Interviews

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Tue
07
Feb

Oliver Hartmann (2005)

Oliver Hartmann: Out As A Solo Artist Oliver Hartmann steps out in the cold, under a solo spotlight...and delivers a monster album. First off - I have to say how impressed with the album I was! I had no expectations of it, which I think was a good thing, as I was really blown away by it. When did you start out to write a solo album? Thanks a lot first. I started to work on songs for a solo album after I left AT VANCE in mid of 2002. It took more than 2 years to have enough material cause during that time I was still involved in some other projects like Genius and Empty Tremor. I didn´t know what the reactions on this album will be so I´m very happy about the result now and I didn´t expect the reviews to be so good. Your time in At Vance and also as part of Empty Tremor has been more focused on melodic metal and progressive hard rock. Out In The Cold is far more refined - a melodic rock album, albeit one with as much power and emotion as anything else I have heard you sing. ...
 
Tue
07
Feb

On The Rise (2003)

On The Rise: A band well and truly rising in the AOR world. The duo that is On The Rise - Terje and Bennech talk about the construction of their debut album, which I hope will be acclaimed by many in 2003. First of all - congratulations on this fine album of yours. It's hard to believe it's your debut album. Thanks a lot Andrew. We appreciate your compliments. How did you achieve such a great production sound for this album? I used a lot of time developing my guitar sound to the songs and completed the arrangements at home before we started to record the album. Eirik Gronner came up with solutions to reinforce it and made a brilliant result by amplifying my guitars once more in the studio (Ravnaberg Studio). I was recording my own guitars at Bennech's place on a 16 tracks recorder and dropped in and out by the time I was finishing three or four songs. It all ended well and we completed the album with a mix where Eirik did the final adjustments that was needed to make it all sound really good. Naturally, the production is pointless if the songs stink - which thankfully is ...