Interviews

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Artist Title Link
Rush Of Ushers Rush Of Ushers (2003) Interviews
Newman Newman (2003) Interviews
Perfect World Perfect World (2003) Interviews
Dreamtide Dreamtide (2003) Interviews
Last Tribe Last Tribe (2003) Interviews
Johnny Lima Johnny Lima (2003) Interviews
Cage Cage (2004) Interviews
Last Autumn's Dream Last Autumn's Dream (2004) Interviews
Chris Catena Chris Catena (2004) Interviews
McQueen Street McQueen Street (2004) Interviews
Bowes & Morley Bowes & Morley (2004) Interviews
House Of Lords House Of Lords (2004) Interviews
Shylock Shylock (2004) Interviews
Shiva Shiva (2004) Interviews
Spin Gallery Spin Gallery (2004) Interviews
Hugo Hugo (2004) Interviews
Hobbit Hobbit (2004) Interviews
TNT TNT (2004) Interviews
Genius Genius: Episode 2 (2004) Interviews
Tim Donahue Tim Donahue (2004) Interviews
London Calling London Calling (2004) Interviews
Mickey Thomas Mickey Thomas (2004) Interviews
Stan Bush Stan Bush (2004) Interviews
Glen Burtnik Glen Burtnik (2004) Interviews
Human Temple Human Temple (2004) Interviews
Gary Hughes Gary Hughes (2004) Interviews
Fabrizio V.Zee Grossi Fabrizio V.Zee Grossi (2004) Interviews
From The Inside From The Inside (2004) Interviews
Danny Vaughn From The Inside (2004) Interviews
James Christian James Christian (2004) Interviews
Jeff Northrup Jeff Northrup (2004) Interviews
Pride Of Lions Pride Of Lions (2004) Interviews
Plunge Plunge (2005) Interviews
Thunder Thunder (2005) Interviews
Oliver Hartmann Oliver Hartmann (2005) Interviews
Heartland Heartland (2005) Interviews

Pages

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Tue
07
Feb

Toto - Steve Lukather (1998)

Hey Steve! Hey, what's happening? Not much actually, what about yourself? Just sitting here playing my guitar. Cool, thanks for taking my call. No problem man. So what did I catch you in the middle of, in the studio? I am just about to start something. Some weird project for John Kalodner. Actually it's a Christmas thing. Christmas in April! You have to do these things way ahead! But I am doing a track with the Lobotomy guys, Garfield and Phillips. We are doing a strange version of Chestnuts Roasting On The Open Fire, but kinda how Metallica would play it or something. Sounds different! Yeah, we're just having fun with that, and writing songs for a Toto album we are supposed to start recording in the summer. And I am trying to finish the Jeff Beck record, but who know's if that is ever going to get done. We haven't done anything on that since the end of October, stuff needs to be done. He takes 10 years between albums, now I understand why. I heard that you had taken up with John Kalodner. He is a really good friend of mine, he has been a very big supporter of ...
 
Tue
07
Feb

Jack Blades - Interview 3 (1998)

Hey Jack, what's happening? I'm just sitting here waiting for you to call! I appreciate you taking the call Jack. I just want to touch on Neverland for a minute. Last time we talked I had it on the way, but it hadn't arrived yet. It is a bloody fantastic album! Why thank you. It is a very mature Night Ranger wasn't it? Yeah it was. I think this new Night Ranger is more immature Night Ranger. Ha ha! Great! Yeah, this one is a lot more fun. I think you are really going to enjoy this one. Neverland was a pretty serious album. Yeah, this one is pretty not serious. This is a pretty fun record. The Japanese called me last night. They are flipping out over it. They are really excited. I am really pleased, and even surprised to see another album so quickly. Well, so am I. Actually we just got off the road, and I started writing a bunch of songs, and we thought well, lets go in and cut them. And Zero said they would like another record. So we said okay, let's do it right now. So the band must really be smoking right ...
 
Tue
07
Feb

Jack Blades - Interview 2 (1998)

Well, by now a lot of you have heard Neverland and given it you're verdict. But for the rest of you who haven't.....the good news is that it is coming your way in July. But for now, here is some more insights into the reunion record. It was also time to get the lowdown on the Night Ranger rumour mill. So I called up Jack Blades to get a fill in, and while I was at it, quizzed him on each track from the album. How's It Going? Real good, the single comes out here June 9th and then the album comes out July 15th. Great Stuff. What is the label you've got? Columbia. Is that right? Is John Kalodner in there somewhere? John Kalodner is in the middle of it all. The new single was mixed by Bob Clearmountain. And we put a fifteen piece string section on the song 'Forever All Over Again', and had Clearmountain mix it, and it got mastered last Friday. Now we're getting everything ready, getting ready to do some radio promotion and all that kind of stuff. Well I hope that will be big, it's a killer song. Yeah, we're very happy. ...
 
Tue
07
Feb

Jack Blades - Interview 1 (1997)

In my opinion Night Ranger is THE American rock band. There are no other bands which typify the hard edged guitar, the anthem rockers, and the soaring ballads like these guys do. Their amazing harmonies stem from the advantage of having two lead vocalists, in bassist Jack Blades and drummer Kelly Keagy. The infamous guitar work is supplied by Brad Gillis and the eight finger tapper himself, Jeff Watson. The ‘man who put it all together’ for them, is keyboard player Alan ‘Fitz’ Fitzgerald. Together they have made some of the best American rock ever. Their classic albums ‘Dawn Patrol’, ‘Midnight Madness’, ‘Seven Wishes’, ‘Big Life’(especially Big Life!), and ‘Man In Motion’ have never been far from my CD player. I talked to Kelly Keagy earlier in the year, about the ‘Feeding Off The Mojo’ project, and now have the pleasure of talking to Jack Blades, who outside of Night Ranger, has recorded So what's going on Jack? Yeah, they’re putting on a guitar part, so I won’t have to worry about it for a couple of minutes. We are in the studio now, I have a studio in my barn, here on my ranch, and we ...
 
Tue
07
Feb

The Spinatras - Ross Fiedman (1997)

So the Spinatras is a pretty big style change! From Heyday and Manowar to this - it's like a whole new attitude. Yeah, Heyday was like, my thing into blues rock. But before that I was in Manitoba's Wild Kingdom, and then Manowar before that. And the dictators before that. Every band I have been has had a distinct style change. What is happening with the Spinatras? Is it coming out on disc? We hope for it to come out on disc. We are dealing with a few major labels, and independent labels. I think it will be on a major. I don't know yet, what exactly it's going to be. There is a lot of interest. Well it sounds good enough to be on a major. You like it? Yeah, it's got a lot of attitude. It pretty loose, groovy. Was it recorded live? We basically recorded it live and added our little overdubs to it. The rhythm track is always live, and I go in and do my little magical thing to it. A good fun vibe to it this time. You guys really are having a lot of fun. Right. The thing is, all the bands were ...
 
Tue
07
Feb

Journey - Jonathan Cain (1997)

Despite many of you probably thinking this was going to be another routine Q and A, and considering that Jonathan had already stated there were things he 'Could not discuss', I think the interview you are about to read will surprise you. Jonathan was quite open and honest with his answers, and I think let a few things slip over the course of the interview. At least, for once, we now know where things stand with one of the great bands of the era. So how are things! Oh, pretty good. Journey is still regarded today as the cornerstone of the AOR genre. People have said that, and we are flattered that people are still enjoying our music, and it's pretty cool that the records are continuing to do well. Congratulations on Trial By Fire. Yeah, we like that very much. It was kinda a labor of love. We just got together and wanted to do it the way we thought we should do it. We thought there was a kind of a void there. I think it's a great album. Thanks. Something I did notice about the album – everybody gets to shine somewhere. Yeah, we tried to do that. ...
 
Tue
07
Feb

Rick Springfield (1997)

Rick's first ever online interview - Interviewed via phone end of June 1997. Keep an eye out for two exclusive sound bytes, from two tracks left off Sahara Snow!     Rick was born Richard Springthorpe, in Sydney Australia in 1949. His father was a career soldier, with Rick growing up on army bases around the country. He received a guitar for his thirteenth birthday, and described his love of playing as 'as hard core as you get at sixteen'. His first band 'The Jordy Boys' played regularly in the rough pubs of Melbourne, leading him to leave school and join his first full time rock band 'Rock House'. They earned a reputation strong enough to be invited to play to troops in Vietnam, during the late 60's. Back in Australia, Rick moved into the now legendary pioneering Australian rock act 'Zoot'. He joined with Beeb B, who went onto join Little River Band, and Daryl Cotton, who went onto form the also now legendary Sherbet. Zoot soon became one of the biggest acts in Australia, and had a top 10 single with a cover of 'Eleanor Rigby', styled in the bands' unique relentless pop/rock style. Rick subsequently won awards for the ...
 
Tue
07
Feb

Heartland - Chris Ousey (1997)

How are you mate? Not bad. I haven't been out of bed long, I take a while to run on all cylinders, you know! How's things? Okay, not bad. We've done a couple of weeks in Germany. It has taken me a week to get over that, we did a lot of travelling. It has been great. And you are just resting in between projects right now? We are going to start the next Heartland record in the studio in mid January. I have just got maybe one more tune to write. Apart from that I am not flogging it at the moment. How has the Distance project faired up? I am really pleased with it actually. It's gone a hell of a lot better than I thought it would. Not that I didn't think the songs were good to begin with, but I was kind of nervous to start a new project. I hadn't met the guy before. Really!? Yeah, I knew very little about Kenny before hand. The thing just came about, because I was half way through writing the next Heartland record with Steve Morris and Steve had to break off for a little while to be ...
 
Tue
07
Feb

Steve Stevens (1997)

Steve Stevens is the guitar talent behind Billy Idol, Michael Monroe, Vince Neil and of course his own Atomic Playboys. Now he has teamed with the legendary Terry Bozzio and Tony Levin to create a power trio and the album 'Black Light Syndrome'. Here is Steve talking about a few aspects of his career to date. Hey Steve, how's it all going? Very well thanks. What are you in the middle of right now? Actually I am doing a solo record. It has dance music underneath the rock style, with lots of odd loops and ethnic percussion. Very trance like. That sounds like a big departure! Yeah, it's different, but it works though. Who is that going to be for? It's for Myles Copeland, who is Sting's manager, he has a new instrumental based label called arc 21. I have heard of Copeland's castle in France, and Jack Blades hangs out with him also. That's right, yeah he has a song writing retreat once a year in France. Hard life isn't it? Yeah, ha ha. So how has the response for Black Light Syndrome been? I think well. Based on the fact that it is released on a very small label, ...
 
Tue
07
Feb

Beggars & Thieves (1997)

  How are you guys?Ron: Good – Me and Louis are here. Louis: Hey! Where are you guys? R: We are in Vegas, our family lives out here and we are here rehearsing. Putting the second record together. L: Yeah, writing new songs for the new record, and seeing what's going on in Europe. It seems to be moving there, rather than anywhere else, eh? R: Well yeah. So are you happy with the second record? R: Yeah. You have our first record too do you? Yeah, I Iove that record! It was an original sound you know. R: Thank you. Your first record come out, it went well for you didn't it? R: Yeah, pretty well. And the same old story – what happened to the label after that? R: Well, interestingly, we were with the management company, and we did a tour, and the first record was beginning to do well, then Atlantic kinda dropped the ball. L: Well - the classic story, our man at the label left. R: He left before the album came out. So we were held for a while, it was really frustrating, there was nothing we could do. And then finally we got ...
 
Tue
07
Feb

John Waite (1997)

I am preaching to the converted in describing John Waite as a legend. The former singer for the Baby's, Bad English, and producer of five very fine solo records, is about to unleash his sixth solo record. It promises to break more new ground for a singer who has had his ups and downs, but is currently riding high with enthusiasm. I chose to leave the interview in it's original format, rather than into a life story, because as a conversation it was relaxed and light hearted - mostly! See what you think..... Andrew…. John, how are you! Andy baby! How are you doing? I am very well. Thank you. How are you? Great! It is an honor to speak to you. Thank you for taking my call. It's all right mate! How's Australia? Good actually. Where abouts are you? I am in Hobart, Tasmania. Almost at the bottom of the earth. Wow! It's about 6am and it's fairly cold. How's New York? Stinking hot – we are right in the middle of summer, so it's stinking hot. How are you these days? Great, boiling also! I have just finished a record, and it is about another 3 weeks until the single ...
 
Tue
07
Feb

Brian Howe (1997)

So Brian, it has been a few years since your departure from Bad Company, what did you spend the time doing? Since leaving Bad Co. I have literally just taken time off to be with my kids, after having an horrendous divorce. Also the musical climate was changing and I wanted to see it settle a little before I made another record. How long has it taken to write and record the new solo record? All in all it took eighteen months to write and record the new record "Tangled in Blue". It's great to see you working with producer Terry Thomas, I am also a big fan of his work. You obviously have a good relationship with him? Terry Thomas and I go back to the dangerous age album and we have remained great friends ever since. Tell us a few things about the new album. It is a more laid back sound to that of the AOR of the Bad Company records. With this record I wanted to move away from the A.O.R. area and make a record that I would actually like to hear. No detriment to BAD CO but I can't keep singing about ...
 
Tue
07
Feb

Jimi Jamison - Interview 1 (1997)

Well, it was with a degree of caution that I broke the first question to Jimi Jamison, the man who joined Survivor half way through their grand career, and helped add a bunch of hit singles to their roster. I had to get straight to the point about what happened to the band after 'Too Hot To Sleep'. It has been a few years now, and I still don't think I have heard what really went on. So now Jimi's back, got that theme thing with Baywatch going on...and I thought it was a good time to get to the bottom of things. Jimi, How's it going? Everythings going really well. The band sounds great and we're writing and touring a lot. Jimi, I don't know how to put this, so I am just going to get straight to the point. What happened to Survivor after the 'Too Hot To Sleep' album? And just how ugly did it get?! You know, it never really got ugly. At least in my eyes. I mean , I don't hate or wish Jim, Frank or any of the guys any harm or bad luck. I hope they are successful and happy. You see ...
 
Tue
07
Feb

Ricky Philips (1997)

Ricky Phillips has been more then just the bass player in some of hard rocks' best bands, spanning from the late seventies to the late nineties, when Ricky continues to write and record some of the more classic recent releases. It all started in the seventies with a little know act called the Baby's, featuring the fresh talent of Ricky, vocalist John Waite and keyboard player Jonathan Cain. The band became huge and went on to sell millions of records. In the eighties Rick took to television and film writing, until the chance to team with Waite and Cain came again in Bad English, who bought us two albums of tunes pure AOR is made of. After Bad English fell apart badly, Ricky continued to write, produce and record as a session player, in high demand. Most recently he has played bass on the Coverdale/Page album, and recorded a great album with ex-Toto vocalist Fergie Frederikson. On that album, Ricky produced, wrote most of the material, sang lead on one track and backing on the rest, and of course played his bass. In tune with always keeping busy, Ricky talks about another Frederikson/Phillips record, possible liaison with Bruce ...
 
Tue
07
Feb

James Christian (1997)

James Christian has been going at it for over twenty years now, but it's been in the last several years that he has proved himself one of the best hard rock vocalists in the business, with three classic House Of Lords albums and a debut solo album from a couple of years ago. James also sang with Eyes and LA Roxx back in the early eighties, and has just had a compilation album from his first band with other AOR singer/songwriter Jeff Cannata, Jasper Wrath, released to the unsuspecting public. But where is that House Of Lords Re-union?   So James, last thing I heard fom you, was the House Of Lords re-union. What happened to that? There still might be a House Of Lords re-union soon. We have already written three songs. It all comes down to timing. The timing must be right. Okay. I had heard on the rumour mill, that was you had submitted tracks to the label, and they didn't like it. No it is not true. We never submitted any new tracks to the label at the time. But when we do, it will be on our terms. Why elso do a record after ...
 
Tue
07
Feb

Glen Burtnik (1996)

If there is one thing we all know about Glen Burtnik is that he is a great songwriter. He has crafted some of the finest undiscovered pop/aor tunes that have ever been, and still today remains one of the biggest cult AOR stars. This interview was taken a few months back, when I talked to Glen at home, inbetween making arrangements for the release of his latest CD Palookaville. It has turned out to be a great year for Burtnik fans, (note: no longer a ‘c’ in Burtnik!) with the new studio album, and also from MTM in Sweden, an archives compilation of his unreleased tunes, some of which he discusses in the interview. You can read reviews for Palookaville and Retrospectacle after you have read Glen's teachings! So Glen , Where have you been hiding? Well what happened to me, was I put out two records, and there was a change of A&R staff at A&M Records and I kinda got caught in one of those things, so you know, I had a short little moment there at A&M and then it was over. But then I started getting into songwriting after a ...
 
Tue
07
Feb

Eddie Money (1995)

Eddie Money IS a legend. And for a guy who has been through everything (and I mean everything) he has come out a survivor. Born Eddie Mahoney, in New York, he started out as cop just like his old man, but escaped to California and to a infamous meeting with Bill Graham, who was fundamental in launching his career. The great thing about talking to Eddie, is that he knows he’s a legend, ’Hey man, I’m a rock n roll star!’. But not in the arrogant way, more in the fact he has a great ‘attitude’ and loves what he does, and loves playing to his fans. To interview him you need not prepare questions. Just say howdy, and he does the rest! He was more than happy to chat about the ups and downs of his life, and clearly loves where he is now, hanging out with his wife and five children, one of which he put on the phone at one stage, and still playing and recording his tunes. In a career spanning 20 years, he has sold over 11 million albums and played to thousands of people live every year, and basically lived the excesses of the ...
 
Tue
07
Feb

Street Talk (2006)

Street Talk: Back to deliver their best record to date. Frederik Bergh talks about the new Street Talk album and why he decided to give this classic AOR act another chance, plus news on the new Bloodbound album. Fredrik - let's start by talking Street Talk. First of all - fantastic to have you and the band back. Could “V” be the best Street Talk album yet? I think it was the most consistent for sure... Very nice to talk to you! Yeah, it's good to be back with the new album! I'm very pleased with the result, lots of work was put into the making of this album to make sure that we really did a killer album this time around! I think this is our best album to date for sure! I for one was pleased to stuck with Goran for all vocals - he has always been the main player, but why on this occasion did you chose not to use another vocalist also? I'm also very pleased to have Edman onboard for all the vocals on the new album! I think Goran will be the only singer in Street Talk from now on! There's no need ...
 
Tue
07
Feb

Slamer (2006)

  Slamer: Anywhere but nowhere for this melodic rock legend. Mike Slamer talks about the killer new Slamer album, working with Terry Brock and his other work with Steelhouse Lane and Seventh Key. G'Day Mike, Nice to talk to you again, this time to cover a new project from you – the debut Slamer release. Nice to talk to you too. First of all - the critical response to this album is among the finest reviews of your career to date. That's obviously going to give you a great deal of satisfaction, but what else do you draw from such reviews? When you put as much time and energy as I did into this album it's brilliant when you get some great reviews. I wasn't sure how this album was going to be received because there are quite a few songs that don't fall into the typical melodic rock format. This sort of response is an endorsement that it's ok to be a little creative and unpredictable, and I think rock music needs to be more of both. The last few years have been spent working with Billy Greer, which has obviously been rewarding for you - as Billy is along ...
 
Tue
07
Feb

Shadowman (2006)

Shadowman: Steve Overland's Jouney Up The AOR Ladder Steve, nice to have the opportunity to throw some questions at one of Britain's most respected rock vocalists. Is it nice to be a busy man again after some time away from the scene... Hi Andrew, it's nice to talk to you. In answer to your question it's always nice to be busy & although I guess I've been out of the public eye for a while. I've been busy with writing projects & sessions. But it's nice that people can see that I'm still alive! From where you sit now, Shadowman and The Ladder signify a new creative path for you after year's of work with FM. But neither is too far musically away from where your heart lies, correct? Yes you're right about the direction of Shadowman & The Ladder being where my heart lies. I had a period where I wanted to move away from the blues rock kind of thing (i.e The S.O album) but it's what people know me for & I guess you always go back to what you do best. Let's talk Shadowman first - you have obviously been in contact with Khalil ...
 
Tue
07
Feb

Daniel Flores (2006)

Daniel Flores: Sweden's Man Of The Moment   Daniel, you are fast becoming the go-to man for session drum work, so there's a few tings to cover here. But first and foremost, we are here to promote your new Mind's Eye album Walking On H20. The album is a concept album about nothing less than human evolution. Couldn't you find anything more light and fluffy to write about?!!! :) Hahahaha Well the topic of world terror had already been taken by George Bush so Human evolution has the only theme left for me… ;-) Seriously, I thought I was a great lyrical theme with the potential of being dramatic and serious at the same time. I mean who dares to write about something like Human evolution? Who dares to say out loud that Darwin's evolution theory has huge wholes in its socket? I wanted to create some discussions about these facts, its fun to provoke feelings into people's minds. I am a guy who likes to provoke, it's so much funnier than to be on the safe side. Still, it's only music. That's why I chose the theme, to encourage people and at the same time still make some good old ...
 
Tue
07
Feb

TNT (2005)

TNT: All The Way To Another Hit Album TNT & Starbreaker frontman Tony Harnell talks about the latest TNT release and the work that went into getting it recorded and released. So Tony, TNT time again....it doesn't seem that long since My Religion - at least compared to the gap between that and Transistor! Was it a conscious decision by you and the band to try and keep the momentum rolling? To some degree yes. We had an opportunity to keep things going, we felt creative and thought it would be nice for once to have two albums in two years. Something we have never done before in our career. When did you start writing for this album and how long did the studio process take? We started writing in December 2004 and a little more took place in early 2005 and then we had one false start in the studio before finally getting to work in February/March. While the album has its own personality, I can hear similar production values to My Religion - did the recording process itself alter much between albums? Not that much, I think this one came out better in that regard. Some small changes ...
 
Tue
07
Feb

Change Of Heart (2005)

Change Of Heart: Truth Or Dare? Change Of Heart's frontman Alan Clark talks about the band's very cool new album filled with classic AOR... G'Day Alan, nice to talk to you again, congrats on the new album. A few interview questions for you as part of my Escape Music promotion. Hi Andrew, Good to hear from you too. Many thanks, I took a look at your web site, enjoyed the review. So Alan, it's been a while between drinks for Change Of Heart - welcome back! Thanks, quite a few drinks!! Why so long between albums? It's not COH that I'm solely thinking about here, but you can answer the question in any regard! Various reasons really, a few personal changes which stopped us, and the problems of being a full band one minute, and down to just two members the next! With Trev and Garry leaving, followed by John's departure, meant the way we worked had to change dramatically. I personally like working in a band environment, which means playing live, writing and rehearsing new material as you go. I think where bands like COH work as a studio based project; do tend to take a lot longer to ...
 
Tue
07
Feb

Philip Bardowell (2005)

Philip Bardowell: In The Cut with a fresh voice for AOR Philip Bardowell delivers his most straight forward melodic rock release to date in partnership with Tommy Denander. Hi Philip, I hope you saw my review of the album, it got quite a rave. Congratulations on the end result. Yes. Indeed I did. Thanks for the review and the kind words. While you have been cast as a melodic rock singer, it certainly isn't or hasn't been your total upbringing has it? Not really. I enjoy singing all styles. I grew up singing rock and gospel music in church. I've always been drawn to bluesy, soulful singers, so my natural style tends to follow along those lines. I even sang show tunes in various musicals and I sing Jazz as well. In the Beach Boys, I really had to tone down my natural inclination towards blues/soul to accurately capture the Beach Boy's sound and in Criss (my band with Peter Criss) I was really stretching my voice to cut the hard rock vocal style that the music called for. In The Cut I would say, is easily your most straight ahead rock release for your career to date. What ...
 
Tue
07
Feb

Blue Tears (2005)

Blue Tears: Mad, Bad And Back In Your Face. Gregg Fulkerson talks about the return of Blue Years - first from the past over two different volumes and then into the future. First of all Gregg - it's great to be talking in terms of Blue Tears again. The band meant a lot to a great number of people.... Well, I'm very glad that seems to be the situation although it is a surprise to me...we recently had a friend run a soundscan on us and we sold over 5 times what we were told we sold...so I guess it reached more people than we thought! I formerly interviewed you last time around for the Attraction 65 record. Briefly to that - I take it that the band is now over? Not necessarily...it was an incarnation of Blue Tears...just a darker, moodier version...since it was different, I changed the name...it was my first record in several years...but the new Blue Tears record that is almost finished is very true to the original idea of the band. I still think that was a great record with an updated sound that was still reminiscent of your past ...
 
Tue
07
Feb

Blanc Faces (2005)

Blanc Faces: Behind The New Faces Of AOR! Brian La Blanc introduces fans to one of the great debut albums of 2005 and a new name for AOR fans to adore... G'Day Brian, fabulous to be doing this interview. Almost entirely fabulous and unanimous reviews for the debut Blanc Faces CD - what do you guys think of that?!! I am very happy with the positive feedback we are getting from everyone! Could you have wishes for a better response? Not really...the response has been great! And it seems the fan base who have rushed to buy this are also agreeing - which is the all important factor. Let's take it right back to the beginning. You have been working in the business for along time now. Tell us about working with Rupert Holmes. What was your job for him and what was the reward for you guys? We were very young when we worked with Rupert Holmes...He taught me a lot about songwriting! He must have seen something that he liked and was trying to give us some guidance...Nothing ever really came of it...but hey man that's the music business! He did teach me some things ...
 
Tue
07
Feb

Metal Majesty (2005)

Metal Majesty: Mixing Pomp With Metal. The one man band Valensia talks about his latest release - the hard rock friendly Metal Majesty and offers up some direct and honest answers, some surprises and a great deal of honesty in this interesting interview. Valensia, there seems to be a certain mystique that surrounds you as an artist. Is that a strategy that was put in place earlier in your career, or does it stem from the strong cult like following you have in Japan and Asia? I'm not your average milkman, but 'a certain mystique'.. I don't know. When I was released in Japan, the early days, the record company made up that story I was some kind of computer-generated pop artist…that I didn't exist in real life. Now I'm older I know certain people are born with that mystique. I'm one of them, but I don't do anything to promote myself as being mystique, I actually do not promote myself at all since ages. Hence the mystique! Your debut album sold a million copies plus - how does a young artist adjust to such a high impact start to ones career? There was nothing to adjust; I came ...
 
Tue
07
Feb

Brazen Abbot (2005)

Brazen Abbot: Resurrecting Their Best Album Yet. Nikolo Kotzev talks about the new My Resurrection album, getting the best from his vocalists and work on a new rock opera. G'Day Nikolo, I'd like to throw some interview questions at you if possible! Hi Andrew. Nice to hear from you. Thanx for the interest. Congrats on the new album My Resurrection! It is, I think, the best the band has sounded on any record to date. What can and do you do as principle performer and producer to ensure the studio performances are captured as best as possible and then those performances are relayed to the record? Thanx. I appreciate the compliment. I always make sure that I hire first rate musicians to begin with. I will never compromise with that. Heaving ensured that, all I have to do is make the performers comfortable in the studio, give them the freedom they need to express themselves and work hard on capturing that little extra quality everyone of them has. The very same quality which made me offer them the job. Obviously I like having good chemistry flowing and try to encourage the guys in every way I can. Usually all of ...
 
Tue
07
Feb

Swirl 360 (2005)

Swirl 360: A Californian Revenge Brothers Kenny & Denny talk about their new album and the hardships from being cast aside by industry BS... Hi Kenny and Denny, I have to start by asking about the long time between the debut Swirl 360 album and the new one on Atenzia. First of all - you were signed to Mercury Records and as we all know, the deal went sour due to label politics. Looking back, can you sum up the frustration that 1000 bands have been put through and how you felt? Denny: Tragic, best describes that whole experience. When we first got signed to Mercury/Polygram, we did not really have any of the songs written yet. Steve Greenberg, who signed us, told us we could not start recording until half the record was written. Ken and I wanted the record out by summer so within November and December of 1997, we had written more than half record. Once we handed in the songs like Hey Now Now, Candy In The Sun, Rewind, Stick Around, Ask Anybody,... the radio department got a hold of it and we were immediately bumped to priority. We all new that we had a hit record on our ...
 
Tue
07
Feb

Jay Miles (2005)

Jay Miles: A New Start Swiss born US resident Jay Miles talks about his ultra smooth debut solo album out now on MTM. Hi Jay, Thanks for taking the time to discuss the release of your new album 9 Hours. It's been a long time coming for you - are you relieved to see it done and on its way to CD stores? As you mentioned, it's been a very long time coming and I am already eager to go back to the Studio to record the next CD. I am very happy with our partners for Europe, they've done an extraordinary job to promote the CD and I am more excited about the reactions to the records so far than I am relieved to see it done... How long was the process of first writing the songs for the album (and selecting the ones you didn't write) and how long to get the album recorded? We started out by selecting a mere 300 songs from other songwriters out of Nashville and L.A.. Once we determined which songs would make it to our final selection, we then added the conforming material out of my personal song-catalogue and matched the tunes in ...
 
Tue
07
Feb

Heartland (2005)

Heartland: Moving On To Better Things Heartland's Steve Morris and Chris Ousey discuss the band's cracking new studio album Move On. Steve is highlighted in green and Chris in blue. G'Day Chris and Steve, Great to take this opportunity to talk to you about the smashing new Heartland album - one which I have a lot of enthusiasm for. Chris - to you first - not too many people are still in the business closing in on 20 years since their debut album. We all know this business doesn't work on talent alone - how have you managed to stay in it for so long? Has it been that long? That's truly scary, but I don't think a passion for music can ever be discarded. I also class myself as very lucky that there's always been people interested enough in what I do, to want to help and encourage me to continue. I know I certainly hold this opinion, but do you consider yourself unlucky not to have broken into a wider audience and acclaim? You have a great standing within the melodic rock community, but with a voice such as yours, I think you are unlucky not to be a ...
 
Tue
07
Feb

Oliver Hartmann (2005)

Oliver Hartmann: Out As A Solo Artist Oliver Hartmann steps out in the cold, under a solo spotlight...and delivers a monster album. First off - I have to say how impressed with the album I was! I had no expectations of it, which I think was a good thing, as I was really blown away by it. When did you start out to write a solo album? Thanks a lot first. I started to work on songs for a solo album after I left AT VANCE in mid of 2002. It took more than 2 years to have enough material cause during that time I was still involved in some other projects like Genius and Empty Tremor. I didn´t know what the reactions on this album will be so I´m very happy about the result now and I didn´t expect the reviews to be so good. Your time in At Vance and also as part of Empty Tremor has been more focused on melodic metal and progressive hard rock. Out In The Cold is far more refined - a melodic rock album, albeit one with as much power and emotion as anything else I have heard you sing. ...
 
Tue
07
Feb

Thunder (2005)

Thunder: The Magnificent Album! Danny Bowes talks about the very latest and most impressive Thunder album, The Magnificent Seventh, out now... G'Day Danny, time again for a wonderful little interview....thanks in advance for your time. Thank you. Thunder is at it again - the album is out and looking like being every bit as successful as Shooting At The Sun and even more so. Are you a happy man? Extremely happy. This LP is going down really well with fans both old and new, and it's going to sell a lot more than the last one, which tells me we must have been doing something right for the past 18 months. It seems the band has slipped into a very comfortable pattern post-reformation. You have a very strong organization supporting the band, getting your releases into stores in the UK and the word out to fans via the Internet. How do you find working in this environment, as compared to the days on a major label? I don't know about comfortable.... In the old days we never really knew what was happening (we thought we did), but we left a lot to our management and the record labels. Nowadays I'm ...
 
Tue
07
Feb

Plunge (2005)

Plunge: Jump into this new band... Plunge frontman Mike talks about the band's debut album on Atenzia Records and working with SR-71. Hi Mike....Plunge is a new name on the scene - can you introduce the band to us and tell us a little of the history behind the band? Plunge is a new name to the scene in Europe but we actually started the band back in 1995 in Baltimore Maryland. It's your typical story where a bunch of kids from the neighborhood with a love for music picked up some instruments and then we were off. When the music bug bites ya, it's hard to shake. The members of the band have changed a couple of times over the years but the line up we plan on sticking with is: Mike Ruocco - Lead Vocals/Guitar, Mac Calvaresi - Drums/Vocals, Brian Magill - Bass/Vocals and Chris Shucosky - Guitar/Vocals. For those uninitiated, how would you describe the band's sound and what song should people check out to best get what Plunge are all about? Our sound is a really hard thing for me to describe. I feel like we incorporate aspects of bands like Bon ...
 
Tue
07
Feb

Pride Of Lions (2004)

Pride Of Lions: Fulfilling Their Destiny. Jim Peterik talks about the spirit behind the music and the making of the new Pride Of Lions album, not to mention what else he has in store for 2005. Ok, Jim - first of all, well done on creating another great slice of classic melodic rock. Thanks Andrew - coming from a man that has "heard it all" in classic rock that is a great compliment! Going right back to the time following the release of the debut - that album also gained some amazing reviews and personal feedback for yourself. Did you feel any pressure building in the time following that to start work on a follow-up that would have to top the work done on the debut? I happen to work well under pressure. When Frankie and I were asked to write the theme for Rocky 3, we had one week to write it, record it and mix it! Not to mention rewrite it a few times. If there seems to be more urgency and a fresher sound on this record it is because we didn't have time to over-think it and process it to death. In some cases I would write a ...
 
Tue
07
Feb

Jeff Northrup (2004)

Jeff Northrup: Producer, engineer and musician! Jeff Northrup talks over his recent work on the MR.com CD, plus Shortino/Northrup, working with Johnny Edwards and much more... So Jeff, you have just finished mastering my own CD Compilation - after doing a great job on Volume 1. Thanks again. Can you walk us through the mastering process? First of all, thanks for letting me be a part of such a great collection of songs and artists!! Mastering is definitely the icing on the cake so to speak, of making a good mix sound even better. After a song has been mixed, there are usually some frequencies that are fighting each other for their space in a song. i.e, the bass guitar may be in the same frequency as the kick drum, or there might be too much low end from the guitars fighting with the bass. What this causes is the song to sound a bit muffled in the low end of sound. By isolating these unwanted frequencies, you can sort of weed out the ones that are less desirable which makes that part of the mix sound clearer. The same goes for the high frequencies. There may too ...
 

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