mostly – it’s fast, really fast or overdrive fast as the metal comes in your face and threatens to disintegrate your ears. Did I mention these guys are Spanish? Can’t really tell to be honest….this is old school commercial metal all the way.
 
All very consistent - as long as your ears can keep up - and one to crank when in need of a shot of adrenaline.

Once again co-produced, mixed and mastered by Roland Grapow, this album has the power of a nuclear reactor and the performances of 3 guys with their lives on the line.

 

 
Thu
24
Dec

LIFELINE - Scream (Review)

information persons: 
content: 
70%
Produced By: 
Paul Hume
Release Date: 
2015
Released: 
Europe
Musical Style: 
Melodic Rock
Label: 
Escape
Artist: 
Score: 
70
Friday, October 23, 2015
Categories: 
Reviews
 
 
Interesting album this. Another duel-vocalist project from Escape, much like Ozone. This debut project puts vocalists Nigel Bailey (Three Lions, Bailey) together with fellow Brit vocalist Lee Small (Shy, Phenomena).
The band is rounded out by guitarist/producer Paul Hume (Demon, Lawless), drummer Steve Clarkson and keyboards from Andy Bailey (Three Lions, Bailey).
 
I’m not sure it works to be honest. There’s nothing wrong with the performances, both vocalists are great on their own and mix together here pretty well. The production is solid too.
But I’ve struggled with this from day one. I think the songs just aren’t strong enough. The classic rock vibe is also fairly common and done better on both Nigel Bailey’s other two bands.
 
The album struggles in that it’s not really hard rock, not really melodic rock, not really classic rock and not really AOR. It’s just an undefined mixture of all.
That’s not to say there aren’t some sweet spots. The groovy opener Fear No More rocks; the mid-album melodic gem Feels Like Love is probably the best of all and No His Angel’s Gone is a solid moody ballad.

Not too bad, but not enough spark for me personally. The names involved don’t match the quality of the songwriting or overall output. But fans of Bailey and Small in particular will feel a lot more positive about this.
 
Fri
21
Aug

LYNCH MOB - Rebel (Review)

information persons: 
content: 
86%
Produced By: 
George Lynch & Chris Collier
Release Date: 
2015
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
87
Release Year: 
2015
Categories: 
Reviews
 
Everywhere you turn right now, there’s George Lynch, whether it be a solo release, a collaboration with another high profile artist (such as Michael Sweet) and now here again with a brand new Lynch Mob record.
Terrific to see Oni Logan fronting the band for another album, for me, he has always been the voice of this band. And great to see all songs produced and written by the duo.
Joining in the fun here is the perfect rhythm section for the occasion – Jeff Pilson and Brian Tichy.
 
As expected George keeps to his current style, which are his much loved riff and solo guitar playing, over a pretty heavy, high impact contemporary sound.
I love the production on this album – it’s tight and well balanced – everything can be heard with no one element overpowering another.
 
Song wise you can’t go past the heavy commercial groove of Automatic Fix or the thumping bass of Between the Truth and a Lie; while Testify is slow moving, grinding, ear bending heaviness; and Sanctuary is another pretty cool uptempo rocker.
Pine Tree Avenue features the biggest R&B groove of the album and along with Dirty Money represent the most alt-modern tracks.
The Ledge is a cool slower track with a hint of sentiment and some acoustic thrown in for good measure.
War is one of the very few uptempo tracks and is instantly one of my favorites.

Lynch fans will love this unquestionably. Dokken fans…mostly. Outsiders…not sure.
The production is awesome, the guitar work sensational, but the pacing could be a little more varied. A couple more uptempo tracks would have been nice. But killer groove as always.
 
 
Wed
17
Jun

LAST AUTUMN'S DREAM - Level Eleven (Review)

information persons: 
content: 
90%
section name: 
BEST TRACKS
content: 
Kiss Me
Follow Your Heart
Star
I'll B There 4 U
Fight The World
Made Of Stone
Produced By: 
Last Autumn's Dream
Release Date: 
2015
Released: 
Europe
Musical Style: 
AOR
Label: 
AOR Heaven
Score: 
90
Release Year: 
2015
Categories: 
Reviews
 
Again, older title, but still necessary purchase if you’ve missed it up until now.
Last Autumn’s Dream have been regularly releasing records for a decade now. Amazing feat and even better that this – their 11th studio album is one of their best.
 
The sound and style from these guys never varies much and I’m good with that.
Songs is what counts, as the Scandi-AOR delivered by these guys is already on my list of favourites.
 
The soulful, high-ish vocals of Mikael Erlandsson and the kick ass band featuring Jamie Borger – drums, Nalle Pahlsson – bass and Peter Söderström – guitars just know how to deliver a good song.
Level Eleven features some of the strongest material in a while. There’s a little more emphasis on guitars, but even more focus on big hooks and memorable choruses.
And the pace is kept pretty pumped too.
 
The production could probably use a little work, but the songs are what make this album great.
There are no fillers whatsoever. Just track after track of catchy pure Scandi melodic rock/AOR.
Best for me – the uptempo AOR of Kiss Me, Follow Your Heart, Star, I'll B There 4 U and the ballads Fight The World and Made Of Stone.

LAD fans will have this already, but if you don’t…WHY NOT?!
Other AOR fans and those partial to some sweet Scandi melodic bliss, invest some time and money checking this out now.
 
Thu
02
Apr

LEVEL 10 - Chapter One (Review)

information persons: 
content: 
75%
Produced By: 
Mat Sinner
Running Time: 
53
Release Date: 
2015
Released: 
Worldwide
Musical Style: 
Hard Rock
Label: 
Frontiers
Artist: 
Score: 
75
Thursday, April 2, 2015
Categories: 
Reviews
 
Going one better than Level 9, but not quite turning the dial to 11, the partnership of vocalist Russell Allen and Bassist/producer Mat Sinner form the new project Level 10.
Joining in is powerhouse guitarists Roland Grapow and Alex Beyrodt; Randy Black on drums and Alessandro Del Vecchio on keyboards (yes, him again!).
Mat Sinner doesn’t produce bad sounding records and Russell Allen doesn’t deliver substandard vocals, so there are two big ticks.
 
Songs is what it is all about. On this 12 track debut songs are provided by Sinner & Allen, Alessandro del Vecchio, Magnus Karlsson, Alex Beyrodt, Carsten Schulz, Sander Gommans & Amanda Somerville. Thing is, there’s no credits assigned to each track, so you have no idea who really wrote what.
The collection of names indicates that things could be quite varied on the album, and so it turns out to be. But apart from a few real highlights, while the album sounds great, I found most of the material lacked a real spark or hook to draw me back in.
 
The album opens with Cry No More - an absolute blinder of a song - a full metal blast with a great hook and some awesome vocals.
Unfortunately it’s followed by Soul Of A Warrior - possibly the worst track on the album - a near 6 minute plod fest that never seems to end and kills the momentum of the opening track.
When The Nighttime Comes picks things back up with an improved pace and better chorus hook.
But then once again, another plodder. One Way Street has a pretty forgettable chorus and not much life to it.
As if going back and forth between good and not, Blasphemy is a more hard hitting metal.
Last Man On Earth then follows the pattern, with a pretty drab and forgettable chorus while In For The Kill cranks things into high gear, even if only for 4 minutes.
Of the last 4 tracks, the metal ballad All Hope Is Gone stands out as an album highlight; Demonized a solid melodic metal track following straight after.
The others I don’t care for unfortunately.
 
 

A great looking project on paper and I expect there might be a sequel at some point – as the album title suggests, but the participants will need to ensure a more consistent group of songs to make a lasting impression in a crowded market.

 
Wed
28
Jan

Lande & Holter DRACULA - Swing Of Death (Review)

information persons: 
content: 
90%
section name: 
BEST TRACKS
Produced By: 
Holter & Lande
Running Time: 
45:37
Release Date: 
2015
Released: 
Worldwide
Musical Style: 
Melodic Hard Rock
Label: 
Frontiers
Artist: 
Score: 
90
Wednesday, January 28, 2015
Categories: 
Reviews
 
It’s a “concept” album, so it automatically gets the “artistic license” accreditation allowing the artist to express themselves a little “differently” than expected. And while that’s certainly the case for this little outing. Crafted by former Wig Wam guitarist Trond Holter along with Jorn Lande, as far as concept albums go (apart from a few quirks), it’s pretty straight forward melodic hard rock.
It’s always great to hear Jorn at full force working with a different writer, as he stretches those vocals beyond the formula his solo albums have become.
He sounds fantastic on this album, utilizing his menacing voice to the power needed on such a concept dealing with the life of 15th century resident Count Vlad the III
, Prince of Wallachia, widely known as Vlad, The Impaler or by his patronymic name Vlad Dracul(a).
Jorn takes the lead role, singing with his usual power and intimidating snarl, even if he does look constipated throughout the video for the song Walking On Water – which for the record is one of the best lead vocals I’ve heard from Jorn in years.
 
The opening track Hands of Your God is also a belter, an imposing moody track that smolders along with Jorn in full control.
Swing Of Death is one of the few left turns, the quirky, burlesque, almost pop sounding song that has a very 80s commercial chorus. The metal ballad Save Me has a similar feel, Jorn joined on vocals by the heroine of the story, Norwegian singer Lena Fløitmoen (representing Mina/Lucy from the Bram Stoker book).
 
The straight forward and catchy rocker River Of Tears has a strong Wig Wam vibe running through it.
The epic Queen of the Dead has some brilliant guitar work, especially as the song explodes into the final minutes.
Under the Gun closes out the album with a pretty commercial, yet heavy statement, plenty of guitars and vocals from both singers.
 

Good stuff for all fans of Jorn. The album has that certain Wig Wam flair also, while employing a darker and heavier delivery.
The subject matter could have resulted in a very self-indulgent piece of music, but this little outing is surprisingly commercial and accessible for all.
Well produced, great vocals from Jorn and some likable songs rounding out a solid release.
 
Mon
21
Jul

LOVERBOY - Unfinished Business (Review)

information persons: 
section name: 
BOTTOM LINE
content: 
 
I’ve heard suggestions of more to come, but I think if you can’t string 10 fantastic archive tracks together the first time around, the chances are that the next batch aren’t going to be any more impressive to warrant another volume.
 
I hope next time the band delivers an all-new studio album of fresh material. After all, there’s plenty of life left in this band, they defy their age on stage and on record.
section name: 
SCORE
content: 

 

80%
section name: 
TRACK LISTING
content: 
Fire Me Up
Countin' The Nights
Ain't Such A Bad Thing
Come Undone
Slave
What Makes You So Special
War Bride
Doin' It the Hard
You Play The Star
Crack of the Whip
Produced By: 
Loverboy
Running Time: 
44
Release Date: 
2014
Released: 
Worldwide
Musical Style: 
Melodic Rock
Label: 
Loverboy Music
Artist: 
Score: 
80
Monday, July 21, 2014
Categories: 
Reviews
Loverboy have decided to turn back time and raid the vaults for their latest studio release. Describing this release as ‘old unfinished tracks dusted off and completed in 2014’, the band has in essence, compiled an album of off-cuts from their classic 80s releases.
I can’t blame them for choosing this route – it’s certainly a more economical solution than getting a new album written, recorded and released and it also covers the ‘fans only want to hear the classic sound’ base.
The only thing is – after the fecking marvelous Just Getting Started masterpiece and two of the three new tracks from Rock N Roll Revival being killer; this does seem as a backwards step.
But, if it’s classic Loverboy the fans want, then feast upon this 10 track release.
 
There’s everything a fan could want here – aside from a killer production. The songs bask in the band’s glorious sound of the 80s, but the production quality is really pretty bad in places.
The song quality and the production quality vary throughout as the songs are taken from various recording sessions and time frames, meaning that you’ll get snippets of the debut, Keep It Up, Get Lucky and even Lovin’ Every Minute Of It among these songs.
There’s some good stuff on offer here – Fire Me Up is a typically stomping Loverboy rocker, while the song Countin’ The Nights must consider itself unlucky not to have found its way onto an album back in the day.
Ain’t Such A Bad Thing has a good chorus, but a truly dodgy sound, including hiss and crackles from the original recordings. This certainly isn’t a case of the band re-recording old material 100% fresh such as other rock bands have done in recent years.
 
The only ballad on offer is the crooning Come Undone, which I think is pretty obvious why it hasn’t surfaced before now.
The pounding double time rocker Slave is as heavy as this band get, sounding more like cut from Paul Dean’s solo album Hard Core than a Loverboy track.
What Makes You So Special is driving rock song bathed in keyboards and sounding like really early 80s Loverboy.
The moody War Bride features a good vocal from Mike, but the song fades without any real impact.
Doin’ It The Hard Way is a classic Loverboy bar room bogie number. Clear enough why it wasn’t featured on any album, but it’s a bit of fun.
You Play The Star could have been lifted from the band’s debut album such is its sound and style. Interesting track to hear for someone like myself that’s been a fan since day 1.
Crack Of The Whip is on ok closer, but nothing too special.
 
As a compilation it works. As an all-new studio album it doesn’t. But there’s some cool tracks on here that show the behind the scenes workings of the band over their long history.
The band has rarely disappointed and die-hards will find some gems here without doubt.
 
On reflection, I think these songs showcase a grittier side of the band that the powers that be perhaps chose to abandon in the past as the songs weren’t commercial enough in their appeal.
 
Mon
16
Jun

L.R.S. - Down To The Core (Review)

information persons: 
section name: 
BOTTOM LINE
content: 

 

I would class Down To The Core as a very safe album and one that very much stays true to the traditional definition of the genre it represents. But it is also one of the better examples of such, so I have no trouble embracing this. Yes, it could have been a little more adventurous, but what it delivers is super slick, super classy AOR and those vocals are just perfect! 

section name: 
SCORE
content: 

 

94%
Label: 
Frontiers Records
Artist: 
Score: 
94
Monday, June 16, 2014
Categories: 
Reviews

This is one of the smoothest records I have heard in a long time. It's a very fine slice of mature, well-written and executed traditional AOR, featuring some of the finest people the genre has to offer. First it's a huge pleasure to hear the ear candy vocals of Tommy La Verdi back in the melodic game finally – it's been way too long for a guy with a voice born for this.

And Josh Ramos – one guitarist with an absolute natural affinity for this style of music – has also been underutilized in recent years. Drummer Mike Shotton is an inspired choice to drive the band's sound and his playing style gives the album a thumping beat and slightly progressive twist in several tunes.
The architect of the album is Alessandro Del Vecchio – layering the songs with keyboards as well as writing the bulk of the album's material (Shotton delivers two tracks on his own and Tommy co-writes on a few) – and delivering a stellar production of world class standard.
I was initially surprised at the pace of the album overall – it's a very ballad heavy selection of songs and quite mellow over what I expected. But the more I listened, the more the class of the songs took over and pace/style wasn't an issue.
In fact, looking back, quite a few of my favourite albums over the years have been very mellow and I'm now adding this one to the list. When the mood calls for it, some glossy, traditional AOR with perfect vocals and a laid back vibe is just what is called for.
Think Dare Out Of The Silence, Von Groove Test Of Faith, Magnum Sleepwalking – all very fine, albeit laid back, classy records.

What LRS deliver is a group of songs that everyone reading this is going to feel familiar with. There's the anthemic Journey styled feel good tracks such as the opening Our Love To Stay (which is equal to the tracks that opened the last two Journey albums), Never Surrender and Waiting For Love; then there are the slow wistful polished AOR of I Can Take You There, Almost Over You and the super smooth and ultra-classy Universal Cry; there is a couple of more upbeat and progressive AOR numbers in the brilliant Livin' 4 A Dream and the heavier Down To The Core.
Rounding out the record is the massive power ballads To Be Your Man and Not One Way To Give.
All throughout we get dramatic backing vocals, plenty of guitar fills and some tasteful solo and always those brilliant La Verdi vocals.