Interviews

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Wed
08
Feb

Bruce Turgon (2005)

Bruce Turgon: Outside Looking Into A Largely Unhearalded Career.     Bruce Turgon is yet another exceptional musician that has spent a lengthy career making other people look good. Finally he gets the chance to shine under his own name, with his debut solo album for Frontiers Records.     Great to talk to you Bruce, time to talk the fabulous Outside Looking In album. Nice to hear from you. First of all - congrats on a great album that seems to have captured the imagination of a lot of fans. Thank you - I'm very gratified to see all the positive response it's gotten so far. To take things back to the start – for those that don't know – where did you career begin? The first time I remember hearing of you was on Lou Gramm's Ready Or Not solo debut, but the partnership went back further than that, didn't it? In the early 70's, I developed a musical association and friendship with Lou Gramm, who lived very close to me in upstate NY. With our band Black Sheep, we worked our way up through the club circuit to eventually become the first American band signed to Chrysalis Records, and ...
 
Wed
08
Feb

Bruce Turgon (2005)

Bruce Turgon: Outside Looking Into A Largely Unhearalded Career.     Bruce Turgon is yet another exceptional musician that has spent a lengthy career making other people look good. Finally he gets the chance to shine under his own name, with his debut solo album for Frontiers Records.     Great to talk to you Bruce, time to talk the fabulous Outside Looking In album. Nice to hear from you. First of all - congrats on a great album that seems to have captured the imagination of a lot of fans. Thank you - I'm very gratified to see all the positive response it's gotten so far. To take things back to the start – for those that don't know – where did you career begin? The first time I remember hearing of you was on Lou Gramm's Ready Or Not solo debut, but the partnership went back further than that, didn't it? In the early 70's, I developed a musical association and friendship with Lou Gramm, who lived very close to me in upstate NY. With our band Black Sheep, we worked our way up through the club circuit to eventually become the first American band signed to Chrysalis Records, and ...
 
Wed
08
Feb

Balance II (2005)

Balance II: Progressive Pomp AOR Fusion!       Balance II founder Brian Moritz talks about the complexities behind the new Balance release and the recording industry in general. Hi Brian, Well, it is about time that the world got to know a little more about you, so here goes. So Brian, you are a native of the Chicago land area correct? I was born in Ohio, shortly after my family moved to the Chicago burbs, and I've been here trapped on the West coast of Lake Michigan ever since. What is your first musical memory? My brother's band was practicing in the living room, and they were recording practice on a Wollensak ¼ reel to reel tape machine that my brother had just bought with a couple of cheesy mics, and I got the bright idea of playing bongos on the stairwell, out of sight (I was about 7 years old at the time). When they played back the song it was featuring me and my ballistic bongos louder than the entire band. They stopped the tape recorder and the guys were all trying to figure out what the heck that that racket was - when I saw my brother running ...
 
Wed
08
Feb

Bret Michaels (2004)

x   Bret Michaels: Poison and solo - the best of both worlds. Something a little different for you. Some of my phone interviews are lovingly transcribed by the rather awesome Ron and Don Higgins. Much appreciated guys! Anyway, they asked if they could possibly team up and interview Bret Michaels on behalf of the site - which I thought was a great idea. Below is the interview - a nice indepth look at the Poison frontman, who has recently released his new solo album Songs Of Life. Ron: Bret Michaels! How are you doing?! Bret: I'm doing awesome. Ron: I'm sorry to hear about your voice. Apparently you're having some troubles? Bret: Yeah, it's okay. You know what it is? I'm a little… I'm usually not sick, but a couple of the guys got the flu and it just got into my chest and my head. You know, we're doing six shows in a row so it doesn't give you much rest. Ron: Exactly. Well I appreciate you calling, especially with having the voice problems. I just really appreciate it. I just wanted to let you know that I believe my brother is also on the line. Don, are ...
 
Wed
08
Feb

Brian McDonald (2003)

Brian McDonald: Completing an epic Voyage.   Brian Mc talks about his new solo album Voyage and the efforts that go into creating such an epic pomp rock release. Also check out Brain's excellent Track By Track interview. Wind It Up was the last album - were you happy with the way that turned out and how about the sales? Looking back now three years later at that release, I accomplished what I set out to do. The main point at that time was to release some of the rock tunes I'd written on the side while focusing on classical music in the '90's and also to write a few new tunes as well. There are a couple of strong songs on Wind It Up, but they are nowhere near the quality of the writing on Voyage. On the question of sales in 2000, we didn't sell as many as we wanted to, but I think we did alright. Voyage sees a change of direction there - a more adventurous sound for sure. What were your set goals before setting out on the writing process and then the recording process? A couple of conscious decisions were made before I started ...
 
Tue
07
Feb

Beggars & Thieves (1997)

  How are you guys?Ron: Good – Me and Louis are here. Louis: Hey! Where are you guys? R: We are in Vegas, our family lives out here and we are here rehearsing. Putting the second record together. L: Yeah, writing new songs for the new record, and seeing what's going on in Europe. It seems to be moving there, rather than anywhere else, eh? R: Well yeah. So are you happy with the second record? R: Yeah. You have our first record too do you? Yeah, I Iove that record! It was an original sound you know. R: Thank you. Your first record come out, it went well for you didn't it? R: Yeah, pretty well. And the same old story – what happened to the label after that? R: Well, interestingly, we were with the management company, and we did a tour, and the first record was beginning to do well, then Atlantic kinda dropped the ball. L: Well - the classic story, our man at the label left. R: He left before the album came out. So we were held for a while, it was really frustrating, there was nothing we could do. And then finally we got ...
 
Tue
07
Feb

Brian Howe (1997)

So Brian, it has been a few years since your departure from Bad Company, what did you spend the time doing? Since leaving Bad Co. I have literally just taken time off to be with my kids, after having an horrendous divorce. Also the musical climate was changing and I wanted to see it settle a little before I made another record. How long has it taken to write and record the new solo record? All in all it took eighteen months to write and record the new record "Tangled in Blue". It's great to see you working with producer Terry Thomas, I am also a big fan of his work. You obviously have a good relationship with him? Terry Thomas and I go back to the dangerous age album and we have remained great friends ever since. Tell us a few things about the new album. It is a more laid back sound to that of the AOR of the Bad Company records. With this record I wanted to move away from the A.O.R. area and make a record that I would actually like to hear. No detriment to BAD CO but I can't keep singing about ...
 
Tue
07
Feb

Blue Tears (2005)

Blue Tears: Mad, Bad And Back In Your Face. Gregg Fulkerson talks about the return of Blue Years - first from the past over two different volumes and then into the future. First of all Gregg - it's great to be talking in terms of Blue Tears again. The band meant a lot to a great number of people.... Well, I'm very glad that seems to be the situation although it is a surprise to me...we recently had a friend run a soundscan on us and we sold over 5 times what we were told we sold...so I guess it reached more people than we thought! I formerly interviewed you last time around for the Attraction 65 record. Briefly to that - I take it that the band is now over? Not necessarily...it was an incarnation of Blue Tears...just a darker, moodier version...since it was different, I changed the name...it was my first record in several years...but the new Blue Tears record that is almost finished is very true to the original idea of the band. I still think that was a great record with an updated sound that was still reminiscent of your past ...
 
Tue
07
Feb

Blanc Faces (2005)

Blanc Faces: Behind The New Faces Of AOR! Brian La Blanc introduces fans to one of the great debut albums of 2005 and a new name for AOR fans to adore... G'Day Brian, fabulous to be doing this interview. Almost entirely fabulous and unanimous reviews for the debut Blanc Faces CD - what do you guys think of that?!! I am very happy with the positive feedback we are getting from everyone! Could you have wishes for a better response? Not really...the response has been great! And it seems the fan base who have rushed to buy this are also agreeing - which is the all important factor. Let's take it right back to the beginning. You have been working in the business for along time now. Tell us about working with Rupert Holmes. What was your job for him and what was the reward for you guys? We were very young when we worked with Rupert Holmes...He taught me a lot about songwriting! He must have seen something that he liked and was trying to give us some guidance...Nothing ever really came of it...but hey man that's the music business! He did teach me some things ...
 
Tue
07
Feb

Brazen Abbot (2005)

Brazen Abbot: Resurrecting Their Best Album Yet. Nikolo Kotzev talks about the new My Resurrection album, getting the best from his vocalists and work on a new rock opera. G'Day Nikolo, I'd like to throw some interview questions at you if possible! Hi Andrew. Nice to hear from you. Thanx for the interest. Congrats on the new album My Resurrection! It is, I think, the best the band has sounded on any record to date. What can and do you do as principle performer and producer to ensure the studio performances are captured as best as possible and then those performances are relayed to the record? Thanx. I appreciate the compliment. I always make sure that I hire first rate musicians to begin with. I will never compromise with that. Heaving ensured that, all I have to do is make the performers comfortable in the studio, give them the freedom they need to express themselves and work hard on capturing that little extra quality everyone of them has. The very same quality which made me offer them the job. Obviously I like having good chemistry flowing and try to encourage the guys in every way I can. Usually all of ...
 
Tue
07
Feb

Bowes & Morley (2004)

Bowes & Morley: Moving Swiftly Along for a second classy album. The always interesting Danny Bowes talks about the music behind the new B&M album and what's in the pipeline for 2004. G'Day Danny....a few interview questions for you regarding the new Bowes & Morley album! This is the second B&M album for you two - what was the plan going into recording this one? More of the same, or something even a little further different? [DB] We did the last LP all in one studio, but for this one we decided to spread ourselves around a bit. This gave us some nice perspective changes which we find helps a lot when you're zoned in on a set of songs. Apart from that the introduction of covers was different this time. The idea was suggested by a good friend at our label in Japan, and it eased the songwriting burden for Luke. Some covers were pre-planned but some happened in the studio. The band was different too, so I guess you could say most aspects of this record were different from the first one. To me it sounds like more of the same - fun, good ...
 
Tue
07
Feb

Brian McDonald (2003)

Brian McDonald: A new Voyage. Track By Track in detail - behind the songs that form the complex melodic pomp rock epic Voyage! "Voyage" Album Song Notes Intimate First, there is the obvious contradiction with the song title - no question that this is the opposite of an intimate ballad. The rhythmic energy matches the intent of the lyric of a soul yearning for another. In the verses this in the form of reflection (e.g. "Now I'm standing on the bridge looking across understanding, the place we use to come together when love wasn't so demanding ." etc. ) After the last chorus section ends, there is the sound of a single heart beating faster, then the music moves into an out section where the opening/verse chord progression is restated musically with more strength, urgency, and energy as the guitar lead harmonies and vocals move across shifting time signatures. Where You Are, Where I Am The first idea that came for this song was the line in the choruses "Don't let the world take this moment out of our hands . . . ") This sounded to me like something from an old Motown tune; people that heard the early rough idea of this ...
 
Tue
07
Feb

Steve West & Bruno Ravel - Danger Danger (2000)

DANGER DANGER PART ONE Steve West Let's go to the Danger Danger album first - when you started recording this album, did you anticipate it taking this long? No. With us, it takes as long as it takes. We're never quick at anything. What did you and the guys have in mind when writing and recording this album? Was there a set goal? There was a little pressure because 'Four' was received better than we had expected. We rarely got great reviews for our earlier stuff but critics around the globe all gave 'Four' high praise. It felt good. We felt rejuvenated. We really came to peace with who Danger Danger is and what we're all about. We decided to be the best D2 that we could. That meant great, hard melodic AOR rock. Well crafted songs with great lyrics and music. Lots of melody. Songs you will remember forever. Like our first album but keeping a modern edge as well. We don't want to live in the past, either. Did you achieve that? I think so. At least from the response we've gotten so far. Obviously, you think this record is better than 4 so that means a lot. The ...
 
Tue
07
Feb

Slaughter - Blas Elias (1997)

Blas, Slaughter are one of the few bands that survived the musical 'cleansing' of the past few years. Was there a time or two there when you thought you weren't going to make it? We went through some very trying times. We never really talked about it but I'm sure everyone at times had some thoughts that maybe we wouldn't make it. We're very happy now and things seem to be getting better all the time. Stick It To Ya was huge - you may not have been an overnight success story like people like to make out (you know, hiding the hard work behind the success), but did it surprise you to have such a hit with your first record? I think there was so much going on at the time that none of us really had time to think much about it. We were constantly on the move and busy doing all kinds of things. When we look back on it although we put a lot of hard work into it we were pretty lucky to have the success that quickly. How did each of you guys handle the exposure and success? Everyone has their own way of ...
 
Tue
07
Feb

Axe's Bobby Barth (1997)

Bobby Barth is the guitarist, producer and songwriter in Axe. The band that have produced a brand new album after 15 years of just 'hanging out'. But he hasn't been idle in the meantime. Bobby runs his own production/management company, has built his own studio, and recently produced and helped new U.S act C.I.T.A break out a couple of good albums. So Bobby, it's been a long time between drinks for Axe, eh? Hey Andrew, no Man , we always got together to drink , we just didnt record!! So what led you guys to reform? We had always stayed in touch with the idea of someday going into the studio, but it never worked out, schedule wise, until this year. With a few of the records I have produced doing pretty well, MTM asked about an Axe reunion record, I called everyone and we stocked up on beer and cut the record. It doesn't sound like you have skipped a beat! How was it to get back in the studio after all thses years? I was amazed at how much better everyone played, how much more mature they were, music wise...and age wise...If we could ...
 
Tue
07
Feb

Brett Walker (1997)

Born and raised in Norman, Oklahoma Brett Walker picked up the guitar at age 15 and soon began playing school assemblies and town functions. At age 20 he made the decisive move to Los Angeles where he found himself as a "hired gun" playing with such artists as Tahnee Cain and Nick Gilder. A It also marked his introduction to the world of professional song writing. Branching out on his own, Brett began seriously pursuing a career as a singer/songwriter and in 1988 had his first cut on a record on a major label record. He continued working on his own, and on the strength of his tape, went to NYC to work with renowned producer David Prater (producer of Fire House and Dream Theater). In 1989, Brett wrote two charting singles; one for Jimi Jamison and the other for the band Alias. "Waiting for love" recorded by Alias, went on to become Brett's first top ten single in 1990. After being courted by several companies, Brett signed a major publishing deal with Virgin Music in 1991. Now I stole all that from Brett's web page (thanks Brett!), and that sort brings us up to where Brett released his awesome debut album 'Nevertheless'. So I ...